Writers criticize and reconstruction of literary life
July 22, 2019 09:24 Source: "China Social Sciences" July 22, 2019 Issue 1739 Author: Ye Liwen

The rise of the writer's criticism,It is an important phenomenon in the Chinese literary world in recent years。Although compared with the college faction,Writer criticism does not have a clear knowledge spectrum,Also less conscious methodology awareness,However, contemporary writers who are dedicated to literary criticism can use personal artistic experience and text expression,Deeply changing people's inherent impression of literary criticism。

  Bet365 lotto review

Criticism compared to colleges with knowledge and truth,Writer criticism is more like a medium with classic re -reading、Art behavior with "creation" nature。The ideological vitality and aesthetic experience contained in it,Can effectively reflect the discourse change of current literary criticism。

But,The value of the writer's criticism is far more than that。If in -depth observation of the conceptual origin and practice mechanism of this criticism,I will find that the writer criticizes beyond the impact of the existing criticism pattern,It also implies a collective appeal of the writer's group for reconstruction of literary life。

Literature in the real society,It has never been an elegant embellishment。not to say how the function of "text is carried by the way" and how the social role affects far -reaching,As far as the development of the national character and cultural psychology of the Chinese nation,Literature is precisely because of Liang Qichao's "smoked permeability" merit,Only to ethical and ethical beings,smoked in the world in the world。From this perspective,Whether it is creation or comment,Or the communication of the work and the reader's acceptance,Literature bet365 live casino games can subtly shape our lives with its unique power。

This is clearly reflected in literature in the 1980s。The sensational effect of contemporary literature at that time,Reflected the huge influence of literature on social life。After the 1990s,Literature retreats during a period of time,The lifestyle centered on it is also gradually micro。Fortunately, this slump has not lasted too long,Starting from the late 1990s,With the arrival of the Internet era,Literature has gradually returned to the center of social life in another form。

This "literary life",No longer limited to traditional creation、Comment and communication mode。The marriage of it through literature and film and television、Complement of traditional media and new media、The re -layout of cultural capital,Construct a new type of literary lifestyle。In such a "literary life",The boundaries of the real world and virtual space begin to become blurred,Language Art and Visual Arts also blend with each other。The hustle and bustle of "Literature Life" is disturbing and vibrant,At the same time, it becomes the most eye -catching cultural mark in our time。

But the problems of this "literary life" are also very obvious。Due to literature since the 21st century,Especially online literature,Its existence value is mainly to create stories and characters for the film and television industry,Therefore, out of the needs of the reader,Many authors are obsessed with popular literature story mode。And this relatively narrow creative pattern,It is also easy to cause a singleization of aesthetic style。This obviously non -pure literary writer wish。They shift from literary creation to literary criticism,In fact, I want to use the power of criticism,In the process of interpreting classic works, the aesthetic style of our time is more diverse。Whether it is realism or romanticism,Bet365 lotto review Or other aesthetic styles,All can be fully present in the classic interpretation of the writer's criticism,So as to constantly change the relatively single aesthetic pattern。From this perspective,Many contemporary writers engaged in literary criticism,In fact, it is in a "look back" criticism position,The rich aesthetic resources in the classics of literature,Reshape the aesthetic style of our era。

  Drives the trend of creative writing

Contemporary writers rely on the writer's school system,The practical mechanism of the critic criticism of the writer,It can further expand the popular road of literary criticism。Because literary criticism has strong professionalism,It is difficult for ordinary readers to truly grasp the right to interpretation of the work to some extent。Although they will also express their opinions,But in the existing criticism pattern,The reader's voice is very small。Because writers know deeply,Can your own creation be accepted by the reader,It has an important relationship with the critic of the college who sent critics,In particular, the value recognition of literary historians is closely confirmed。But the emergence of the writer's school system,The rise of the writer's criticism changed this situation。

Affected by the education reform of colleges and universities,At present, more and more writers have entered the university campus as the writer of the school。Wang Anyi opened a "novel research" lesson for undergraduate students of Fudan University,Ma Yuan teaches reading lessons for undergraduate students of Tongji University,Ge Fei opened a "novel narrative research" class for graduate students of Tsinghua University,Bi Feiyu opened a series of novel lectures for students of Nanjing University。These courses and lectures are not only welcomed by students,and also made useful attempts in the popularization of criticism。It is because of the existence of this special criticism Bet365 lotto review field for classroom teaching,Only decided that contemporary writers were in the practice of criticism,First of all, I will intentionally avoid the theoretical tendency of criticism of the college。They know,The young students really value,In fact, the writer's identity of the teacher。If you can’t distinguish the discourse from a university professor,Then their criticism practice is not unique。

Based on this understanding,Writers integrate their creative experience into criticism practice when teaching。This also makes writers criticize into a creative writing to some extent。In other words,Writers criticize the criticism of knowledge in the classroom,and bold analysis of literary classic,virtually driving the trend of creative writing in colleges and universities。One time,commentator with young people as the main body,It completely broke the various knowledge barriers of previous literary criticism,Open new paths in the creativity of criticism。From this perspective,The writer criticizes the breakthrough of the college's criticism of knowledge of knowledge,Finally, the literary criticism evolves into a creative writing that is closely related to the artistic experience of criticism of criticism。

This creative writing,In fact, it can be regarded as a popular movement of literary criticism。Following the rise of the related cultural industries promoted by creative writing。Proof of facts,Instructor of creative writing by writers,While inspiring young students to write enthusiastically,It also makes writers criticize an important promoter for rebuilding the current literary life。

  Contemporary consciousness emphasizing classic criticism

The rise of the writer's criticism,Deep awakening the contemporary consciousness of literary classic re -reading。If you look at the academy criticized,Any interpretation of classic works,It is inseparable from the restrictions of the background and cultural context of the bet365 Play online games times。So,Combined with the work of the work, it is based on the work of the work、Explanation and deduction,It is also one of the important methods for the college's criticism。

But,For some contemporary writers engaged in cross -border writing,This attitude criticized above is valuable,But the interpretation of classic works,but less closeness。The reason is the college -style interpretation of classic works,It is difficult to connect the object with the survival situation of the era in a certain extent。Summary in a concise sentence,If the college sends criticism as "I Note Six Classics",So the writer criticism is "Six Classics Note Me"。Through creative interpretation of literary classics,Contemporary writers injected clear contemporary consciousness into literary criticism。

Looking at it specifically,The contemporary consciousness criticized by the writer has two meanings: one is to reintermine the eternal value of classic works,Psychological wealth that surpass time and space barrier,Converted into the power source of driving progress in this era。For example, reading "Dream of Red Mansions",Contemporary writers will not be committed to evidence and Sheng Yin like red scholars,Instead, the position of the human heart is surveyed,Alert reality through the philosophy and ethics of life contained in the work。You can imagine,When the ideas of literary classics are re -activated,Those spiritual wealth that supports our national history,will bring us a deeper impact。The second is that the contemporary consciousness criticized by the writer is also reflected as the creative rewriting of classic works。Compared with the college school criticism,Writers criticize the interpretation of classic works,Actually it is a process of two -degree creation。Although from the perspective of bet365 best casino games academic theory,This creation may not necessarily fully meet the actual situation of classic works,But interpret with contemporary consciousness such as your life experience and art experience,Sometimes it can stimulate the reader's reading interest to the greatest extent。In this regard,Bi Feiyu's "Novel Class" has achieved great success。

As a collection of criticism,"Novel Class" is criticized for the classics such as "Dream of Red Mansions", "Water Margin", "Killer" and "Necklace" as the criterion,Speaking more speaking,Inference process suspense、ingenuity,Highly praise from readers。Bi Feiyu thinks,A literary classic art reservation,Actually it is a kind of "not writing"。Therefore, an important mission of the writer's criticism,It means to improve the meaning of the classic works with the method of filling the white。In other words,By analyzing "Not Write",Bi Feiyu tried to achieve the complement and rewriting of a classic work。He firmly believes,Literary works left everywhere like "Dream of Red Mansions",Must be miscellaneous、A "flying white" place hidden in a "Book of Books"。

According to Bi Feiyu's statement,Cao Xueqin leaves white everywhere,The entire department's trust in the reader。Because starting from the Book of Songs,Chinese literature has the aesthetic tradition of "fullness and intention"。Therefore, the "flying white" in "Dream of Red Mansions" is the vast and boundless,The more charming it is for readers it who trys to pursue the intention outside。This is what the theorist calls "writing text",It means endless、Light four shots。"Flying Bai",Bi Feiyu finally saw the "book in the book" that Cao Xueqin was "not written" -another "Dream of Red Mansions" was composed of "Fei Bai",It is composed of "Not Write",Is the real thing hidden。From the perspective of literary theory,This is just the excavation process of the critics' "potential text" of the work。But bet365 best casino games because Bi Feiyu's criticism practice is mainly based on his life experience and artistic experience,Therefore, cut into literature classic with contemporary consciousness,It will stimulate readers while participating in enthusiasm,Let literary criticism further promote the reconstruction of "literary life" in our time。

(Author Unit: School of Literature, Wuhan University)

Editor in charge: Cui Cen
QR code icons 2.jpg
Key recommendation
The latest article
Graphics
bet365 live casino games

Friendship link: The official website of the Chinese Academy of Social Sciences |

Website filing number: Jinggong.com Anxie 11010502030146 Ministry of Industry and Information Technology: Beijing ICP No. 11013869

All rights reserved by China Social Sciences Magazine shall not be reprinted and used without permission

General Editor Email: zzszbj@126.com This website contact information: 010-85886809 Address: Building 11-12, Building 1, Building 1, No. 15, Guanghua Road, Chaoyang District, Beijing: 100026