bet365 live casino games The core issues to be solved in the development of Chinese figure painting in the 20th century，It is the conflict between Seiko and Yajian，The unity of the two also constitutes the basic approach to the development of Chinese figure painting。Ancient Chinese figure paintings from the Song Dynasty to the late Qing Dynasty，Often give up work to enter Yajian、real。Since modern times，The introduction of Western modeling concepts and techniques has put forward new requirements for "workmanship" in figure painting: from the pursuit of "accuracy" based on anatomical science，To find the "image" based on grasping the characteristics，And then with the help of perspective、Seeking “truth” based on visual principles such as light，Finally, "work" is required to rise to a standard-based approach、like、Really "psychologically true" expression。And "freehand brushwork", "expressiveness", "pen and ink" and "vivid charm" are the objects of elegance in Chinese figure painting，represents the unique aesthetic interest and value of Chinese painting。On the road to modern "precision work"，Inheritance、Absorb、Integrate and develop this aesthetic characteristic with Chinese national characteristics，It is a path already taken by Chinese figure painting，It is also a prospect and direction worthy of further exploration in the future。

　　Keywords:Seiko, Yajian, Nationality, Aesthetic Spirit, Figure Painting

　　AuthorLiu Xuguang,Professor, School of Liberal Arts, Shanghai University (Shanghai 200444)。