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Non -fiction writing and Chinese children's literature

April 10, 2020 01:07 Source: "Journal of Social Sciences", April 10, 2020, No. 1904 Author: Qi Tongwei

　　Since the New Literature Movement，Chinese modern and contemporary children's literature has gone through more than 100 years。Looking back at more than a hundred years of development journey，Non -fiction writing tradition provides us with a unique perspective for us to observe the history of Chinese children's literature。

　　Inherit the "text to carry the way"Creation Tradition

　　Chinese modern contemporary children's literature was born in the tide of the new culture movement，Chinese modern and contemporary literature with adults as readers。Non -fictional traditions of Chinese modern and contemporary children's literature，Need to see the new literature movement behind the "Bai Bai's dispute"，still inherited the documentary tradition of Chinese classical literature "text"。The writing of "For Life" is still the "Tao"，It's just that the way contained is changed。The connotation of "life"，Continuously updated in the historical trends of "Salvation" and "Enlightenment"。In modern contemporary children's literature creation，"For Life", "Salvation" and "Enlightenment" all have vivid and rich performances。

　　In the creation of fairy tale，The non -fictitious writing tradition of "text" is inherited。"Scarecrow" (Ye Shengtao)、"Dalin and Kobayashi" (Zhang Tianyi)、"Tang Xiaoxi in the next opening of the ship" (Yan Wenjing)、"Little Swallow Flying Flying" (Qin Zhaoyang)、"A Cat I Want to Fly" (Chen Bo bet365 Play online games blows)、"Fisherman" (Zhang Shijie)、"Xiaoyan Return Team" (Wu Mengqi) and other modern fairy tales have clear and strong practical demands。

　　Ye Shengtao's "Scarecrow" is considered to be the creation of modern and contemporary fairy tales to care for reality and creation of traditional works。In "Scarecrow"，Even the strawman without life，There is no fantasy realm that can be traveled，I have to see it in front of me、Heavy realistic concerns; seeing the kind of poverty -stricken people's livelihood is worrying，I am unable to help，In the end, you can only fall to the ground and die。The urgent social problems in reality forced writers to even when creative fairy tales，Also always try to participate in and solve social problems with my own pen。

　　Revolutionary historical theme children's novels partially undertaken historical tasks。"Small Phone" (Li Chucheng)、"Living Grass" (Bin Jin)、"Little Guerrilla Member" (Wang Yijian)、"Double Tube Park" (Ren Daxing)、"The sound of the piano" (Hu Qi) (Hu Qi)、"The Story of Dawn" (Ru Zhijuan)、"Small Soldiers Zhang Ga" (Xu Guangyao)、"Long Flowing Water" (Liu Zhen) and other novels，Involved in the historical period of various revolution。

　　In the creation of modern and contemporary children's novels，There are also some adaptation of the deeds of real people、works with realistic educational significance，If "Rain Is Not Death" (Guan Hua)、"Gao Yubao" (Gao Yubao)、"Liu Wenxue" (He Yi), etc.。There are more realistic children's novels also carrying clear realistic education functions，If Luo Wenying's Story (Zhang Tianyi)、"The earlier the better" (Wei Jinzhi)、"Brave Man" (Shi Yanbing)bet365 live casino games 、"蟋蟀" (Ren Dalin)、"Little Douer" (Wang Meng)、"Han Meimei" (Ma Yan), etc.。

　　The traditional non -fiction writing tradition of "text" is also closely related to the argument in the history of Chinese children's literature。The history of "Eye Eyes" and "Mouse's Family" in the history of contemporary children's literature and Chen Bo blows "childlike theory"，All reflect the realistic connotation of "text to carry the way" in a specific historical context to varying degrees。"Children's Heart Theory" by Chen Bo blows: "A successful writer，willing to stand with children，Good at starting from the perspective of children，Listen with children's ears，Take a look at children's eyes，Especially for children's mind to experience，It will inevitably write that children can understand、I like to watch it。"Chen Bo blowing is not the reasonableness of the function of children's literature" text "function，Just remind the writer、Edit cannot ignore literary nature。Many writers also strive to explore the literary character of children's literature in the creation。

　　Documentary Report Literature has more obvious non -fiction writing characteristics。Since the reform and opening up，Reporting literature with children as readers is prosperous for a while。In this kind of work，Liu Bao method in the south，Sun Yunxiao in the north，"Beauty appeared，belonging to her "," Chinese Prodigy "," The Emotional World of the Middle School Students "," The Temptation of Rose Dream: Out of Crime Performance of Middle School Students "(Liu Baofa)、"Juvenile Giant", "A Boy and Three Thousands of Calls", "Success lies in the mentality of contemporary bet365 live casino games professional high school students", "16 -year -old thinking" (Sun Yunxiao), etc. (Sun Yunxiao), etc. (Sun Yunxiao), etc.。

　　Form a realistic literary category

　　If you say，Non，From time to time, I caught in the vortex of controversy，So，Non -fiction writing in Chinese children's literature in recent years，It is a more magnificent realm、The trend of more magnificent momentum。This means that the non -fiction writing of Chinese children's literature has been from a kind of inherent spiritual tradition，Transformed into a realistic literary category，reflect the transformation of social and cultural forms and literary forms。

　　Since the second half of the 20th century，Information technology to promote social and cultural forms to change。Not only the boundary between literature and non -literature is disappearing，And the ability to imitate daily life in information technology is getting stronger。The dual opposition between the literary world and the real world is broken，Non -fiction writing also brings new changes to Chinese children's literature。Shu Huibo's "Dream is the Light in Life"、Yin Jianling's "Access Childhood" and other works，Let us see the possible direction of non -fiction writing of Chinese children's literature。The former pays attention to the current life experience，The latter records childhood memories of decades ago，Both works show a clear non -fiction writing consciousness。

　　September 2017，The 10th National Outstanding Children's Literature Awards Awards for the Chinese Writing Association，Shu Huibo's non -fiction "Dream is the Light in Life" is the only report Bet365 lotto review literary award -winning work。Shu Huibo wrote in the postscript of the work: "If I still do such non -fiction writing，I must spend more time with them，until I become him or her。"10 years ago，Shu Huibo, who worked on a TV station at the time, interviewed some children who were in trouble due to various reasons。10 years later，The writer will contact the interview object again that year。The describer "I" in the book，I can't see the attitude of Almighty Savings。Writers convince readers，also convince the object interviewed in the book，He is an acquaintance that these children have seen，A friend who can open up with heart。Of course more importantly， "I" is a real person，Practic、Go to find it around、Ben Bo、Interview。"I" will look forward to，I feel the same with the same body，I will be exhausted and weak。All of this，All retained in the text。The creation of the writer has greatly narrowed the distance between literature and reality，The distance between the text and the reader is short。This work passed peacefully、Equipped text，Let us closer to the normal state of life。

　　Yin Jianling has written a lot of excellent modern historical theme children's novels，Such as "1937 · Children's Summer Autumn", "Wild Mangpo", "Rainbow Mouth", etc.。In recent years，She opened a non -fiction writing column in "Shanghai Literature" magazine，and published "Visit Childhood" at the end of 2018。The writer consciously puts the childhood experience of others，Especially the childhood memory related to the city of Shanghai is included in my own writing。other，She realized，bet365 best casino games Many writers can not get out of their childhood in their childhood on their own "The brand of the mind"。In this work，She tried to explore these "problems that bother us"。

　　"Visit Childhood" and Yin Jianling's children's novels that are good at creating，reflected in its processing of material。In general novel creation，The writer's historical material is very limited，But when entering non -fiction writing，The writer's use of historical materials has become very "generous"，Each interview contains extremely rich life memories。This creation allows us to see the complexity of childhood，It also provides a form of children's literature、The possible path for content innovation。

　　After more than 100 years of development，The current Chinese non -fictional children's literature faces new challenges and opportunities。Chinese writers in Chinese children's literature are trying to cross the original text boundary，Pay close attention to social reality，A series of challenges brought about by the rapid development of information technology，View further enriching the reading and feelings of readers。We firmly believe，Chinese non -fictional children's literature must have a better future。

　　(this article is the major project of the National Social Science Fund "The Study on the Research and Contemporary Inheritance of Non -Fictional Poetry (19ZDA265) in the Stagencies)

　　(Author Unit: School of Humanities, Hangzhou University of Electronic Science and Technology)

Editor in charge: Changchang