The "ethnic tone" characteristics presented in Chinese ethnic instrumental contemporary creation, as well as Chinese style in the creative aesthetic meaning、Chinese temperament，and its multi -dimensional cultural identity expression (ethnic identity、Regional identity、National Agreement、Political identity) is a typical "Chinese" characteristic。In other words，Chinese national instrumental contemporary creation in the melody material、The characteristics of the melody and the aesthetic meaning of the work only have multi -level construction that conveys Chinese cultural identity，can truly highlight the characteristics bet365 Play online games of "nationality" and "Chinese"。The material and aesthetic character of Chinese national instrumental contemporary creation must be in line with the auditory aesthetic style of the Chinese public，is the diverse expression of truly highlighting the excellent Chinese traditional culture。So，Chinese folk music contemporary creative thought can only truly express the "subjectivity" cultural construction of their music creative concepts。

The subjectivity refers to the ability that people show in practice、Function、status。The "subjectivity" expression of Chinese national instrumental contemporary creative problems，That is, the problem of contemporary folk music of Minle must first adhere to the appreciation of ordinary people as the creative idea of ​​aesthetic subjects，To adhere to the popularity of the aesthetics of work creation。Especially music creative materials should make full use of the structural material of traditional Chinese music，Not only does not adhere to the "nationality" of the work form，And to realize the aesthetic meaning of its folk music melody and the genetic context of the genetic context of its native context，It is by no means an artistic collage that stripped and pulled out。Because the generating context Bet365 app download of any folk music is not adhered to artisticization into the first standard，but a true expression of the real life context of the locals。So，The "nationality" feature created by Chinese folk music is characterized by the traditional cultural history of specific ethnic groups、Source、Migration、Folklore、A true cultural expression of the characteristics of myths。The creation of folk music composers is by no means a "walking horse and watching flowers".，but should be a cultural reconstruction behavior based on the real cultural symbol of folk music。Therefore, the "subjective" identity construction of contemporary Chinese folk music should be a true representation of the aesthetic meaning of the "nationality" aesthetic meaning and unique "ethnic tone" and cultural symbol，It is by no means the artistic creation of the professional audience as the group。

The "order -sequential" feature that should be presented in Chinese ethnic instrumental contemporary creation，In other words, the cultural identity of the creative concept and the creative material table。that is (1) "ethnicity" (ethnicity) -national culture identity; (2) "regional" (regional tone、Music Color Area) -Regional cultural identity; (3) "Chinese" (Chinese characteristics、Chinese style、Chinese style) - Chinese national style characteristics and aesthetic meaning — contemporary national instrumental music creation system in the context of national cultural identity -national identity。

But，The band configuration in the contemporary creation of Chinese folk music is mostly Han traditional instruments as the main，Music expression in many national orchestral works is basically the Han musical instruments，In fact, such a band configuration cannot really realize the "nationality" feature of their works。Du Yaxiong believes: "Replacement of Chinese ethnic instrumental music with Han instrumental music，Music instruments for ethnic minorities、Instead of performing instrumental performances and works not enough。So "nationality" thinking，Not the thinking of the "Chinese Traditional Music and Cultural Center" thinking，Chinese ethnic minority Bet365 app download music culture should also be the "subjectivity" cultural expression created by folk music。Because of，Ethics of ethnic minority instruments has a personalized sound and legal characteristics.，Whether the Music Music Music Music Music of the Han nationality has really achieved the "nationality" feature expressed in its works，Whether the legal characteristics of band distribution and musical instruments present the "subjectivity" feature of national music，How to deal with the legal characteristics of minority musical instruments ("neutral sound") and Western instrumental law、The conflict between the five -degree law of the Han nationality instrument is worth thinking about。So，The "subjectivity" cultural expression of ethnic instrumental creation is mainly divided into: one，In terms of content includes two levels: the subjectivity of the Han nationality music culture、The subjectivity of the music culture of ethnic minorities;，Creative techniques should present the "nationality" ("ethnic tone") of its rotation structure characteristics and melody material ("ethnic tone")。

About "Chinese" cultural concept，Some scholars believe that its connotation has a variety of complex faces，Song Yongyi、Zhang Jing、Zhao Xiaoqi and others borrowed the term "Chinese complex", "Chinese imagination" and "Chinese image" to trace the source of the Chinese culture characterized by overseas Chinese literature and the Chinese culture，There are still many people who are discrete to the ethnic group、Spiritual Hometown、Cultural nostalgia、Image code code, etc.。In essence，These Chinese elements that are closely related to Chinese culture can be attributed to the category of "Chinese nature"，It is more "History China" and "Culture China" that point to the spiritual space。The "Chinese" feature created by Chinese national musical instruments is not only to respond to the constructing Chinese characteristics at present、Chinese style、The theoretical needs of the Chinese style philosophy and social science system，And has a strong practical significance bet365 Play online games for building a music theory with Chinese characteristics。The creative connotation of any folk music composer must adhere to its Chinese style、China Quality、Chinese imagination，Taking the melody material of "nationality" as the source of creation，On the basis of reflecting the real real life of the nation，The purpose of the national creative ideas with deep national meaning and spiritual connotation，Finally realized the "subjectivity" presentation of Chinese national instrumental contemporary creative thoughts and art expression。that is，The object of Minle creation is artistic to express it? Is it professional or ordinary people?，That is, the course setting only pays attention to the "collection of wind" that is separated from the context of the generation of music，Even the academic training of the national music science "field work" that lacks the method of "galloping flowers" method，The creation of these works is mostly the peeling collage of the light -like music material in the process of "watching the horse"，Not a cultural experience of cultural soil for folk music melody。

Ethnic instrumental creators not only collect the melody body of folk music，Macro perception of living experience in the humanistic context generated by this melody。Because of，The creation of certain ethnic instrumental music is mostly a dazzling technique collage that stripped the original cultural context，I did not think about the deep cultural generation logic of its folk music。Now，"Dazzling skills" and "non -tune" in Chinese ethnic instrumental music contemporary creation are more common，The composer blindly pursues dazzling skills，and seriously ignore the melody creation，Especially in terms of "national" style creation，Have Chinese characteristics、Chinese style、The artistic expression of the Chinese style is getting less and not enough。Affected by cultural globalization，The homogeneity of the creation of folk music melody is getting worse，The artistic expression of the lack of real "national" tone in the works of the composer。

Liang Maochun believes that the "Bao Yuankai phenomenon" refers to: since the 1990s，In the period when the "trendy bet365 Play online games music" in my country is booming，Bao Yuankai insists on using traditional composition techniques，Make changes and re -creation of many traditional Chinese folk songs，I wrote orchestral music such as "Yan Yellow Style" and "Taiwan Sound and Painting"，Causes a national sensation，Welcome to the world。He walked out of a way for the Chinese symphonic music and vulgar appreciation in the 1990s，A monument created by Chinese contemporary orchestra。For example，The series of ethnic orchestral works created in the 1950s and 1950s "Beijing Good News to Bianzhai" (Zheng Lu、Ma Hongye cooperation，Miao people、Yi music，1976)、"Yao Dance Music" (The 2050s，Encouraging Music of the Yao Northern Yao Nationality)、"The Day of Turning" (Northern Shaanxi flavor、Shandong Lu Opera、Hebei Blowing Song，1952), etc.。You can see，The core melody in the national orchestral works created by contemporary Chinese composers represented by Bao Yuankai and others with distinctive national element characteristics，These core melody ("Junctin") sound not only reflects the distinct "nationality" characteristics (regional music culture)，It is also in line with Chinese people's creative philosophical thinking and aesthetic audience，and creative characteristics of the characteristics of the cultural identity of the Chinese nation。

"Chinese" expression created by Chinese ethnic instrumental music，It is based on the music elements of Chinese nations，The representative "ethnic tone" of a certain ethnic group as the creative mother or core material，And the aesthetic audience is more in line with the ears of the Chinese people。For example, the series of works of contemporary Chinese young composers Wang Danhong's series of works "Strings on Strings"，One of its series of works "Rose Crazy" is based on the Xinjiang Kazakh Civil Song "A Cute Rose" as the main creative element。"Xianyi Lingnan" is based on folk music "Pinghu Autumn Moon", "Falling Water", and "Drought Thunder" in Guangdong Lingnan.，You can see，The music of its series of concert works clearly presents the characteristics bet365 Play online games of "nationality" and "Chinese"，So such a work really represents the "subjectivity" cultural expression of contemporary Chinese folk music。

The "nationality" in Chinese ethnic instrumental contemporary creation is the reflection and response of Western music and culture hegemony。Adhering to "nationality" and "Chinese nature" is the two core purpose pursued by Chinese national instrumental contemporary creative concepts and thoughts，It is not only to avoid the "subjectivity" of national instrumental contemporary creation，It is even more to build with Chinese characteristics、Chinese style、The Chinese Qi School's composition technology theoretical discourse system lays a solid theoretical basis。Especially the western cultural hegemony caused by the context of the current cultural globalization，Techniques for contemporary creation of Chinese ethnic instrumental music、Style、Aesthetic meaning, which brings many homogeneous effects。No tone、"New Tide Music" and other "trendy music" has become an artistic work respected by a professional audience。Due to the narrow space of its aesthetic audience，Leading the appreciation and interpretation space of the work lacks sufficient communication dimensions，The characteristics of the "nationality" and "Chinese" style meaning cannot be truly expressed。The main aesthetic characteristics of Chinese ethnic instrumental contemporary creation cannot ignore the pursuit bet365 Play online games of "nationality" and "Chinese nature"，This is a powerful grabbing point that avoids the "subjectivity" of national instrumental creation.。Because of，All composition techniques and creative aesthetics must be based on "national" and "Chinese" features，Only the diversity of creative style and expression content can be achieved (diversity)。

In short，Chinese ethnic instrumental contemporary creation should be established in the ethnic group、Area、Country、Thinking in the dimension of political identity，Only in this way can the "nationality" and "Chinese" features that truly reflect the ideas and creative intentions of work。That is, it not only helps the inheritance and development of the excellent traditional culture of China、Development and Application，You can also tell the world with bet365 live casino games "Chinese Voice" with unique traditional music style "Chinese Story"。

(The author is a special professor of "Furong Scholar" in Hunan Province、Director of the Music Culture Research Center of the Chinese Southern Minority Music and Culture Research Center of Hunan Normal University)