Looking back at the history of Chinese film development，It can be found that the important sense of cultural consciousness in the construction of Chinese film theory，and can form a cultural innovative movie theoretical thinking。Chinese Film Theory is founded on the basis of Chinese cultural traditions and social reality，The practical and transcendence characteristics of Chinese culture，Expressing a strong "Aesthetic Aesthetic" feature。"Left Wing" movie makes Chinese film theory a new height of culture and art，New forms of developing film culture theory，Many of the theoretical views have the world's leading position。The continuous nationalization exploration of Chinese movies，Constantly incorporate Chinese cultural aesthetics and artistic thoughts into a movie form，A new pattern for the interaction between Chinese film theory and world film theory。

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In the late Qing Dynasty and early Republic of China，Various improvements are transmitted up and down in the opposite side、Voice of the Revolution，China's early famous filmmaker Zheng Zhengqiu brought the traditional Chinese "trading" and "education" ideas into the movie，This can be said to be an important start of the consciousness of Chinese film culture。

Chinese films in the budding period have shown two development paths: one is to imitate the type of type or style of the West; the other is based on Chinese cultural ideas，Open a road of Chinese film style。The previous path or tendency，In the first batch of long story films in Chinese movies, it has been showed，Such bet365 Play online games as "The Oath", "Red Powder Skeleton" and "Yan Ruisheng" and other films。In such a movie environment，Zheng Zhengqiu's movie script and cultural consciousness consciousness，The Chinese film is cited to a correct track。He wants to attract the hot stimulus of attracting attention with Chinese -style human emotions，This is obviously a reverse flow of Western films that was popular at that time，but opened a way for Chinese film culture。

At the beginning of the birth of Chinese movies，The big contrast of the comparison of China and the West。Therefore，In the budding period of Chinese movies，How should Chinese movies position and determine the development direction，It is a question that filmmakers with cultural awareness。In the lectures of the Changming Film Correspondence School，Zhou Jianyun and Wang Yichang clearly put forward the following points: "Praise the long history of a country; praise the beautiful culture of a country; represent the great people of a country; to promote the noble custom of a country ..." In their view，The reason why the Chinese at that time were "fear", "Meiwai"，It is because the European and American films you see are all the beauty of foreign life，And the Chinese people show that they are all brutal、Corruption、despicable、龌龊 Content。They act as an angle from the filmmaker's own mission，Consider the movie as a weapon for rebuilding Chinese culture，To win international equality for Chinese and Chinese culture。

In the historical practice of modern Chinese society，The new cultural tradition and national movie characteristics that are gradually formed，Covering the experience of history and practical practice，With obvious characteristics of blending of excellent Chinese and Western cultural integration。Therefore，Culture consciousness is not simply retro or Bet365 lotto review restoring the purity of Chinese culture。Social and cultural consciousness brings film theory consciousness，Movie theory consciously and society、History Culture、Results of the interaction of film art。

　From the thought of thinking:Politics, philosophy, and aesthetics behind the movie form

Re -examine Chinese movies in the 1930s，Whether it is the traditional Luo Mingyou、Feimu and others，The "left -wing" filmmaker who has accepted Marxist thought，Are all depressed、Sad and angry international and domestic environment show strong consciousness of struggle。So say，At that time, the concept of "fighting aesthetics" should not be too much in the conservative and radical concept of "fighting aesthetics" in the Chinese film industry at that time.。

How to convert thoughts into a movie form，This is an important issue in Chinese film theory and practice in the 1930s。If it is just thought、expression of political ideology，and lack of artistic forms or skills to carry，Then the movie is difficult to achieve its aesthetic art function，That is to say, it is difficult to establish the artistic attributes of Chinese movies itself。At that time，Whether it is a "left -wing" filmmaker or a traditional film school，The cognition of the attributes of film culture and art has reached a considerable level。But the lack of cognition of "soft movie" cultural consciousness，Destined to have a narrow limit in film theory，Therefore, outside the mainstream of Chinese movies。

The "Left Wing" movie in the 1930s，There is no doubt that has a strong Marxist ideological consciousness，At the same time, it has also made effective explorations in the theory of film art，These achievements are mainly reflected in the following aspects。First，deep analysis of social reality with Marxist thought，Enlightenment and help people recognize the nature of social contradictions Bet365 app download and crises。Therefore，Marxism becomes an important part of Chinese film theory。2，In terms of movie drama structure，Put forward a world -standard drama concept，Design of an open ending。This is closely related to the first point of the first point，It is a direct manifestation of Marxist understanding into a form of movie drama。third，Movie art problems such as movie time and space and Monterer narrative，I already have a very deep understanding and grasp，Establish a mature film art judgment standard system。

Dust is not in the article "The Road to Chinese Movies"，Negative views of film art should not have social functions，and clearly propose that film ideology is a common existence，This is also very valuable in the history of world film theory。other，Dushu has also proposed the theoretical strategy that Chinese movies rescued from the rule of Hollywood in the United States。"Film Crime" written by Xi Jianfang (Zheng Boqi)，It is clearly proposed that the ending of the film protagonist is implicit、Open treatment method，Do not end with big reunion or daydream，Inspired the audience actively thinking。What should be emphasized here is，Documentary and open plot，It is two basic features of Italian new realistic films more than ten years later，Therefore，China ’s avant -garde nature of film theory in the 1930s，It must be a major contribution to the history of world film theory。

Famous French film historian Sadur visited China in 1956，During this period, he observed some Chinese film in the 1930s。While highly appreciated，Sadur raised these questions: Why do some films in China in the 1930s are so similar to some film styles in the new realism in the 1940s? Why are these films in China 10 years earlier than the Italian new realist film?、What are the similarity of education，What are the differences?

Actually，Theoretical bet365 live casino games and practical experience of the aforementioned "Left Wing" movie，It is already a good response to Sader's question。other，The inheritance and influence of the excellent traditional culture of China cannot be ignored。Life realm and personality aesthetics that Chinese culture values，A deep interpretation of the Chinese movies at that time，and directly manifested as the confidence of the movie character、Courage and historical responsibility。

　Practical features of Chinese film theory

Film "Aesthetic Aesthetic" formed in the 1930s and 1940s，It is the inevitable result of China that faces Japanese imperialist aggression and struggle to fight against，At the same time, it is also a more violent comprehensive awakening in the process of Chinese culture in the process of long -term oppression。From this，In movie creation、Film criticism、Film performances and other aspects have initially formed a set of theoretical and ideological system，and continue until the establishment of New China。

The 1950s and 1960s，Chinese Film Theory Construction Specific Explanation as the "National Form Exploration"，Injecting traditional Chinese philosophical aesthetics into the lens language and form structure，Therefore, a large number of outstanding works such as "Lin Zexu", "Lin Family Shop", "Dead Wood Fengchun", "Small Soldiers Zhang Ga", "Early Spring February" and other many outstanding works。，Mr. Lin Nian Tong concluded the unique "single lens -Monci -Monciosuke" theory，This undoubtedly breaks the long -term "long shots" and "montage" theoretical boundaries of world movies，Has made great contributions to the development of world film theory。

Chinese traditional aesthetic ideas have realized the profound modern conversion in the movie，This is an important feature of Chinese film theory。As early as 1934，Feimu proposed the bet365 best casino games famous movie "Air" theoretical concept，and in the long -term exploration，Gradually enrich Chinese aesthetic thought and artistic skills into the theory of "air"，Therefore, it has achieved the classic Chinese film classic "Spring of the Town"。Nie Jing, a photographer of Beiying Factory, adheres to the aesthetic principles of "vivid charm"，In the process of filming the movie "Small Soldiers Zhang Ga"，Summarize the concept of "lens dynamic" with more movie theoretical value，Emotional emotion must be necessary for Montecqi、rhythm、Atmosphere and other elements are relative to Chinese aesthetics，reveals the more mature Chinese film poetic narrative concept。The aesthetic principles of "Qi Charm" and the theoretical core of Mengtai's "compression -blasting" have high homogeneity。The "motivation" concept established between the film screen is important，From the perspective of Chinese philosophical aesthetics，Can be described as "movement" in "quiet"，This is actually the most important "storage" problem in Montcot's thinking，Therefore, most of the excellent Chinese movies will show strong poetic colors。

Chinese film theory and practice are mutually promoted relationships，At the same time with cultural accumulation and philosophy、Cancer of Aesthetics and Art Tradition。Therefore，Alfot to copy foreign film theory and ignore Chinese film theory bet365 live casino games and practical experience，Not only will it cause the loss of cultural autonomy and the blind obedience and disorder of creation，It will also stay away from the overallness of Chinese culture、Cultural essence of inclusive and condensed。In fact，Chinese Film Theory has always maintained close organic connections with Chinese social processes and cultural traditions，Therefore, in the interaction with world film theory，truly establish a theoretical discourse system with bet365 Play online games a Chinese cultural style。

　　(The author is the person in charge of the Studies of the National Social Science Fund Project "Research on the Research on Chinese Culture and Chinese Film Aesthetics"、Professor of the School of Literature, Renmin University of China)