Looking back at the history of bet365 withdrawal film development，We can find the important significance of cultural consciousness for the construction of bet365 withdrawal film theory，And this can form culturally innovative film theoretical thinking。bet365 withdrawal film theory is based on bet365 withdrawal cultural tradition and social reality，The realistic and transcendent qualities of bet365 withdrawal culture，Exhibiting strong "resistance aesthetics" characteristics。“Left-wing” films have brought bet365 withdrawal film theory to a new level of culture and art，Developing a new form of film cultural theory，Many of these theoretical viewpoints are world-leading。The ongoing exploration of nationalization in bet365 withdrawal films，Continuously integrate bet365 withdrawal cultural aesthetics and artistic ideas into film forms，A new pattern of interaction between bet365 withdrawal film theory and world film theory has been formed。

　　The context of early bet365 withdrawal film culture consciousness

Late Qing Dynasty and early Republic of China，Various improvements were communicated to both the government and the public、The voice of revolution，Zheng Zhengqiu, a famous early bet365 withdrawal filmmaker, brought the traditional bet365 withdrawal ideas of "carrying the truth" and "educating" into movies，This can be said to be an important beginning for bet365 withdrawal film culture consciousness。

bet365 withdrawal films in their infancy have shown two development paths: one is to imitate Western genre models or styles and sentiments；The second is based on bet365 withdrawal cultural thought，Creating a path for bet365 withdrawal film style。The former path or tendency，Already shown in the first batch of feature films in bet365 withdrawal movies，Movies such as "Eternal Oath", "Pink Skull" and "Yan Ruisheng"。In such a movie environment，The film script compiled by Zheng Zhengqiu and its cultural consciousness，puts bet365 withdrawal movies on the right track。He wants to use bet365 withdrawal-style human ethics to fight against the hot excitement that attracts attention，This was obviously a countercurrent to the popular Western films at the time，But it has opened up a development path for bet365 withdrawal film culture。

The beginning of bet365 withdrawal movies，Faced with the huge contrast between China and the West。Therefore，In the budding period of bet365 withdrawal cinema，How should bet365 withdrawal films position themselves and determine their development direction，This is a question commonly considered by filmmakers with a sense of cultural responsibility。In the handouts of Changming Film Correspondence School，Zhou Jianyun and Wang Xuchang clearly stated that the "mission of film" has the following points: "Praise a country's long history；Praise a country’s beautiful culture；Represents the great character of a country；Promote the noble customs of a country..." In their opinion，The reason why the bet365 withdrawal at that time were "fearful of foreigners" and "favoring foreigners"，Because the European and American movies I have seen all show the beauty of foreign life，The bet365 withdrawal are all barbaric、Corruption、Despicable、Dirty content。From the perspective of the filmmakers’ own mission，See movies as a powerful tool to rebuild bet365 withdrawal cultural confidence，We must strive for international equal status for the bet365 withdrawal and bet365 withdrawal culture。

In the historical practice of modern bet365 withdrawal society，The gradually formed new cultural traditions and national film characteristics，Covers history and real practical experience，With obvious characteristics of the excellent cultural integration of China and the West。Therefore，Cultural consciousness is not simply about retrospecting or restoring the purity of bet365 withdrawal culture。Social and cultural consciousness brings film theory consciousness，Film theory is self-consciously social、History and Culture、The result of the interaction between film and art。

　From thought to form:The politics, philosophy and aesthetics behind the film form

Re-examining bet365 withdrawal films in the 1930s，Whether it is Luo Mingyou who prefers tradition、Fei Mu and others，Still a "left-wing" filmmaker who has accepted Marxist ideas，Everyone is suppressing、Showing a strong sense of struggle in the tragic international and domestic environment。So say，It is not an exaggeration to say that at that time, both conservative and radical bet365 withdrawal film circles embraced the concept of "resistance aesthetics"。

　How to transform ideas into film form，This is an important issue in bet365 withdrawal film theory and practice in the 1930s。If it’s just thoughts、Expression of political ideology，Lack of artistic form or skill，Then it will be difficult for the movie to realize its aesthetic and artistic function，In other words, it is difficult to establish the artistic attributes of bet365 withdrawal films。At that time，Whether it is a "left-wing" filmmaker or a traditional film culture group，The awareness of the cultural and artistic attributes of film has reached a very high level。But there is a lack of cultural awareness of “soft films”，Doomed to its narrow limitations in film theory，Therefore, it is outside the mainstream of bet365 withdrawal movies。

"Left-wing" films of the 1930s，There is no doubt that he has a strong Marxist ideology，At the same time, he also made fruitful explorations in film art theory，These achievements are mainly reflected in the following aspects。First，Use Marxist thought to conduct a profound analysis of social reality，Enlighten and help people understand the nature of social contradictions and crises。Therefore，Marxism has become an important part of bet365 withdrawal film theory。Second，In terms of film script structure，Proposed a world-class drama concept，Such as the design of an open ending。This is closely related to the first point mentioned above，It is a direct embodiment of the transformation of Marxist epistemology into the form of film and drama。Third，On film art issues such as film time and space and montage narrative，Already have a very in-depth understanding，Establish a mature film art evaluation standard system。

Chen Wu is in the article "The Road to bet365 withdrawal Films"，Rejects the view that film art should not have social functions，And clearly stated that film ideology is a universal existence，This is also of great pioneering value in the history of world film theory。In addition，Chenwu also proposed a theoretical strategy to rescue bet365 withdrawal films from the dominance of Hollywood in the United States through "documentary films"。"Movie Sins" written by Xi Naifang (Zheng Boqi)，clearly stated that the ending of the movie protagonist is implicit、Open processing method，Do not end with a happy ending or a daydream，Inspire the audience to think positively。What should be emphasized here is，Documentary and open-ended plot，These are the two basic characteristics of Italian neorealist films more than ten years later，Therefore，The avant-garde nature of bet365 withdrawal film theory in the world in the 1930s，It must be a major contribution to the history of world film theory。

The famous French film historian Sadoul visited China in 1956，During this period he watched some bet365 withdrawal films from the 1930s。While highly appreciating，Sadoul raised several questions: Why are some bet365 withdrawal films from the 1930s so similar in style to some Italian neorealist films from the 1940s？Why are these bet365 withdrawal films born 10 years earlier than Italian neorealist films？The artists who shot these videos in China and the artists who shot those videos in Italy and their respective experiences、What are the similarities in education，What are the differences？

Actually，Theoretical and practical experience of the aforementioned “left-wing” films，Already a good response to Sadur’s question。In addition，The inheritance and influence of China’s excellent traditional culture cannot be ignored either。The realm of life and personality aesthetics valued by bet365 withdrawal culture，It was deeply interpreted in bet365 withdrawal movies at that time，And directly expressed as the confidence of the movie characters、Courage and historical responsibility。

　The practical characteristics of bet365 withdrawal film theory

The film “resistance aesthetics” formed in the 1930s and 1940s，It is the inevitable result of China’s struggle against Japanese imperialist aggression，At the same time, it is also a more violent and comprehensive awakening of bet365 withdrawal culture during the long-term oppression。Therefore，Creating in Film、Film criticism、A theoretical and ideological system has been initially formed in film performance and other aspects，And it continued after the founding of New China。

1950s-1960s，The construction of bet365 withdrawal film theory is specifically expressed as the "exploration of national forms" of film，Inject traditional bet365 withdrawal philosophical and aesthetic thinking into the lens language and formal structure，As a result, a large number of excellent works were produced, such as "Lin Zexu", "Lin's Shop", "Spring in the Dead Tree", "Zhang Ga the Little Soldier", "Early Spring in February"。Afterwards，Mr. Lin Niantong summed up the unique "single shot-montage aesthetics" theory of bet365 withdrawal movies，This undoubtedly breaks the long-standing theoretical boundaries of "long shots" and "montage" in world cinema，Maked great contributions to the development of world film theory。

Traditional bet365 withdrawal aesthetic ideas have achieved far-reaching modern transformation in movies，This is an important feature of bet365 withdrawal film theory。As early as 1934，Fei Mu proposed the famous theoretical concept of "air" in movies，And in the long-term exploration thereafter，Gradually enrich bet365 withdrawal aesthetic ideas and artistic techniques into the "air" theory，This resulted in the bet365 withdrawal film classic "Spring in a Small Town"。Beijing Film Studio photographer Nie Jing adheres to the aesthetic principle of "vivid charm"，During the filming of the movie "Xiao Bing Zhang Ga"，Summary of the concept of “lens dynamic rhyme” that is more valuable in film theory，The necessary emotions for montage、Rhythm、Atmosphere and other elements are connected with bet365 withdrawal aesthetics，Reveals the relatively mature concept of poetic narrative in bet365 withdrawal films。The aesthetic principle of "vivid charm" and the theoretical core of "compression-explosion" of montage are highly isomorphic。The concept of "momentum" established between the movie shots is crucial，From the perspective of bet365 withdrawal philosophy and aesthetics，It can be said that "motion" is contained in "quietness"，This is actually the most important "preparing the momentum" issue in montage thinking，Therefore, most excellent bet365 withdrawal movies will show a strong poetic color。

bet365 withdrawal film theory and practice are in a mutually reinforcing relationship，At the same time, cultural accumulation and philosophy、Aesthetics and artistic tradition are closely related。Therefore，Copying foreign film theories while ignoring bet365 withdrawal film theory and practical experience，It will not only lead to the loss of cultural autonomy and blind obedience and disorder in creation，It will also stay away from the totality of bet365 withdrawal culture、The cultural essence of inclusiveness and cohesion。In fact，bet365 withdrawal film theory has always maintained a close organic connection with bet365 withdrawal social processes and cultural traditions，Thus, we can interact with world film theory，Truly establish a theoretical discourse system with bet365 withdrawal cultural style。

　　(The author is the person in charge of the National Social Science Fund project "Research on the Relationship between bet365 withdrawal Culture and bet365 withdrawal Film Aesthetics"、Professor, School of Liberal Arts, Renmin University of China)