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Overall，Animation Art Research is still in the edge position in the contemporary discipline system，People's discussions on animation always depend on under other art fields。British famous scholar Morinen Venis said in "Art of Movement": "Animated research is still a large extent a sideline，Although the major colleges and universities have set up animation production courses。But for many years，Aesthetics of animation form、The research of history and theory has been reduced to the status of the elective 'Special Course'，These 'special courses' are either just opened occasionally，Either there is no establishment at all。In some cases，When animation research is recognized，It is attributed to another topic，For example, avant -garde movie。"As it said，Animation Art Theory Studies still have nothing to return to today，There is no exclusive discussion in the field of disciplines; while domestic universities animation majors are highly valued by high importance to technical practice teaching，Often ignoring the basic research of animation theory，Strict knowledge standards have not been established in the research of animation art theory。A prominent phenomenon is the various fallacies that are like strange things，Widely circulated in a large number of discussions before the animation。

　　Dynamic Is statue of dynamic Isis

Famous American animator Williams，Into the "Animator Survival Manual"。In the "Brief History of History" in the book，He said: "1600 BC，Egyptian Pharaoh Latinus II built a temple with 110 pillars for the goddess Isis。Each pillar cleverly draws the image of a goddess，The position bet365 live casino games gradually changes。For those who are riding，Isis seems to be moving! "This material is widely circulated among some domestic animation works，Ru Xue Yang's "History of Animation Development"、Chen Qing's "General Theory of Film and Television Animation Art"、Lu Jiang's "History of Chinese and Foreign Animation Films", etc.。The cartoon "Prince of the Egypt" produced by the American Dream Factory in 1998 has such a plot，Moses drove a carriage and passed by the temple，The image of the goddess on the pillar of the temple gallery moves，It seems that this material that exists in fact exists。

Latin America II is not living in 1600 BC。Peng Shizhi in "History of the Middle East Nation -Egyptian Volume"，Recorded Latinus II's ascending time was 1304 BC。Abu Singbingle Temple and Kanak Temple built by La America II，None of the relevant records mentioned by Williams。A temple with 110 pillars is a very magnificent building in the history of Egyptian architecture，However, I read a lot of historical books，No Temple of 110 pillars said by Williams，Even no evidence of Latinus II has built temples for Isis。In fact，Ptolemy II in the 3rd century BC has built the Temple of Isis，But its scale is far from that of Williams said that the Temple of Isis Temple，It is not related to any relevant evidence of this dynamic image。

This material cited by Williams obviously has problems，But the evidence of ancient Egypt's history of pre -animation is not without。For example, the murals in the Bennhazan cemetery are very similar to the original painting in modern animation，Express the analysis consciousness of ancient Egypt's analysis of key movements。The mural depicts a process of wrestling competition，Detailedly disassembled a relatively complete wrestling sports with dozens of images。The so -called original painting，refers to the key frames or key movements Bet365 app download in the animation。Animator Ben Taki also mentioned this mural in "Animation: World History": "This is what characters are telling stories -maybe like puppet animation、Comic book or documentary。"" In fact，In ancient Egyptian murals，There are many evidences，It shows the mastery of the ancient Egyptians' action analysis skills。Of course，​​We have not discovered the "myth" of Williams in ancient Egypt's archeological evidence or related documents in ancient Egypt。

　　Verity's attachment to images

The second error of the same flow of the same laying is also from British animation scholar Wales，He said in the book "Understanding Animation": "The development of animation form is related to some early sports images。It is proven by the principle as early as 70 BC，You can move the hand -painted image to the screen，Lukelaxiu described this in "The Theory of Personal Sex"。"The theory of" physical sex "mentioned by Wales is as follows:" When the first image disappears、When the second image is generated in another position，The former seems to change his posture。Of course，This action must be very fast: in order to make it happen，How fast this speed，How large the number of these images is at any moment of perception! "Wils understands" Image "as an image in real life，This seems to be similar to the "frame" in modern animation。"Frame" is the smallest unit of animation production，One frame is a static picture，The frames of the continuous release form an animation。The more frames per second, the more the number of frames，The picture that people see will be smoother。But he ignored the context written by Lukelaxiu in the dream，It is the "moment of perception"，"Image" at this time is different from the real image of reality。

"Oxford · Foreign Research Society Yinghan and Han Ying Dictionary" explains "IMAGE" as "Impression、Imagination、Concepts "bet365 best casino games 。According to the context of the original text of the theory of materiality，Image is exactly the "imagination" here，More accurately "feel like"。British psychologist Eisenke said in the book "Cognitive Basis": "One feeling is like a psychological representation of someone in the material world that is outside。"" In other words，The image mentioned in Lukella is not a real image captured by vision perception。American cognitive neurologist Thomas said: "In most cases，This is a kind of perceptual object、Incident or scene experience，But only the relevant objects、Incidents or scenes will not happen when they do not real. This experience。"" "It feels like" is not "real appearance", that is, the object of visual conscious activity，but the "mind image" generated in the complex conscious activity: "Especially in the state of falling asleep and half -wake -up，It feels like fast change，It violates perception，presents a kaleidoscope -like scene，No objects that can be distinguished。"So，The most reasonable explanation of "Image" written in the original text，And Wells said that it is undoubtedly just an attachment that lacks evidence。

　　Misunderstanding of Altamra Wild Pig Wild Pig

French archeologist Abi Bogeye has written a wild boar shadow in the Altamila Cave in the early 20th century。This eight -legged wild boar image，​​Liu Xiaolin's "Animation Introduction"、Ting Ting "Introduction to Animation Aesthetics"、Wang Liyi "Animation Techniques"、Xue Yang's "History of Animation Development" and other textbooks are used to prove the birth of prehistoric animation consciousness: the extra four legs are considered to indicate the process from static to movement。In fact，The original murals are already invisible in the Altamra cave，The only sketch left by Bogeye，Therefore, it is even difficult for bet365 best casino games us to determine that this sketch is the copy of the original image of the cave mural。For this，Foreign scholars have begun to question this extensive evidence。

Dr. Steir, Cultural Research Scholar of Leeds University in the United Kingdom，The book "Material Transmission: Intermediary of the Ancient Cell Age" that has just been published，He has been to Altamra Cave，and the curator of the cave museum、In the exchange of archaeological heads of Altamila caves in Spain，There is no wild boar with eight legs at all。Originally considered the image location of the sketch that Bogeye was sketched，It is a bison image that was painted twice before shadows; and due to oxidation,，This image has disappeared now。Su Tier thinks，Bogeye believes that this image represents exercise，It was because the film art at the time was just born，and Bu Rieye created a "media myth" intentionally or unintentionally: in other words，Bogeye wants to proof，There is already a original movie consciousness in prehistoric humans -there is a similarity between the film and the prehistoric drawing of the prehistoric.，Prehistoric humans also have an impulse to express continuous movement with multiple static pictures。

Su Tir's questioning undoubtedly caused the reliability of Altamra Rock Cave Wild Pig Wild Pig。But，When he faces a large number of other evidence in the prehistoric cave，It is impossible to deny that the original film consciousness or prehistoric animation consciousness may be possible。French art archaeologist Azema and Livil in the archeological authority "Cultural Relics" jointly published "Animation in the Art of Paleolithic Age: A Prehistoric Echo of Movies"，This article talks about it in prehistoric caves around Europe，There are a large number of shadow pictures that characterize animal movements，and a small amount of exercise decomposition map，Even bet365 Play online games the "prehistoric fantasy disk" similar to modern animation broadcast devices。In these evidence，The oldest is the medium -range of the Xiaowei cave in France.，This picture draws a bison with eight -legged legs，Highly similar to the image of the existing problem with the Altamra Cave，But it is well saved。Azema and others even speculate that the original screening method: "When the light from a torch or a oil lamp is followed by the stone wall in the past,，This visual awareness will reach the maximum impact。"" The greatest impact force "does not doubt that the moment of sports illusion is generated。Their research indicates，Except for Xiao Wei's cave，Just in France，There are as many as 13 caves with 53 images that show exercise。other，They also discovered the "primitive fantasy disk" unearthed from the Spain Billy Nemis Mountains and the France's Dordhn River，That is, the animal image of standing and lying down on both sides、Some bone plates with holes in the edges，This bone plate is worn with a rope and quickly pulls the flip，Phantom that can produce exercise。

Materials of the above three problems，Reflect that the theoretical research of international animation art is not mature as a whole。Animation History as an important basis for the theoretical research of animation art，It has not received sufficient attention; the study of the history of modern animation，It is often ignored by the majority of researchers。Compared to international research，The study of domestic theory of animation art is in the starting stage，The rapid development of China's animation education since the new century and the prosperity of the Chinese animation industry are extremely different，It reflects the serious lag of theory。Many teachers and researchers in animation majors，Under the premise of not being carefully verified and Bet365 lotto review carefully examined，Foreign materials that are quoted directly in the existing problems，Not only seriously affects the formation of the theory of animation, the formation of serious academic character，In -depth discussion on this important issue of human animation awareness will be blocked。This must attract our high attention。

(Author Unit: Institute of Art Education, Hangzhou Normal University)