The mountains are quiet and the days are long—the "quiet" in Jianjiang's landscape painting techniques
September 12, 2024 14:40 Source: Chinese Social Sciences Magazine Author: Yuan Qing

 bet365 Play online games The category of "quietness" originated from the deep soil of traditional Chinese thought,Integrating the deep thinking of ancient philosophers on the nature of life and eternal time and space。Philosophers of all ages have sought the destination of life in "quietness",To comfort the free soul。Jianjiang landscape painting with its powerful and simple brushwork、Regulations to be deleted,Exquisitely embodies the connotation of "quiet"。This pursuit of "quietness",It is rooted in the penetration of traditional Chinese thought into Jianjiang’s subjective consciousness,It also arises from the unique state of mind shaped by his ups and downs of life,Being in the tranquility of nature,Appreciate the eternity of the universe,Landscape painting became an important way for him to express his soul。The condensation of "quietness" in Jianjiang's landscape paintings,Revealed through the management of unique pen and ink rules,Use Huangshan Mountain as the object to create a "quiet" painting environment,Appreciate the true nature of life in the silent painting,Metaphysical thinking about infinite eternity,To convey your own unique experience of the universe。

  Keywords:Jian Jiang, landscape painting, brush and ink composition, "quiet"

 AuthorYuan Qing,Postdoctoral fellow at the Institute of Philosophy, Chinese Academy of Social Sciences (Beijing 100732)。

Editor: Zhang Jing
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