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Urban aesthetic steering of urban movies

February 24, 2020 05:11 Source: "China Social Sciences" February 24th, Issue 1871, Issue 1871: Wang Haifeng

　　Urban movies take the city as the background，It is a characteristic of urban runes，At the same time, the urban space is also reshaped。As an art form、Cultural Industry and Media，Urban movie is the ideal expression type of urban aesthetics，It is also the best text for the audience to recognize the city。But，In recent years, urban movies have fallen into the dilemma that is neither applauding nor a seat。At the same time，Urban aesthetics also experienced the transformation of urban cultural aesthetics that focus on urban planning to focus on urban planning。The realization of urban beauty is both aesthetic ideal，It is also the demand for cities to grow to higher levels，The vitality of urban aesthetics is to carry out a variety of aesthetic practice with cities as an ontology。The relationship between cities and urban movies, determining the internal quality of urban movies、The key to breaking through the current dilemma is the practice steering that follows the laws of urban aesthetics from all aspects。

　　The development dilemma and character improvement of urban movies

　　Urban Movies have appeared in Shanghai in the 1930s，and the real urban movie in the real sense did not start in the 1990s，Urban movies in this period frequently come out。With the change of the film system and the full marketization of the movie，Especially by the second ten years of the 21st century, there is a movie type called "new urban movie" by the academic community。This is a type of commercial movie with the main characteristics of the landscape presentation and emotional desire of the landscape with great visual impact，Fragment of the traditional development of urban film development，Word of mouth turned straight down。It can be said that the sluggish performance of the current urban film Bet365 app download is the sequelae of the previous "new urban movie" period，It is an inevitable result facing the changing film market environment。Among them, the help of capital entry leads to the cause of the non -normal development of the film market，But the movie of realism is well received and the traffic movies are highly cold，enough to show that the audience's aesthetic level and demand are increasing，The market is returning to reason。The fundamental reason is that the current urban film's understanding of the city is still in the initial stage of urbanization，The understanding of the city is based on the structure of the real urban body。After the development of urbanization in the last three or forty years，China's city looks new，Some urban movies have been in all aspects in all aspects、Real city disconnection。

　　Always，Each city often uses documentary or promotional videos to show its own image to the outside world。With the daily life of aesthetics，It has fully penetrated into people's daily life，Urban aesthetics has also developed，The connotation of its "people" has become the consensus of the academic community。Western Ronald Herbin、Allen Carlson、An Aino Berxter aesthetic scientists put urban aesthetics into the category of environmental aesthetics，Developed a "intervention aesthetics" that is very different from traditional aesthetics。Chinese scholars such as Liu Fengjie、Yu Xiande、Liu Shilin, etc., try to construct China's urban aesthetic system。From spreading the image of urban image to practicing the ideal ideal of urban aesthetics，It is both the difference，It is also an expression that people participating in the whole process as the main body of the city。Therefore，The path of the improvement of urban movie characteristics is to become a medium that people (audiences) and urban connections，Knowing from the city、Urban Consciousness、Urban care and other aspects to complete the steering of urban aesthetics。

　　Landscape presentation from "value justice"expression of the character of the city

　　"Yan value justice" means the building landscape of the city in the current urban movie、Life scene、The appearance of the character blindly pursues gorgeous and unsatisfactory display，When shooting，Visual look、Meet the standard for judging a movie character。With the continuous improvement of shooting technology，Urban movies are more happy to use aerial photography、Daquan Jing to explain the understanding of the city，In the display of life scenes。In the lens of these movies，City is a building forest composed of glass curtain walls、Luxury texture full of living environment、Fashion avant -garde young people。But the same urban landscape display，Make all cities into an unknown background，This is exactly the era of globalization. Capital attempts to homogeneity of all cities、Single -oriented attempt，It also reflects the film creator's understanding of the city。Chen Xiaoyun thinks，"We can see the imagination of the city from the urban space expression of the film"，The transcendence of time and space reflected in the movie is hidden，Only presentation of the post -modern moment。

　　The city not only has a glorious appearance，It also has its own personality，that is, its own image and connotation recognition。City is a masterpiece that is fully displayed by people，and people are just building a city in accordance with the ideal of "occupying a place in the vast universe"，Exist that it becomes a diligent goal for humans。Urban movies should recognize this，Movies can easily achieve the time and space of the city in the creative method，When found the historical memory of the city、The connection point of the future imagination with the current reality，I found the coordinates of the existence of the characters in the movie，Characters will not become the existence of historical void，It will not be separated from the audience's symbolic Bet365 lotto review cognition of a city。The selection of architecture and scenes should be based on shaping the character and promoting narrative as the main principle，The development of space aesthetics has proved the close relationship between space and characters，Urban movies are set with the character set of urban face value and the character settings of fictional architecture，Both the unique appearance of the city，separated from the three -dimensional real sense of the character。Show the unique personality of the city，Construct the familiarity and intimacy of the relationship between audiences and urban relations，overlap it with the urban impression I perceived in my daily life，A good urban movie produced here。Put the characters in the movie into the real urban space with memory，Urban personality complement the character's character，It is difficult to say who made it possible，But the result is perfect。Western urban movies，such as "Paris，I Love You "," The Beautiful Legend of Sicily "," Seattle Night Sleep ", etc., is the success representative of this kind of film。

　　Repeat from the desire of urban mythsShow Yang of the Urban Consciousness

　　The current imagination of urban movies for cities tends to be routine，City seems to be a field of production myth。The urban myths in urban movies mainly include love myths and workplace myths，Re -writing of desire，Desire re -writing is always a basic rule。Re -writing of desire，It is the narrative of the movie to the deepest desire in the heart of the person's heart.，Its essence is the worship of successful philosophy and endorsement of consumerism。Urban movies have become a means of dreaming for audiences，Thinking about reality and meaning has long been thrown out，In addition to experiencing a false happiness and satisfaction，It is difficult to leave a deep look。The reason for it，The position of observing and knowing the city is still in the stage of early cities，The desire of urban mythology re -writing only the picture Bet365 lotto review of the city's high material prosperity is very full of desire，The audience either does not agree with the city in the film，Either for the illusion of desire illusions，One -sided understanding of the city。This kind of reproductive field that portrays the city as a myth，It is also very common in early Western urban movies，If a black movie, the city gender and black，But this is not enough to reflect the current situation of transition from the city to the city。It should be said，This is just a modern side，A positive side of urban modernity lies in the broad space it provides everyone's personal development and realizes the value of life。

　　The publicity of the urban consciousness should be reflected in urban movies，That is, the current urban aesthetics have established a modern aesthetic value standard through the medium of the city，Let's talk about "City Update"，More importantly, update consciousness，Urban consciousness、The position of urban people came to see the city。The core of urban consciousness is the concept of citizen life，That is to complete the transformation of urban rules built in the urban community living mode from the concept of "family -based" established from the blood relationship。Rules of the Modern Civilization of the City、Social ethical and moral norms、Public contract spirit runs through the development process of urban movie stories，and it is the rule to resolve the story conflict。Urban myths are not real after all，Encouraging progress is the publicity of urban consciousness。The change of concept is a long process，But urban movie、The living soil of the cultural form of literature such as literature has changed，If you still use the old old concept to create a work，Obviously it is difficult to improve its quality。

　　Value care from the empty pseudo -decorativeConsciousness to the emotion of the city

　　At a deeper level，Urban movies should cultivate the audience's emotional consciousness for the bet365 live casino games city。The so -called emotional consciousness，refers to the joy of the beauty of the city、Security、Happiness、Free aesthetic experience，Emotional attachment formed on the basis of deep recognition and belonging of the city。The current urban film is presented as a pan -pseudo -orientation in terms of value orientation，Lack of humanistic care in the stance of modern urban consciousness。Some current urban movies based on the landscape presentation based on "face value and justice" and the desire of urban myths，Obviously completely disconnected from the real urban life。In this sense，Urban movies should turn to attention to cities and social reality，Efforts to touch the pulse of the development of the times。In the past, urban movies did not show reality problems、Thinking for no point of view、No value judgment，Always trying to use imaginative perfect ending as a way to solve the city problem. It cannot be called a real urban movie，At least not an urban movie in the mature sense。

　　The theme of urban movies should return to the daily life of ordinary people，Especially those who are concerned about working hard in the city，A type of movie that really made in this area is often called "small town movie"。Actually，This responsibility is often undertaken by art movies，As a large amount of urban movies, there are little attention。Berxin thinks，Develop urban aesthetics "must also consider negative or negative aesthetic value，Through it，We can reflect more deeply today's urban aesthetics "。Similarly，Gao Xiaokang also thinks，In the study of urban aesthetics, we must "break the Utopia's urban imagination，Note the existence and significance of the city 'backstage' "，The attention of the living space of the shadow in the shadow behind these high -rise buildings is called "the third urban aesthetics"。Urban space is not only pure physical、Geographical Space，It should also be the existence of the poetic bet365 live casino games habitat。Urban movie excavation and presentation of the daily life of ordinary people and marginal groups，It is precisely to focus on a "place for the placeLove "(Topophilia，Translated as "Love Embarrants")，Human care and tolerance character that embodies the city。City temperature，People are only happy。The spiritual connection of people's spirit for the city，It mainly comes from the emotional identity of the human beauty of the city，Then form a consciousness of emotion。

　　(Author Unit: Academy of Literature of Suzhou University)

Editor in charge: Changchang