Japanese writer Oshijiang Jianlang's reading of Russian writer Dostoevsky works very comprehensive，Creative Methods、The understanding of the evolution of literary concepts and ideological evolution is in place、，Can be described as a typical representative of Japanese writer Lieutenant General Tuo's Japaneseization。Dajiang's acceptance and interpretation of Tuo's，Not only is it directly reflected in its reading notes、Letter、Interview and creation theory，It is also indirectly reflected in the storyline of the story in its novel creation、Character image ratio、Humanity crisis worry、mutual literary discourse settings、Application of strange methods。Two writers' attention to history and reality，Makes them out of the almost the same literary road that develops from the reality of reality to the highest sense of the highest sense。

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In the process of taking the creative path in Dajiang，Tuo Shi represents the peak and benchmark of a literature，It is also a new cognitive vision，It is a kind of incentive for literary ambitions。

Dajiang's childhood experience of reading Tuo's experience，"A letter from a Japanese who studied Russian literature in 1977" was recorded in 1977: "For a remote province in the war era、In my childhood in a village isolated from the world，What a huge discovery to read Dostoevsky! "Can a child read the Tuo?，Although it makes life doubt，But Dajiang later explained that he understood the Totor’s by Bachkin。He pointed out in the novel "Flood Swing and My Soul" (1973)，From "Brother Carramazov" (1880)，He intercepted the segment of "Ahliang Sa and Children"，Adapted from a children's version of "Karamazov Brothers"，In a sense，This is the first literary work in his life，He has been proud of his memory Bet365 lotto review so far，Because this version was very popular among the friends of the village at that time，It is widely circulated。and from then，"Dosturvsky becomes one of my most essential writers"。

Creation of Dajiang Youth Times，Especially in the short story "The Luxury of the Dead" (1957) published in the 1950s and the novel "Breeding" (1958，Won the Akutaga Australia Award in 1959)，It has reflected the influence of Tuo Shi and European literature，At the same time, it also shows the unique literary exploration road of Dajiang。"The Luxury of the deceased" describes the "boss of life in the" living person、The theme of the Luxury of the Dead，"Poor Man" (1845) with Tuo's (1845) in the early days describes the life of urban life from the perspective of young people、The topic of the dilemma of thought is similar。Development of the relationship between "I" in "Breeding" and black pilots in the United States，You can see the impact of the personality division and paradoxic philosophy of "Double Personality" (1846)，There are also "Youth" (1875) Alca season's insight into the adult world and the self -sufficient characteristics of growing up。But this is still early、Not very clear influence，Further、The profound impact is in "Late Youth" (1960)。The work describes the confusion of the post -war generation Japanese youth，The "Russian European" in the later generation of the younger youth or the young noble in the later novel of the Tuo family loses the hope of the motherland and turns to Europe.。

Dajiang thinks that Tuo's novels have a decisive impact on their creative novels。In "FOOTBALL in the 1967)，"The root lock brother returns to the tribe in the forest，The short time of the end of the tragedy and the overlapping century -long space -time，Created the basic form of long creation。This creative form of my novel，Most of them are because I have read Dhastyevsky since I was in my youth，There are Foxa "(Dajiang Jian Saburo:" Method of the Novel "p. 231，Wang Cheng、Wang Zhigeng and other translations，bet365 Play online games Hebei Education Press, 2001)。but，The influence of the Totor on Dajiang is mainly ideological resonance，The young people in their pen face the traditional vulgar and cultural spaces caused by social transformation，The most sensitive performance，This resonance is in line with Japanese philosophy "the chase of youth" very in line with。

　The interoperability of Dajiang Creation and Tuo's works

The creative theme of Tuo is not only absorbed by Dajiang，Calculate it in the creation of Japanese cultural atmosphere，And Dajiang's works are still in the characters with Tuo's works、plot and other aspects exist in many aspects。

"Double Personality" is one of the important themes created by Duts，The key to understanding "Sin and Punishment" (1866) and other novels。The characters in the works of the Tuo family are almost split，With dual personality or multiple personality，This is also a common feature of people。For example, Laskarnikov in "Sin and Punishment" is a typical image that Napoleonism's Napoleon thought that seizures and goes by the purpose，His surname itself also has the meaning of "splitting"，In addition，Its predecessor came from the "Basement of the Basement" (1864) that was constantly tangled between the humble and noble "basement poets"。Based on this，Russian literary critic Moqilisky believes，The writer chose a very difficult way out in "Sin and Punishment"，"Keep two thoughts，Make them coexist in the same heart，Expressing the tragedy of the protagonist's tragedy "(Moqiliski:" Goglv Solovyev Thastyevsky "pp. 359，Republic Publishing House 1995 edition)。and in "Football in the 19th Year of the Wan Yan"，Dajiang passes through strange expression，reproduced the philosophical theme of Dang's dual personality。Just as the translator of many works of Dajiang Xu Jinlong's cloud，In the book, the characters in the book lock the eagle Sihe Brother Root Lock Misari，In fact, the author of the author Dajiang in the text，Different aspects: a onlooker who symbolizes negative inaction，bet365 live casino games An unwilling person who symbolizes bravely performing the former who wants to do and dare not do ("Football calls for new answers"，"Chinese Book Review" 2006, No. 11)。In addition，Although Dajiang admits that he does not believe in teaching，But it is deeply influenced by the influence of religious and atonement consciousness，Express the sin and confession of the characters in the work，Self -torture of the soul。If the Root Lock Eagle Four in the novel, he committed suicide after confessing his all his sin to his brother，"Group Demon" with Tuo's (1871-1872) in Stake Luo Jin after writing a repentance in the loft on the loft at home，The ideological direction of the text is also generally consistent。

Mutual Creation Phenomenon is more common in the creation of the late river，This is closely related to his Hong Bo vision of reading world literary masterpieces and refined thinking。"Water Dead" (2009) Theme related to his father "Kill King"，The theme of the uncle in the "Brothers of the Carramazov" with Tuo's "Brother Karamazov" seems to be echo，It is metaphorically a metaphor for intergenerational contradictions unique to a period of social transformation; the image of "cave people" and "human gods" in "Water Death" can easily remind readers of Tuo's "Basement Notes" and "Magic"。In Dajiang "Farewell，My Book "(2005)，"Geneva instruction" is violence、terror and blood synonymous，The place of implementation is only in the 19th century Moscow，Turn to Tokyo after the "9 · 11" in the early 21st century，It also has more complicated forms and content。"Geneva instructions" in history，It was mainly related to the sensation in Russia that year.。Like "Demon"，"Farewell，My Book "described this terrible horror event，It is also pointed out by the "Geneva instruction"。Experters are also a "five -person group"，The plot that does not hesitate to kill his associates for the sake of conspiracy is exactly the same as "Magic"。The writer expressed his expression of terrorism，and deep bet365 live casino games concerns about the global violence in the name of anti -terrorism after "9. 11"。

Fantasy realism and"Realism in the highest sense"

Dajiang often integrates the creative method of private novels into novels with modernist style，and intentionally fuzzy the boundary between reality and fiction，This method can be called to open up illusion and real boundaries、Fantastic realism of the psychiatric problems on people，The creative method of "the highest realism in the highest sense" that it claims to be claimed to be in the Tuo family，can be described as the same goal。

，Dajiang mentioned，He often wakes up late at night，Think about the past，Sometimes it is difficult to distinguish novels and reality。Fiction in the novel，In the later real life, it became a real event in a word。This is here，Fiction often becomes some kind of prophecy and prophet。Of course，Dajiang thinks，This fiction needs to be based on a certain factual analysis。He even thinks that he has disintegrated the modern private novel。He is often not restrained by the concept of time consistency，Truth describing tradition that is emphasized by private novels。For example，In "Farewell，My Book，Dajiang deliberately pushed time to the future for two years，The novel was the real life of the real life at that time。Writers in the real world are completing this work，I even think that the protagonist of the novel may be dead。At this time, the writer already has a peaceful mindset to meet his death for more than a year。

Dajiang's "Flood and My Soul" novel，The content described as an amazing similarity of the Tokyo Metro Salin Poisonous Gas incident that happened later，The characteristics of this fiction can "predict" reality，Makes people involuntarily reminiscent of the fictional plot and novels of the college students who kill usury in the "Sin and Punishment" in Tuo's "Sin and Punishment".。The word "は わ が が" (sway) in Japanese，In Russia's translation, it is generally translated into "объяли"，The word has the meaning of "hug", "surrounding" Bet365 lotto review and "shrouded"; but translated from Russian to Chinese, it shows the dual meaning contained in the title itself: flooded me (body) until my soul。Exploration from physical to spiritual and soul，often a writer leap to a new stage logo，For example，"Basement of the basement" of Tuo's basics is basically considered to be the watershed of its creation，He has said goodbye to sentimentalism and romanticism since then，Going to what he said in his later years "the realism in the highest sense"。Tu's once wrote in the notepad: "People who find people in people who are completely adopted by realism ... people call me psychologists，This is wrong，I am just a realist in the highest sense，That is to say，I depict all the secrets of human soul。"" Discover the person on the person "，In the Tuo family, it means a profound insight and ruthless analysis of the soul and spirit of people。

It can be said，Dajiang inherited the principle of the inner spiritual life of the Tuo family, the spiritual life。Dajiang admitted，Since winning the Nobel Prize in Literature, he has begun to think about the soul of the Japanese、spirit and beliefs such as spiritual and beliefs。Its "Burning Green Tree" (1993-1995) and "Air Turn" (1999) and other novels，Actually, "Thinking about the products of the Japanese soul and the spirit of the Japanese"，and，"The Japanese must think carefully about what is the soul、What is the question of spiritual "(" Method of the Novel "p. 297)。In "Burning Green Tree"，Dajiang through a church pursuing freedom of faith- "Burning Green Tree" is the miserable death of the leader of the leader，Discuss the crisis of faith encountered by the Japanese nation，The alarm clock for the mental condition of contemporary Japanese。

From personal thinking and experience，rising to depicting the commonality of the entire human，It is also a compatibility point for the combination of specific people and extensive human nature to the two writers。Nobel Prize Award -winning words more convincingly pointed out: Dajiang "is driving bet365 live casino games the demon in his heart through writing，Dig out personal experience in the imagination world created by yourself，and because of this，and successfully described the common thing of human beings "。So，One of the masterpieces of Dajiang won the Nobel Prize in Literature is called "Personal Experience" (1964)。Dajiang This kind of creative methodology from the inside out，It is a way he has a cognition of showing Tuo in his creation，It also shows the intergenerational inheritance of the same cultural and genes in thinking and creation in the same cultural and genes。

(Author is an associate researcher at the Institute of Foreign Literature of the Chinese Academy of Social Sciences)