Contemporary China Environmental Aesthetics: East and West Dialogue
September 01, 2020 15:16 Source: China Social Sciences Magazine Author: Holmes Roston

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  Summary of content:The concept of thinking that the east originated from the West is obviously very outdated。Although the author has experienced six visits to China,But the author found,As Westerners,I can’t provide what spiritual crickets are provided for the development of environmental aesthetics of China。However, I feel that I can ask some questions that are valuable: in terms of art and nature,Can Chinese scenery be regarded as artistic works? From city、Village、Watch the wilderness,Does the Chinese have a 3D aesthetic experience? Taking place to choose from,Is China different from other places on the earth? What is ugly in Chinese landscape?、"Ecological China"? How to view environmental aesthetics and environmental policies in China?,I think,The Chinese have a long tradition in the pursuit of harmony and beauty,They are good at incorporated things into a beautiful whole and make them highly harmonious。I hope that this concept can truly dominate the future Chinese environment aesthetics。Only then,China will really prosper,Western talents can absorb more useful experiences in dialogue with the East。[Translation of Wu Weifu]  

  Holmes Rolston III,Outstanding Professor of Colorado State University、Professor of Honor Philosophy,The founder of the American Environment Ethics,Dr. I won at the University of Edinburgh,Research interest is environmental bet365 best casino games ethics、Biology Philosophy、Science and religion,"Three Big Bangs: Material Energy、Life、Thought; Gene、Origin and God; Philosophy to Wildness,Environmental Ethics,Science and Religion-A Critical Inspection (Three Big Bangs: Matter-Ericy, life, Mind, Genes, Genesis and God, Philosophy Gone Wild, ENVIRONMENTAL ETHICS, Science and Relige: A Critical Survey, Columbia University Press, 2010) and "CONSERVING NATURAL VALUE, Columbia University Press, 1994), etc.。email: Holmes.rolston@colostate.edu 

Editor in charge: Cui Cen
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