Poetry is the highest language art。Language issues are always the core issues that run through the whole process of the creation of modern Chinese new poetry creation and modern poetic theory。Chinese modern poems are not the continuation of old classical old poems，But the fundamental change of old classical old poems。Because from classical Chinese to vernacular，The change of poetry is not just the language form of poetry，More importantly, it breaks the traditional concept of Chinese classical poetry that lasted for thousands of years，Constructing the theory of modern poetry and the corresponding modern poetry theory。In this sense,，The development history of modern Chinese new poems is the history of exploring the laws of the language and art of modern poetry，The development history of modern Chinese poetics is the history of establishing the theory of modern Chinese poetics。

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Since the new period，The results of modern Chinese poetics at home and abroad are very rich。These achievements or to a single poetist、Poetry theory proposition、Poetry Theory、Poetry Theory genre launched micro research，The ideological and social nature of description or analysis of poetic theory and poetry phenomena;、History of Critical History，Symbolism in the new poem、Modernist trend for historical excavation、Drawing、review and evaluation; or start poetic comparative research in the context of Central and Western dimensions and ancient and modern dimensions。These studies have built different Chinese modern poetics，enriched Bet365 lotto review modern poetic research。

But the problem lies in，The influence of traditional poetic research concepts and methods dominated by "tool theory" poetic views for a long time，Dividencies between linguists and poetist caused by modern academic divisions，These studies do not pay attention to the "language" specificity of modern Chinese poetry and modern poetry，Do not fully realize that language concepts often directly determine literary concepts，Language philosophy often directly affects the formation of poetics。That is to say，They did not fully realize that Chinese modern poems are gradually generated in the collision and fusion of Chinese and Western poetry language arts.，The language and art principle of Chinese modern new poems is the conflict between the concept of Chinese and Western poetry and the history of history.。In the final analysis，It is because of these studies ignoring or lacking inquiries and historical inquiry on the ontology of "new poems" and "modern poetics" and "modern poetics".，Failure to give full play to the reference and comparative value of Western modern poetics。

In fact，From the perspective of the history of Chinese and Western poetics，There has always been a language visual field of linguistic philosophy，A poem (literature) from a language perspective、Revealing the way of "language poetics" of the laws and theoretical phenomena of "Language and Poetry" of the laws of language and art of poetry (literature)。Since the "Linguistics Treatment" of Western philosophy in the 20th century，"Linguistic Poetics，Translated as "Language Poetics") becomes "Xianxue" in the 20th century Western literature theory，Appeared like Roman Jacobson、Bachkin、Roger Fuller and many other modern language Bet365 lotto review poetics everyone，Its theory has also affected the creation of contemporary Chinese poems and the generation of language and artistic principles。

Therefore，We need to establish an outlook on the study of modern poetics，Building the theoretical system of modern Chinese language poetics。That is "language -centric"，Scenery comparison with Chinese and Western language poetics、Duality of poetry and poetics，In -depth excavation and inquiry of the language and art principles of modern Chinese new poems，Specific inspections and analysis of modern Chinese poetist、Poetry research on the language of the new poem and linguist's linguistic research on the language of new poetry，The occurrence of the principles of the language and art of modern Chinese modern poems、Development、Connotation、flow change、Law、Integrated systematic research and historical summary。This centennial change of re -understanding and understanding "Chinese modern poetry" and "modern Chinese poetics"，It is important for building a modern Chinese poetry theoretical system with Chinese characteristics。

　Focus on the principles of the new poem language and art

Building the theoretical system of modern Chinese language poetics，The historical generation rules of the language theory of modern Chinese new poems need to be explored，Re -outline the "Language History" of Chinese modern poetry and poetry creation from the language maintenance。At the same time，Need to examine the most representative period in each historical period、New Poetry Principles of influence and theoretical value，The historical context and overall style of the principles of Chinese modern poetry and art in a comprehensive and three -dimensional Chinese modern poetry and art，Reveal the aesthetic value of these language and art principles and the practical significance of promoting the development Bet365 app download of new poems and creative practice。

First，To excavate comprehensively、Sort and refine the language and art principle of Chinese modern poems。New poems are diverse style of style，It is not only the product of the change of ideological and cultural changes，It is also the product of great language change。The language and art principle of modern new poems is born with the birth of modern new poems、Development and development，and become an important part of Chinese modern poetics。The complexity of the theory of the new poem language art is: the proposed person is diverse，Poets who create new poems，There are also professional poetist and linguists; the ideological resources it borrows is diverse，Both Chinese classical poetry language view，More romanticism、symbolism、The language view of Western modernist poetry such as imageryism; its theoretical form and discourse form are diverse，The existing instrumental poetry language view，There is also the view of the body of the body，Experienced and sensual only words，There are relatively scientific rigorous academic expressions。So，Need to be in complicated literature and theory of poetry，Detailed and comprehensively excavated、Sort and refine the principles of new poem language and art with high value。

Next，To restore、Analysis of the historical generation characteristics and laws of the theory of Chinese modern new poems and arts theory。In order to realize "the great liberation of poetry"，Create "Mandarin Literature"，Hu Shi advocates that in vernacular replacement of classical Chinese，Breaking the language restraint of classical poetry with "nature of language" (freedom)。This language liberates the authentic status of vernacular，but also caused the disadvantages of the "loose culture" bet365 best casino games of the new poem language。For the rescue for the rescue，The language characteristics of the Singaporean Poetry School in the 1920s and 1930s absorb classical poetry and folk songs，Jingpai literati did a deeper learning verification of poetic forms，and translate a large number of foreign poetry，Test foreign poetry style，Promoted the second "Liberation of Language" for the new poem; the 1930s and 1940s，Three "popularization" discussions and new folk songs、Recite Poems、Street Poems and other campaigns，Fluidization of the language of the new poem、Volkswagen characteristics are becoming increasingly vivid，Liberalization、San culture and rhythmization parallel is not contrary。New era，Western formalism based on modern linguistics was introduced into the domestic academic community，In the field of poetry creation, the fourth "language liberation"，Poetry theoretical criticism has also occurred in "Language Steering"。In each period，Poet、Poetist and linguist both pass the Western language、Different configurations of the three language resources of Chinese classical language and Chinese folk language，Starting from their respective writing experience and professional position, I put forward my views on the language of the new poem。

again，To explain the genetic context of the principles of each new poem language and art、Theoretical connotation and their interrelated correlation。Any theory is proposed by responding to actual issues，The principle of the language and art of the new poem is after breaking the old poetry of the classical Chinese，The key problem of "what kind of new poem language specifications are established"。For example，Hu Shizhi "Nature"、Xu Zhimo's "Inner Syllable"、Wen Yiduo's bet365 best casino games "Three Beauty"、Mu Mutian's "Pure Poetry", "Both the Beauty of Topping and Music"、Wang Duqing's "Love Voice Power"、Rao Mengkan's "syllable"、Sun Dayu's "Sound Group"、Zong Baihua's "Text of the Law Painting"、Zhu Guangqian's "rhythm" and "sound rhyme"、Liang Zongxi's "Create New Symbols"、Ye Gongchao's "The Rhythm of Language", "The Rhythm of the Tones"、Liu Bannong's "voice" and "tone"、Zhao Yuanren's "New Poems of Guo Yin"、Guo Moruo's "external rhythm" "internal rhythm"、Ai Qingzhi's "Speaking Beauty"、He Qifang's "Modern Law Poem" and so on。Each new poem language theory has its specific generation context and theoretical connotation，There is also an impact or obvious effect between each other、Accept、Dialogue and other relationships，Need to discover and explain in depth and detail。

Last，The relationship between the changes between the principles of the new poem language and art and the traditional Chinese and Western traditions should be focused。A large number of translations and extensive communication of Western poetry and poetry，Not only does it provide a lot of emerging vocabulary for the creation of Chinese new poetry、Novel vernacular intention and grammar，Expressing the "Modern Poetry Strip in Modern Words" to express "modern emotions that modern people feel in modern life"，More poet、Poetist provides a reference and reference for the theoretical criticism of the new poem language，Promoting the old poetry to free poems、The transformation of Chinese classical poetics to modern poetics。Of course，With the changes in social situations and the trend of the times，The Chinese New Poetry Language Theory has gone through a series of processes，We need to carefully examine and analyze it for this。

(This article is the "Language and Art Principles bet365 live casino games of Chinese Poetry and its historical generation laws" (18zda279) phased achievement)

(Author Unit: School of Humanities, Anqing Normal University)