Examination and sorting of the concept of "imagery" in China and the West
Jian Shengyu
September 23, 2019 09:42 Source: "China Social Sciences" September 23, 2019 Total No. 1783 Author:

"Image" as the core category of traditional Chinese aesthetics,It has always had important value and significance。The Western Poetry Circle of the 20th Century was inspired by the Chinese image theory,It also started to construct their image concept based on the existing cultural resources in the West。It is worth noting that,Image Poetry School began to have considerable influence,Western image concepts in turn have a certain impact on the Chinese academic community。This situation has achieved double effects: on the one hand,Because Western imagery theory provides us with a different thinking angle from outside the region and the spiritual resources of modern aesthetics,Make China's traditional image theory a new development opportunity。Western image concepts are different from traditional Chinese image concepts。Western image concepts are culturally based on Western image and symbolism soil,and the concept of Chinese imagery is based on the basic intentions of "unity of heaven and man" and "condensing time with space",So,Must clarify the difference between the two。

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Overall,The core difference between the concept of "image" in the context of Chinese and Western language is,Western "image" is the presentation of "image" with the help of a symbol method in the reader's heart,The generation of meaning is versatile、Statient,and Chinese image is based on a certain consensus,The generation of meaning follows a specific path,There is a substantial difference in the meaning generation mechanism of the two。

Specifically,​​The presentation of the Western "image" in the recipient's heart is no stable mode,Each Bet365 app download reader creates great imagination space for each reader based on his own individual acceptance.。and Chinese imagery in the process of specific generation,There is a process from "preparation" to "raw hair"。During the "Preparation" process,The image is guided by a specific object of objects,And these objects point to the cultural significance of a specific "convention"。

Taking Poode's poems as an example: "Reed weight,Bending。Bamboo saying,It seems to be crying。"" A few faces flashed in the crowd;。"Pound's writing mode,The number of ways to imitate Chinese classical poetry,This way of writing is obviously better than Podlair's jump、Abstract、Oblody and lengthy symbolic writing must be more borrowing、readability and the beauty of the picture。But Pound obviously still failed to understand the essence of the use of natural images in Chinese poetry。China's natural images are basically their own meaning,This is the most fundamental difference from ordinary natural objects,For example, bamboo in Chinese paintings and poems,Generally with the meaning of "Lingfeng is not afraid", "green and tall", "Gao Jie and self -love", "Ning Folding Unyielding",It is a natural image with Mei Lanju,It constitutes the aesthetic gesture of the so -called gentleman life。As for "Peach Blossom", it is reminiscent of the meaning of "spring warmth", "adorable", "gorgeous",Like "Southern State Beauty,Rong Huar Ruotao Li "and" I don't know where to go,Peach Blossom still laughs in the spring breeze. "The natural image of" peach blossom "in poems such as",and "Fang Fei, April on the world,Mountain Temple Peach Blossom Blossom "and" Three Two or two branches of peach blossoms in bamboo,Chunjiang Water Warm Duck Prophet "and other poems,"Peach Blossom" refers to the breath involving "spring warmth" and "germination"。

That is to say,The relatively stable significance of the Chinese people comes Bet365 app download with the natural image,The moment I can quickly enter a certain preset meaning space when I can contact a certain natural image,Image recipients can directly enter an agreed common aesthetic situation without thinking too much。As for this aesthetic situation,What kind of aesthetic situation do you want to enter for aesthetic participants,It will play its own subjective initiative。This is fragmented with Podlair symbolism、Abstract、Obligatoryization has essential differences,Also trying to imitate China's "natural image" with Pound, but wrote a "reed weight,Bending "natural objects" have significant differences。

  Differences in the form of space constructor

Western "Image" is actually the construction process from the "appearance" of the object in the subject consciousness to the "artistic image",What is more valued is the "feeling" and "emotion" of the subject in the process,Even the "feeling" and "emotion" of this personal subject realized the interconnection interaction with other readers' subjects with the help of poetry text,generate an atmosphere of "quasi -subjective",It is still largely staying in the perceptual category of personal emotional feedback of "self -pity" and "self -entertainment",Plane、One -sided and current,This is the three -dimensional nature of the image based、There is a significant difference between penetration and transcendence。

China's image reflects a kind of space consciousness,This "condense time with space" model is different from the traditional view of visual space that emphasizes visuality in the West,Chinese people are more valued by the artistic image built by images,Instead of the inner space constructed by consciousness。Inner space is the key to consolidate the reality of the exterior space,It is also the key to condense time to achieve "moment is eternal"。The subject ("I") and the world use the image to make a meeting ("Xinghui Bet365 app download God to"),and the time at this time is not the "natural time" of linear passage,Instead of "At this moment -Past -Future" at the same time, "Aesthetic Time"。The so -called "think of eternal" and "travel through the heart",Building a space with an image,Customize time with this space,Then create a unique space -time state of aesthetics。In this creampie,,outer space ("Yu") and time ("Zhou") dimension obtain internalization in the subject consciousness,So the subject broke through the time limit in the aesthetic imagination at this moment ("Thinking Eternal"),It also penetrates space limitations ("Heart Traveling Wanzhu"), Enter a freedom、Beyond aesthetic status ("A moment of eternal")。

In Chinese culture,Image creators screen out a certain type of object and refine it into natural image,In fact, he needs this natural image to build a perceived basic point,With them to realize the dialogue path of "Creating Image -Accepting Image"。Li Bai is thinking about the moonlight,He wants to convey this kind of love to others,But Li Bai’s physical body was trapped in the same place,It is difficult for him to immediately cross the region to limit the passage of love to others,It is also impossible to surpass your "limited limit" to listen to future generations,So he needs to create a natural image of "Mingyue" such as "Mingyue" in his poetry to create a super space that breaks through the physical restrictions and even super -time image space。In image space, a carefully constructed aesthetic world,Later generations talk to Li Bai through aesthetic consciousness,With your own aesthetic experience to create new image space。Human life is limited,But the life of the image can be extended unlimited,The love of individual life can achieve eternity through the image。Even if we have Cao Cao、Li Bai、Li Yu is not in the same time and space,However, bet365 live casino games when it comes to "Being a Song of Wine", "Toast invites Mingyue" and "Spring Flower Autumn Moon",triggers are coherent clues、Clear love,It also produces heart elephants with inherent association。In this kind of aesthetic dialogue beyond time and space,Natural imagery plays an important role of anchoring aesthetic recipient,They realized the dialogue and integration process of "Creation -Accepting -Creation" as an intermediary。

China's image presentation is a matrix of a meaning space or space,It surpasses the monotonous of the image of the Western "image"。But some Chinese scholars quote the Western academic discourse system to explain the uniqueness and superiority of Chinese "imagery" when interpreting traditional Chinese art and aesthetics。China's "Image" is a setting that implies the specific significance of the creator and the aesthetic intention that transcends the aesthetic intention of time and space.,It is a specific manifestation of Chinese aesthetics unique。

  Historical experience of the concept of Western -style "image"

During the transformation of traditional Chinese aesthetics to modern aesthetics,We are adhering to the uniqueness of traditional Chinese aesthetics,It also needs to be used to achieve the transformation process of "external power internalization" with modern western modern mental resources。From this level,We must adhere to a humble and cautious attitude,Intochitating reference to draw modern Western disciplines。But in the process of western discipline concepts,Be sure to be alert to the "look up" mentality of Chinese disciplines without thinking directly with Western concepts。

If you pay attention to the interpretation of the image of the image in the first half of the 20th century in China, you can discover the regrets of the theoretical theory,For example, Zhu Guang's potentially "Poetic image and interest" mentioned: "The image is the picture and shadow printed by Bet365 app download individual things,The concept is the commonality of the same kind of things in the understanding。"" "Very obvious,The so -called "image" here refers to the appearance。He also gave an example: "The word" tree "can make people think of the image of a special tree,That is the image of the tree,It can also be reminiscent of plants that are generally called ‘trees’,Facial refers instead of special refers to,This is the meaning or concept of the tree。The procedure of the evolution of human thought is the concept of the image first。... Image is easy to attract emotions,Concepts are easy to lead to understanding。"" That is to say,Zhu Guangqian talked about the real "image",but "image"。

Of course,In other places,The "image" talked about Zhu Guang also has part of the connotation of China's "image": "Poetry is the result of the mind。It is seen as the image,I feel like the heart。Non -image cannot have this interest,If you have this image, you will have this fun。The realm of the poem is a realm of blending the situation。This blending is not accidental,Born free,It must be comprehensive through thought or mind。"Although in modern early aesthetics,"Elephant" and "Elephant" and there is no uniform usage,Therefore, "image" and "image" and use it is also normal,But Zhu Guang potentially used the word "image" instead of "image" in the 1940s,It is indeed related to him trying to quote Western concepts into the Chinese aesthetic theoretical system。The "image" he talked about,It is actually a historical product that combines Western theory with traditional Chinese theory。

To sum up,Chinese traditional aesthetics have both defects and unique charm,The concept of specific to the image is no exception。In the process of combing the basic concepts of traditional aesthetics including images,Both the concept of Western disciplines "for me",We must be alert to the problem Bet365 app download of the "cover" Chinese concept of Western concept。So how to correct the defects of traditional Chinese aesthetics under the architecture of modern disciplines,Build a modern Chinese aesthetics with its own style,It is an important issue that we must review and think in the process of promoting the "creative transformation" and "innovative development" of traditional Chinese aesthetics。

 (Author Unit: School of Fine Arts and Design of Yangzhou University)

Editor in charge: Wang Ning
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