The University of Oxford University Press will be published in September. The new book "Aesthetics after Modernism" written by Diaarmuid Costello, a professor of philosophy of Winway University in the United Kingdom, will be published in September.。

This book shows the continuous connection between the aesthetics and art after modernism。The author reviews the rejection of aesthetics in the art world，American art critic, Clement Greenberg, Bet365 app download successfully used aesthetic discourse, especially Kant's aesthetic ideas to provide support for the formalist theory of aesthetic value。This leading to Kant's aesthetics was labeled with the "Greenberg formatism"，It also made later critics and theorists miss the valuable resources in Kant Aesthetics，And these resources just capture the cognitive relationship between people and the art that people and theorists are interested in。

There is a view that I think，Kant's aesthetics are not good at interpreting the contact between people and art from a cognitive level。The author is based on Kant's art theory，I Bet365 app download made a different explanation for this，to refute this view。Conceptual Art provides an inspiring test case，It is said to，At least in its more pure art form，This art completely abandons the attributes of emotional and tends to blend with thoughts。but but，If Kant's aesthetics can accommodate the cognitive relationship between people with "unrelated to perceptual characteristics"，So it should also be able to apply to other types of art works。

This book is expanded around three parts。The first part explains the inherent structure of Greenberg theory，Focus on the relationship between modernism and formalism bet365 Play online games under the theory of Greenberg，and comment on the two。The second part focuses on the agreed and reaction of its modernism and formalist thoughts to reveal the "Later" of Greenberg theory。The third part returns to Kant's aesthetics，How the view that Kant described art as "expression of aesthetic concepts" has well handled the semantic content of artistic types that are not easy to understand in conceptual art。

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