Qi Liang Shi's Lefu background and music characteristics
March 29, 2021 08:18 Source: "China Social Sciences" March 29, 2021, Issue 2135 Author: Zhang Xiaowei

History of Chinese poetry has a characteristic,It is a new poetry system in the era and the new music system is often accompanied。The emergence of Xinle House, which has a great view of the Eastern Jin Dynasty,Literary poems have also changed greatly during this period。The relationship between the Music House and Qi Liang's poetry in the Southern Dynasty is not as close as that of the later words and the word body literature,But there is also an important relationship。It can be said,The Music House of the Southern Dynasty is the music background of Qi Liang's poetry,Qi Liang's poetry also reflects obvious musical characteristics; literati poetry in turn affects the style of Lefu's lyrics,The two are interdependent,The end of the end of the southern dynasty is endless。

 Bet365 lotto review The journey of literati poems

The Music House of the Southern Dynasty takes Wu Sheng and West Qu,Among them, Wu Sheng has risen from the Eastern Jin Dynasty。The characteristics of Wu Sheng lyrics are mostly four sentences per word、Five words per sentence,The system is shorter than the general five -character poem since the Han and Wei Dynasties,Write more men and women in the content、Spring scene,The style is delicate and gentle。These have formed a sharp contrast with the Han and Wei Poetry。Typical Wu Sheng lyrics such as four songs in "Zi Ye Ge": "Don't comb your hair,Silk hair is on both shoulders。Wan Shenlang's knee,Where is it poor。"" Film is lingering,I want to associate love。Spring Silkworm is easy to sensitivity,Sisi has been resurrected。"" Night Astrology,Sigh。Acts with a basket of love,Who who is Lang Nonning。"" Nong Ye's not timely,It is left。Not as duckweed,Rotating spring turbine。”

bet365 live casino games In the Eastern Jin Dynasty,"Lanting Poetry" is more obviously influenced by Wu Sheng。There are a large number of five -character and four sentences in Lanting's poems,The season's background is also spring day,There are many kinds of beautiful spring scenes in the poem。To the Liu Song period of the Southern Dynasties,The poet who is most affected by Wu Shengxi is Bao Zhao。On the one hand,He wrote many five -character maternal work; on the other hand,Many of the poems in his other works also reflect the communication between the lyrics。The former is "Cai Ling Song",His poems、System、lyric methods are affected by the lyrics; the latter, such as "Three, Five 28:00 in" Playing Moon City West Gate ",Qianli and Jun Tong ",The poem and the whole poem system of this poem are not lyrics,But these two sentences are very similar to Wu Sheng's "Zi Ye Four Time Song" "Looking up at Mingyue,Sending Love Thousand Miles "and" Reading Songs "" Spring Wind Difficulty Issues,Tobetry Angle Moonlight "。Even if it is traditionally considered "cool"、Xie Lingyun poetry different from the style of the Southern Dynasty,Also with the lyrics, there are a lot of common places,and the same as the above two aspects。

At the Yongming period of the Southern Dynasty,The relationship between Yuefu and literati poetry is close to a layer。Yongming's Poetry,The two most common types are farewell poems and chanting poems。Many farewell poems are written by male literati to friends,However, the departure of its departure is delicate and euphemistic,Voice of children。Ru Yun's "Don't Xiao" in the "Beauty will be left",Xie Yan's "Removal King Jin Ande Yuan","Lu Li" and "Sad" are all similar to the lingering feelings in Wu Sheng lyrics。The friendship of literati in this era is worthy of the Tao,But from the perspective of music literature,These verses are lyricized young children emotional expression entering the bet365 best casino games manifestation of literati poems,Not just because of the deep feelings between literati。

Yongwu poems in Yongming's body,Also a short work。The theme of Yongwu has little to do with Wu Shengxiqu。However, Yongming's chanting poems often involve writing to women。Such as Xie Yan's "Yong Lantern", "Yong Jingtai", "Yong Cand", etc.。To Liang Dai,Monging Poetry and Women's Poems still a lot of poems,and a large number of transformations into five words and four sentences,The system is closer to Wu Shengxi。These poems of Liang Dai often have two contents of "chanting" and "women",The relationship between the two is closer than in the Qi Dynasty。

Emperor Liang Wudi is an important person in the history of Wu Shengxi's development,Because he inherited the Southern Song Dynasty、Qi Royal Practice,Continue to introduce Wu Shengxi into the court,Make introduction、The size of Wu Shengxi is more than the previous generation,He has left more than forty works on the title of Wu Shengxi,The crown of southern literati。The "palace body poem" generated by the two princes of Emperor Liang Wudi,Almost all of the pronunciation related to women,It is closer to Wu Shengxi Qu。Another new phenomenon of Liang Dai is,The lyrics of many west songs are turned into seven -character body。Xiao Gang、Xiao Yi has all wrote seven -character West Song lyrics。This pair of seven -character quatrains、The emergence of law poetry has an impact。These seven -character lyrics should also be regarded as part of Qi Liang's poetry in a broad sense。To Chen Dynasty,Chen Queen Master and Master has a collective creative activity to write women with seven -character songs,Its content is low,But it is also the new development of this phenomenon of this poetry。

From the perspective of content,Qi Liang Poetry's writing season is mostly spring,Even the "Cai Lian" and "Cai Ling" activity that should have been carried out in autumn,Basically in Qi Liang bet365 Play online games Shi, it is basically in spring as the background。Qi Liang's aesthetic style is beautiful、Fine、Circulation,generosity and tragedy with the Han and Wei poems,It is two extremes。This aesthetic characteristics are consistent with the style of the Southern Dynasties,It is also consistent with the style when the rise of the word body literature。

  Music features of Qi Liang's poetry

Generally speaking,Poems with music backgrounds in Chinese literature generally have the following characteristics: first,With outstanding lyric features,and the emotion of the emotions is more affectionate; second,Literary style beautiful circulation,No 佶 聱 聱; third,Language Pingtai Popular。

The most musical characteristics in the southern literati poems are the Qiliang style poems that Yongming descended。Traditional literary history thinks,Liu Song poetry changed the situation of the Xuanyan poems bet365 live casino games In the Eastern Jin Dynasty,lyricism can be resumed,"Yuan Jia Three Persons" appeared。This is the correct。But the previous scholars believed,This lyrical tradition has reached the era of Qi Liang, especially Liang Dai,,This statement needs to be re -considered。If you check from the lyrical subjectivity of the writer,This is reasonable; if the characteristics of the above music literature are used to measure,Qi Liang's poems are obviously closer to the Music House of the Southern Dynasty than Liu Song poems,It is also more in line with the three characteristics of the above -mentioned "music background" poetry (Liu Song poetry includes many poems by Bao Zhao, including,All are still very difficult 佶 佶)。and two Jin、Liu Song Poems Compared with,In Yongming's Poetry,Farewell、Increases of works with the theme of women,Its style is more gentle and circulated,The language is also more popular。Yongming poets have two famous literary claims,can be used as a evidence of its poetic bet365 best casino games music。The first is Xie Yan said "Good Poems and Beauty Circle like a projectile"。The so -called "Yuanmei Circulation",The style of the lyrics is secretly in line with。The second is the "Sanyi" theory of Shen Yue,Shen Yue advocates poetry "easy to see things", "easy to read", "easy to read",This is the performance of music literature in language popularity。

From the perspective of the content of the poetry,Acacia in Yongming's Poetry Poetry Except for the works of literati,There is also an endorsement body、Works with women as lyric subjects,Quantity is also a lot。To Liang Dai,Xu Ling's "Yutai New Horing Preface" also attaches importance to poetry with women's content。In the history of Chinese poetry,If a period of poetry suddenly starts to pay attention to lyricism,and the emotion expressed a considerable proportion is the emotion of men and women,So,The new poetry writing style is likely to be based on emerging music characterized by emphasis on showing the feelings of men and women。As for the palace poems of Liang Dai and the poems of women who are written by Chen Dai,,The order of the development process of this literary evolution。Therefore, we cannot because of its "obscenity",Except the context of ancient lyric literature。

  Qi Liang's Poetry Music FeaturesLiuyan in the Tang Dynasty

The early Tang Dynasty poems have not completely broke through the southern war,It is Southern Dynasties、Xie Yi、Xu Ling、Yu Xin and others style development,Many characteristics of the Southern Dynasties of Qi Liang's poems,Naturally, it is also continuing。What I want to say here is,Even the new realm of the poems that we think of the Southern Dynasties in the early Tang Dynasty,There are also many ingredients related to the Southern Dynasties。The realm of clear and Qingyuan in the early Tang Dynasty poems,Although with Wu Shengxiqu、The main style of the Southern Dynasty poetry is different,But Wu Shengxi Qu、It has also appeared in the Southern Bet365 lotto review Poetry of the Southern Dynasty。

"Not Fresh" in Wu Sheng's lyrics,In the poem of Xie Yue, it became a rich and rich "Jun Guifang has rest"。Wang Jinzhu's "Together Welcome to Yangchunyue" in Wang Jinzhu's "Zi Ye Ye Shi Song",It is reflected in Xie Lingyun's poems as "Tao Tao Twilight"。"Second Xie" these two poems are far -reaching、The characteristics of Yuyun,There is a clear and bright beauty,Closer to later Sheng Tang Poems。"Send Love Thousand Miles" in Wu Sheng lyrics,Bao Zhao's "Thousands of Miles and Jun Tong",Tang Huixiu's "Hanjun Thousand Miles",Fan Yun's "The Moon Defending Jun will not come", "Qiuyue thousands of miles",If a single sentence take it out to see,There is no difference from the early Tang Dynasty poems。Moonlight Stand Acacia,It is a common way of writing in the early Tang Dynasty poetry,Zhang Ruoxu's "Wish to Zhao Jun Monthly" in "Spring River Flower Moon Night",is a famous example,And its association method also "Paradise will be sent to the" Acacia "in Xiao Chen's" Xie Literature "during the Qi Liang period,Looking at Nan Feihong "、Shen Yue's "Xie Literature" "I am inch with my heart,Similarly。

Poems of the Southern Dynasty Poems,The introverted side is the love of acacia that is lingering and tangled,Externalization is a beautiful Qingyuan artistic conception。For the bright and long beauty of the early Tang Dynasty poems,Although the Chu Shengtang people like to say that this is the result of retro,But to a large extent, it developed along Wu Shengxi and the Southern Poetry。Wang Wei、Meng Haoran、Li Bai several representative poems of the Tang Dynasty poet,Also there are traces of Qi Liang music literature。This also reflects a music dimension in the history of Chinese poetry from "meaning" to "realm"。

To the Mid -Tang Dynasty,Scholar development of literati poems,The impact of music in the Southern Dynasty is not obvious。But in the late Tang Dynasty,Bet365 lotto review Wen Tingyu、Li Shangyin has re -absorbed a large number of ingredients in the Southern Dynasties and Qi Liang Literature。Wen Tingyun brought them a lot into the emerging word literature。Literature characteristics under the influence of Wu Shengxi,The genius creation of early poets such as Wen Tingyun as a bridge,Enter the new form of music and literature -word,This is a very prominent phenomenon in the history of literature。

(Author Unit: School of Humanities, Shenzhen University)

Editor in charge: Changchang
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