The theory of "Different Sound" in the Ming Dynasty Poetics
December 07, 2020 09:56 Source: "China Social Sciences" December 7, 2020 Issue 2063 Author: Wen Shuang

time to the Ming Dynasty,If you start from the Book of Songs,Ancient Chinese poetry has more than 2,000 years of history,Various poetry systems appear,Many poets with different styles have emerged,At the same time, each era is formed、The unique poetry style of each region。The Ming Dynasty poets faced with previous generations of poems with different body categories and different body appearances,The first step of doing it is to distinguish the body,As Wang Tingxiang's "Liu Meiguo's Poetry Collection" states: "Poetry Gui Different Body。”

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In the Ming Dynasty,Previous people are the most representative、The most in line with the ideal standard,That is the so -called "first righteousness" poem,Abstract as the basic poetic aesthetic specification (where the poetics is on "style",It is often manifested as "style"),restricting the "concept of concept" when the Ming people's specific creation。This is the so -called "institutional tone,The moment of the poem also,Words and meaning,your authors self -luck "。Mingren's "Different Sound",It is based on this "distinguished" idea。The "body" identified by its dislikes,Not only the body of various body categories,Ru Poems and Text、Ancient Poems and Law Poems,It also includes a variety of physical body,Ru area of ​​regional poetry、Poetry and writer poetry。The important factor of "sound",Not only does it include the specific sound format,It also includes the sound style formed on the basis of the format of sound rhyme,Even the various constituent elements of poetry (such as love、Things、Victory、Gongshang) The overall artistic beauty formed by singing (presented as "adjustment")。"Sound identifier" in the Ming Dynasty poetry bet365 live casino games shows the deep understanding of the relationship between the Ming people and the "body"。

Differential poetry and text with "Sound",It is an important aspect of the Ming people's "discrimination with sound"。Li Dongyang said: "Those who speak in the words are text,The sound of the text is a poem。"" ("The Preface to the Weng Family Tibetan") "The chapter is used,Exaggeous commemorative shop,Getting off and algae decoration ... if the song chants and sighs,For the use of circulation and turbulence,The sound of existence。"(" Spring Yutang Manuscript ")" The body of poetry and literature ...,With its voice irony,Can make people repeatedly irony,With Changda Love,Sensing ambition,Take the class of the birds, beasts and plants,and is beneficial to the greatness of famous education and politics。"(" Cangzhou Poetry Collection Preface ") Hao Jing said:" Poetry and literature,Culturalism,Poetry Lord ...,Therefore, the poem is the main voice,Therefore, it is expensive and warm。"(" Art Garden Talk ") Wang Wenlu said:" Wen Xian is in the eyes,Qi is the main; Poetry Yongkou also,Sound is mainly ...,Poetry with ceramics,Dao is in the middle。"(" Wenmai ") Based on the above three sayings,Text and poetry can "carry the way",Wen Zhong is in "Using Righteousness",Use "meaning" to achieve the purpose of "discipline shop" and "speaking of the road"; poetry focuses on "use sound as",Take the voice of "gentleness and thick" and "Ya Zhengping","Repeated Relief",To realize "Tao Writing Emotional,Feeling will "(Li Dongyang's" Haihuang Poetry ") of the poetic purpose。

The load of "Poetry" is achieved by the educational role of "sound",The main purpose of poetry is lyric,People with a sense of vocal feelings and then "Tao Nourishment、Weathered State State "(Tang Shunzhi's" Section of Land Training Guide "),instead of narrative and discussion。The respect of Tang poetry in the bet365 Play online games poetics of the Ming Dynasty、Defense of Song Poems、The refutation of the concept of "History of Poetry" is mostly rooted herebet365 live casino games 。Ming people use "sound" to distinguish the difference between poetry,On the one hand, I grabbed the aesthetic attributes of the poem itself,Highlighting the basic feature of "music" as "primitive music literature" as "primitive music literature",On the other hand, with the purpose of "teaching with sound",It is a unity of aesthetic and enlightenment。

  Differential poetry

"Sports Poetry", that is, the poetry "genre" and "system" in traditional cultural and physical criticism。The reason why the poetry and style of "sound" can be used feasible,Because "sound" is the basic feature of poetry different from the text。Ming Dynasty Poetics has a clear understanding of the overall relationship between poetry "system" and "sound"。This is first reflected in the poem of Ming people often "sound" (sound "(sound、Audio、Sound tone) and "body" (system、Corporation、Physical Physical) Both column。As Zhu Quan said: "Sound sound,Two first。"(" Xijiang Poetry ") Huang Yan said:" Correspondences must not be descended at any time。"(" Re -publishing Poetry Public Order ") Hu Yinglin said:" Poetry is big but two ends,Physical Sound,Xingxiang Fengshen。"(" Poetry ") followed in" Sound "(Huayue's" Poetic Source Stream ")、"The system is not one,Symbols are also different "(Zhu Quan's" Xijiang Poetry Method ")、"Sound body" (Xu Xueyi "Poetry" argument) and other concepts are proposed。where,Xu Xueyi used the "pure miscellaneous" poetry of the "sound body" to most reflects the "poetry of the poems,The view of the body of the body。

Xu Xueyi said: "Zi Ang's" Feeling "is retro,But in the end is the ancient poem of the Tang Dynasty,Non -Han、Wei Gu Shi also。And his poems are still miscellaneous ... Zhu Yuan -晦,After the sound body is pure。"Here Xu Xueyi used Chen Ziang's 38th poems with Zhu Xi's imitation of" Zhaiju bet365 best casino games "poem 20 prime minister,I believe that the former is "Tang Ancient Poetry,Miscellaneous law sentences ",The latter "The sound body is pure"。Xu's theory involves Li Dongyang's "Ancient Poems and Laws are different,Must use its body to be qualified "(" Huailu Tang Poetry "),Li Panlong's "Tang Wu Wuyan Ancient Poems and Ancient Poems" ("Selection of Tang Poems") and other important poetic propositions。Ancient Poetry and Body、Tang Wuyan's ancient poems and Hanwei Wuyan ancient poems in terms of sound system specifications were called "sound body" by Xu Xueyi。Wang Yonghao thinks,"Different body forms have corresponding 'sound',It is the ‘sound body’ ”(meaning and logic positioning of“ meaning of “sound” category ”),Basically, the kernel of the concept of "sound body" is cut。"Sound" refers to the specifications and characteristics of a certain poem system in terms of sound。So,The concept of "sound body" must be placed in the relationship between "sound" and "body" to understand,The purity of "Sound" is to see whether a poem conforms to the system specification of the "sound" from the perspective of "sound",When it meets, "Sound" is "pure",On the contrary, "Sound" is "Miscellaneous"。

In the Ming Dynasty poetics, "sound" uses "sound" to discuss the development of various poetry style,Discussion on the specific sound format and sound style of "ancient body poetry" and "near -style poetry",and "Tang Wu Wuyan Ancient Poems and Ancient Poems", "Tang Ren Seven Laws first disputes" and other controversial topics,All involve the concept of "sound body"。Ming people discern different poetry systems with "sound",Although there are trivial disadvantages,But it also shows the fineness and maturity of its poetic concept from one aspect。

  Differential poetry body appearance

Late Ming Lin Zhaonen said: "Test the sound of his voice in its heaven,Di Qi,Ancient and modern different。Test its voice in its place,Di Qi,and Bet365 lotto review mountains and rivers also。Test its voice to its person 焉,Originally learned,and less successful people are also different。Therefore, it is not available to the people of heaven and earth,Difficulty and words。"(" Poetry and Wave Talk ") clearly propose the analysis of poetry and sound, pay attention to the sky (time)、Di、Tang Wenjun Liang。Tu Long, a little later, also said: "Yu Xia's book is haunted,Shangshu 灏 灏,Zhou Shu 噩 噩; Chinese Code thick,Tang Wenjun Liang,Li Duji material,Yuanwen Qingyan: Those who have changed from the scholars are also ... Cao Liu Qi,Pan Lu Fuli,Jiang Bao Xu Yu Gongyan,Li Duji material,Han Liu's method,Yuanbai enjoy,Wang Meng Delo,Luling body Jie,Meishan Qichang: Shengsheng as a person with a special person。Zhou Feng Meisheng,then "Guan Yan", "Da Ya"; Zheng Weifeng,"Sang Zhong" and "溱洧"; Qin Fengxiong,then "Neighbors" and "驷驖"; Chen Caofeng luxury,then "Wanqiu" and "蜉蝣"; Yan Zhao Shangqi,then Jing Gao's sad song; Chu people have more grievances,Then Qu "Sao" is angry: Shengsheng is also used with vulgar people。"" ("Hong Bao · Poetry") The so -called "sound change" here corresponds to "time","Sound to people" corresponds to "people","Sound with Vulgar" corresponds to "ground"。Visible,Mingren clearly realized,Poetry's overall sound style is from the times、Region、The influence of the writer,Then it presents different physical characteristics,from this can "sound" distinguish different times、Different regions、Poetry of different writers。

Ming people use "sound" to distinguish between the times as Li Dongyang's "era style" ("Huailu Tang Poetry").,and specifically present it as an ancient tone、Tang Tune (Sheng Tang Tune、Middle Tang Tune、Late Tang Tune)、Song Tune (Li Mengyang commented on "Shi Yan Poems"、Xie Zhen's "Four Poems") and other series of noun phrases named after "time+tone"bet365 live casino games 。Ming people use "sound" to identify regional poetry as Li Dongyang's "Wu Ge Qing and Wan,Yue Ge is long and excited "(" Huailu Tang Poetry ") The distinguishing and sound style of Wu Yue's poems and Xu Xianzhong" Qin Chu analyzed the soil,Different Business Corner "(" Tang Poetry Preface ") For Qin's tragic and melodious、Chu Tuanxian's sorrowful region。Ming people distinguish between writers with "sound",First manifested as a specific sound characteristics to evaluate the poet's poetic appearance,As Xu Xianzhong commented on Cui Yan's poems "Qi Jun Jun,Sound Sound Qian Beauty ",Commenting Wang Changling's poem "Genius Lishi,Audio sparse "(" Tang Poetry "); followed by the overall recognition of someone's poetic sound and artistic style,Fixed the style of the author's poetic style in a "name+adjustment" manner,such as "Taibai Sound" ("Four Poems") and "Du Tuan" (Li Mengyang commented on "Shi Yan Poems"、Hu Yinglin "Poetry")。

Ming people identify the poetry of the times with "sound"、Writer Poetry,It also implies a certain value orientation。For example, for "Ancient Tune", "Tang Tune", "Song Tune",Ming people obviously praise the "ancient tone" and "Tang tune" and degrade "Song Tune"。The writer of the writer named after the writer is only seen in "Taibai Sound" and "Du Tuan",This indicates that most Ming poets seem to be,Only Li Bai and Du Fu's poetry style is the most worthy model worth imitating。

So,Regardless of the specific vocal format, various body poetry and style,Still distinguish between poetry and style in the overall sound style、Regional Poetry、Writer Poetry,Most of the "distinguished body" of Ming people contains intention to promote poetic creation。It can be said,Ming Dynasty Poetry Different Specific Poetry System、Time style、Writer style,In addition to the historical theory summary,The most important thing is based on the current,Provide the format specification for the creation of Ming bet365 Play online games people,On the basis of this, repeated chanting of the model of poetry with model significance,Form the overall language of "style",So as to create both system specifications,Poetry works that meet the "aesthetic model" of "style"。In this sense,"Different Sound" theory in the Ming Dynasty poetics is a theory with "practical character"。

(This article is the "Traditional Research of the Ming Dynasty Poetry '" Sound Solution' Traditional Research "(17ZWC001) in the Jiangsu Social Science Foundation Project)

(Author Unit: School of Literature, Yangzhou University)

Editor in charge: Cui Cen
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