A secondary text of the Ming and Qing Dynasties and its interpretation of interpretation -based on the creation of Xu Yan opera during the Qianjia period
November 29, 2021 10:49 Source: "China Social Sciences", November 29, 2021, Issue 2297, Issue 2297

Ming and Qing Dynasties,The number and variety of opera works show a increasing situation,It is not allowed to summarize with "complex"。If the main part of the opera works is called "Text",So attachment、Insert in the preface of the original text、Poetry (Words)、illustration、Comments and even questions、Signature、All examples、Catalog, etc.,All can be regarded as "sub -text",Together in the text structure with the text,Different from each other,Wealthy meaning,The systemic existence of a opera work can be constructed。Current,The most concerned in the academic world is the preface of the opera、reviews, etc.,Related research results are relatively abundant,However, the interpretation of the interpretation or deficiency based on the interpretation of the perspective of the associate text。I think,With a large amount of discovery and inscription of the inscriptions of the Ming and Qing dynasties, constantly appearing,Follow the creative process of literati、Specialty and social nature in the solicitation activities and even publishing behaviors,Focusing on the complex sample of such a sub -text style,and examine with mutual interpretation strategies,It will greatly expand the study of the original text of the opera,helps researchers in depth understanding the inherent composition of opera literary ecology,Reserture and effectively respond to some important opera history problems。

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Mutual interpretation can be created for opera、The confirmation of the time of the publishing time provides more accurate information。Generally speaking,Preface and postpartum creation time is the work of the work、Powerful evidence Bet365 app download of the time of publishing time,Borrowed judgment will draw more practical conclusions。However, if the dimension of the interoperability is given,Sometimes the relevant conclusion is inaccurate or even wrong。As the "Mirror Light" legend made by the operaist Xu Yan (1732-1807) during the Qianjia period,Each version uses the self -preface of "Qianlong's forty years old at the age of three years in Wuyi",Most of them are judged as "Qianlong Carving",But based on the inscription attached to "Mirror Light",It can be found that the earliest works that Bai Qian was created before the death of August 30 years of Qianlong,Explain that "Mirror Light" has been completed at least before that; according to the author's self -order "facts of facts,No Powder Decoration "expression,and his friend Yu Ji's "Biography of Qiu Rong", etc.,It can be seen that Xu Yan and Li Qiurong met in the spring of the 28th year of Qianlong,The death of Li Qiurong in the late summer after a year,Then Xu Yan started to "reaches heartbroken、The creation of "Mirror Light" of "Everbright",The completion time of the script can be defined at the end of the 29th year of Qianlong、Within the scope of this time in the early thirty years,Fourteen years earlier than the creation time of the Institute of Self -preface。

The publishing time of the legend of "Mirror Light" has nothing to do with the writing time of the self -preface。With its rich sub -text, it can be known,In the autumn of the 43rd year of Qianlong and the spring of the Qianlong,Xu Yan invited Gu Yanyan to write "Syrian"、Yu Ji wrote "Qiu Rong Biography",Title and writing works are also increasing。Look at the text status of inscriptions from what you see at present,"Mirror Light" first edition has inscriptions,Not arranged according to writing time,and the specific number of geometrics cannot be known;,The scale of inscriptions is basically determined and stable,The judgment of the four -year creation of Jiaqing from the latest is,It has been obviously bet365 live casino games unrealistic to the "Qianlong Carving"。

  Help understand the author's intention and text theme

Mutual interpretation can contribute to the mutual learning of the associate text of the opera works of the same author,Help to the temperament of the writer、Life and even the theme of the opera text。The opera of the Qing Dynasty is mostly the hand of the literary literary literati,Many writers have launched a variety of opera works in different periods of life,The preface inscriptions of these works are often not isolated、Simple existence,Instead of reflecting each other,Forms a mutual text。Xu Yan's two opera creations are nearly 20 years before and after,Later "Writing Drama" in the sixteenth discount,Even the legendary inscription of "Mirror Light" was published in the inscription of "Writing Drama",Together with the associate text of the miscellaneous drama,The interoperability between each other provides valuable revelation for accurate understanding of Xu Yan's creative intent and in -depth discovering the richness of the work。Slightly meaning,At least three points can be seen。

First,The interpretation of the inscription on the "Writing Drama" is mostly not left the vision of "Mirror Light",As one of Xu Qiaolin's inscription: "Three Life Enlightenment Corporates Mirror Mid -Bate,Gambling Singing Flag Pavilion Early Pass。Self -love root to lift off,Why should I store the sky in the room。"" "Mirror Midfield" illuminates "Mirror Light Margin",and use the "match" rhetoric to interpret the metaphorical function of the topic and the emotional logic presented by the two works,praised Xu Yan's infatuation and confession,Express the recognition of "Writing Drama" through the famous drama effect of "Mirror Light" at the same time。

Second,"Mirror Guangyuan" also obtained continuous interpretation with the help of "Writing Drama",One of the inscriptions of Qifeng's amount: "Laughing Qiu Niang in the flower mirror,Love is better than Henghe Sand。Qi language suddenly eliminates empty Bet365 app download hue,One round of bright moon Wanli light。"From Xu Yan's" infatuation "to" ruthless "transformation into the eye,Affirmation of the continuity of the theme of the second drama and the change of connotation of "love",Affirmation of Xu Yan's "weight of life" and self -liberation。

third,For Xu Yan, who has always been deeply painful,"Writing Drama" almost 30 years of creative process,Also he has repeatedly break free、Process art expression that is hard to forget,Although each work is writing the life story of the protagonist Xu Yan through various living scenes,But "letting go" is always an important theme of the work。Only by interpretation of the interpretation of the two dramas with the help of the two dramas,Xu Yan has never really put it down,It is exactly in this sense,"Mirror Light" legend and its sub -text can also be regarded as the associate text of "Writing Drama"。

  Delow the personality and concept of the inscription

Mutual interpretation can reveal the personality of the recipient in the process of "rewriting"、Morganization、Concept,Even the "misunderstandings" of those who are difficult to achieve the thesis of the thesis,It can also provide a aesthetic discovery based on individual emotion or experience。Most of the writers of the auxiliary text are mostly the knowledge structure provided by the creative body、narrative experience、"Dialogue" in the emotional atmosphere,Therefore, most writers follow the saying strategy of "Renyun Yiyun",is the work as the center,Respect and carry forward the text meaning of the author constructed,Even the core words provided by the text are given to write、Pension。But "Borrowing on the question" seems to be a more regular saying strategy,I can't help but use this to say this、Leaders say me,Demonstrate the person's own personality、mentality、Characteristic and even life pursuit,It is one of the most valuable contents of the creation of the auxiliary text。

For example,Famous literati Yuan Mei, who has twice the inscription of Xu Yan's "Writing Drama" two times,I was moved when I first read the bet365 live casino games miscellaneous drama: "Reading Brother's self -made Lefu,A clever machine,蟠 际,Make people who are decadent squat and dance,Calls and songs are touching and even 哉! "This is obviously a positive discovery and praise of the concept of his spiritual pursuit of the style of opera。Reading again a year later,Yuan Mei enthusiastically expressed "begging for eighty years,Equipment into Dongshan Silk Bamboo Listening。This is not only in line with Yuan Mei's poetic view of Yuan Mei, who is self -centered,It also shows his unique understanding of the style of opera based on the concept of poetry,Even changing his attitude that he does not like lyrics and song creation。Yuan Mei's inscription "Yan Xing flew to death,Du Ping Ping Tune several chapters ",Further proves his tan、Sincerity,That is, he actually understands the history and reality of opera creation,Otherwise, you will not accurately grasp the unusual places created by Xu Yan。Perm the death of the love couple and the death of the brothers with the help of the art of opera art,It is indeed Xu Yan's pioneering and uniqueness of the theme of opera creation。

  Expansion of opera research

Mutual interpretation can also be differently participated according to the own text and auxiliary text,Related and cognition of some problems in the development of opera style of the opera and style,Multi -dimensional vision of expanded opera research。For example,As far as the style of the preface and post,,I have novels、Sanqu,Most of them are poems、Word、Works; when it is a associate text and a text that tells the story with a song brand, it constitutes a symbiotic system,Great interest due to aesthetic expression and means,Diversified acceptance of language symbols and even unique interpretations。

The main purpose of "Love" "Love",Xu Yan's self -preface "Dazhong,Expression of Sadness ","Every confidant due to" grief ",Can show me in love ",Is the fundamental to his intention to solve。"Love" is actually the core of the concern of his preface and inscription。bet365 Play online games Gu Yanyan's "Syrian" explains the relationship between love and fate in the form of an article,It seems to be in response to Xu Yan's confusion: "Fengjiang Yu Jingyuan,Love also。"The Biography of Qiu Rong" in Yu Ji, described in detail Xu、The process of Li Qingyuan,Finally, "Ji Ji Due,From Mirror Yuanzi Yun "is Xu Yan's tragedy fix,Metaphor the helplessness of this relationship、Sensor。Title works are mostly cut into the writing of "love" from the situation of male and female protagonists,Some signs,There are also comforters,More sentimental today、On the other hand, those who are。Poetry works in inscriptions are rich in images、Aesthetic language and unique lyricism and text dialogue,Due to the long time of creative time、The painful memory of the author's broad and constantly resurrected emotions,Actually expanded the "love" words space,Strengthen the sentimental mood,Poetic associations and knowledge of individuals through the textbooks with the characteristics of "Wen Bei" characteristics、Stimulation of Experience,Poetic stains for the text、penetration and strengthening。On the development road of classical opera text,The construction role of the second text has never stopped。

In fact,In addition to directly attached to the text,Intelligence with sub -text characteristics, etc., also exists in other carrier forms,If you see the poems that are concentrated、Watch records in notes, etc.,It is not in the same text space as the text,Most of the form of "acceptance" is loose,But also provides a multi -dimensional path for understanding writers,Created a broad interpretation space for the interpretation of the work,Or should be regarded as "Broadly Auxiliary Text"。Recent,Guo Yingde et al. "Ming and Qing Dynasties Study Preface to the Complex" has been published,Concentration of the text of the opera and post -inscription text,Provides rich sub -text resources for the interpretation of the text of Ming and Qing Dynasties。The introduction bet365 best casino games of mutual interpretation strategies can not only expand the way to enter the text,It can also promote the richness of the meaning of opera works、The unique discovery of the openness and value world of text space,Provides new paths and mechanisms for thinking about the formation of opera text and the history of related opera。

(Author Unit: Ming and Qing Literature and Culture Research Center of Heilongjiang University)

  

Editor in charge: Cui Cen
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