· · 道
—Trite of cultural relic narrative
November 27, 2020 08:29 Source: "China Social Sciences", November 27, 2020, Issue 2057 Author: Zhou Junling

Cultural relics are the witnesses of time,It is also the carrier of cultural symbols,It not only reflects social politics、Development of Economic and Culture,It also reflects people’s emotions、customs and religious beliefs。So,The interpretation of cultural relics can be multiple aspects、Multi -angle、Multi -theme。Based on past experience,Combined with the current situation of the current society that has entered the picture of the picture,I think,Cultural relic narrative can be from the device、Mei、Tao three aspects at the same time,Realize creative transformation and innovative development,This can "let history speak,Let the cultural relics speak ","Inherit the achievements of the ancestors and glory,Enhance national self -esteem and self -confidence "。

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The cultural relics are alive through the story

Cultural relics are the annual rings of recorded human history,As early as 10,000 years ago,Rock painting with image as the form of expression,It becomes the way human expressing emotions and cognitive worlds。In rock paintings,We can read and solve the production of thencestors faintly、Life Story。A human history,It is also a history of image。If there is no evidence for images or utensils,It is impossible for humans to write and understand prehistoric history。

First,Read the cultural relic itself。"Set the way to the top is the way of the top,Settlement and lower part of the device ",This is the cognition of the ancients' utensils。Compared with the discourse that has been purified bet365 Play online games by realistic,The device as a cultural relic is temperature、perception,With a richer form、More brighter color。The TV show "If the National Treasure Speaks" tells the story behind the cultural relics through the method of self -narration and his narrative of cultural relics,Let the audience win fascinating、In the ups and downs stories,Appreciate the value and charm of the immortality of Chinese culture。

If the East Han Copper Benma unearthed from the Tomb of Leitai, Wuwei City, Gansu Province,Flying forward、Fast as Wind、Flying forward,Style and handsome and handsome,There is a unique style,reproduced the scene of the sky and the empty plugs during the two Han Dynasty,It also shows the spirit of the Chinese Ryoma。

Next,Digging the story behind the cultural relics。How to "let the cultural relics speak",Not only a question of museum thinking,It is also a topic of attention for mainstream media。The story of cultural relics can not only be described by the interpreter,You can also show it through the media。In recent years,major mainstream media cooperate with the museum,launched a series of large -scale cultural exploration programs,Its purpose is to "let cultural relics speak",Destination of the legendary stories and twists and turns experience behind the cultural relics。

"National Treasure" is a "let cultural relics speak"、Let the TV show that lives in history。Let history live,It is necessary to cross time and space,Tell the story behind the cultural relics and cultural relics。He Zun, collected in the Baoji Bronze Museum,12 lines cast at the bottom of the inner wall、122 -character inscription,describing Zhou Chengwang inherited Zhou Wu's legacy,Capture Jiancheng Week (now Luoyang, Henan),The Bet365 lotto review earliest word "China" appeared。The dignified shape、Rigid and magnificent decoration、"Miyaki China" words,Make it a spiritual logo for the Chinese nation。

 The device is contained in the beauty

Makes cultural relics through the beauty

Cultural relics or relics of real life,or the reproduction of the life scene,All shows and contains the expectations of the ancients for a better life。"Let the cultural relics speak",You need to dig the beauty of the cultural relics itself,and show it through the form of beauty,This can not only make the cultural relics alive,and can make the cultural relics smart。

First,Find the beauty contained in the cultural relic itself。Cultural relics are representative symbols of ancient culture,is the carrier of traditional aesthetic thought,Reflected the aesthetic craftsmen at that time。2016,The Capital Museum hosts "Queen Mother and Female General -Commemorate the 40th Anniversary Exhibition of the Tomb of Yinxu Women",Through a piece of cultural relics, especially Yufeng's narrative,Lead the audience to understand the life of the woman who loves beauty,Make this legendary woman more than 3,000 years ago "rebirth"。

Jade as a ritual,Rise from the late Shinshi era,prevalent in three generations,Play an important role in the noble life at the time。Yufeng unearthed from a woman's tomb,Beast、Eye、High Crown,Zuoting stands back and wants to fly,Bend body、long tail of diastolic,Show the beauty of Yufeng's dynamics,Have a strong artistic appeal。Woman is the wife of Shangwang Wuding,Also a female general,According to Oracle records, she has led the army to conquer the Quartet,Host sacrifice at the same time,Participate in the country。

Next,Show the beauty of cultural relics in Bet365 app download various ways。Zhang Yanyuan, a painter in the Tang Dynasty, said: "Remember the biography, so the matter,Can't carry its appearance,Essays with the beauty of chanting its beauty,Can't prepare its image,Picture System,So I also。"" We can do the opposite,A combination of image narrative through "Biography" and "Song Fu",Realize the unity of "loading" and "Yongmei"。"Book of Rites · Music Ji" said: "The rise of Fan Yin,From the heart of the human heart。Movement of Human Heart,Employment also,Move it with things,Therefore, the sound。”

early 2020,"National Treasure" launched the Spring Festival special show "" The Water on the Yellow River "National Treasure Concert",Performing Guobao's this life movement by well -known performance artists at home and abroad,Show the essence of the national treasure with a more three -dimensional multi -faceted art form,Open the new wind direction of national treasure music,Realize the integration of cultural relics and music,Let the cultural relics be agitated,Live。Where,Syrian of the Sichuan Museum Hidden Eastern Han Dynasty Seven Dance Painting Image Bricks,It is expressed by encouraging。Dancers from the Chinese Classical Dance Department of Beijing Dance Academy,Rong tradition in innovation,foot steak drum、Long -sleeved rotation、He Drum Hele、Singing and Dance,Let the audience feel the soft beauty and beauty of the momentum,The so -called "Motivation of the Heart,Effects of it "。

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Rich cultural relics through culture

Cultural relics are not only "things",even "Wen",It contains cultural identity and national self -confidence。Zhang Yanyuan, a painter of Tang Dynasty painter, bet365 best casino games believes,The image has "enlightenment,Help people,Poor God Change,Test the utility of Youwei ","Same Gongs with the Six Classics"。Based on this,Cultural Relics narrative not only tells the story of the cultural relics、Show the beauty of cultural relics,It is also necessary to excavate the cultural relics itself,Inherit the excellent traditional culture of China。

First,Cultural relic itself is one of the components of the ritual and music system。The word "cultural relics" was first seen in "Zuo Zhuan · Gong Gong Two Years": "Fude,frugal and degree,Count on landing,Cultural Relics,Statement to send it;,Hundred officials are so fearful and dare not easily discipline。"The main concern of Chinese traditional golden stone is mainly the bronze ware with text、Jade、Stele carrier and other utensils,These basics are basically the ceremony system、System related。Zun、簋、鬲、Disk、Zun、Jue and other rituals,It is mainly used to indicate the identity of the user、Level and Power。

Lihuan, collected in the National Museum of China,It is considered a national treasure -level cultural relic,It is because there are inscriptions 4 lines of 33 characters at the bottom of the inner wall,Recorded Jiazi Morning morning,The major historical event of Wu Wang Faun。簋 簋 食,After it is used as a utensil for sacrifice and feast,Given a special meaning。The emperor is sacrificing、Banquet、When burial,Use Jiuding Babe,Princes Seven Ding Six 簋,Doctor Wu Ding Siqi,Push category,Can't use it level。

Next,Cultural relics have symbols with Chinese culture。"The device is carried",Cultural relics are the carrier of culture,Is a physical culture,bet365 best casino games It contains people's social life at that time、mental state、Custom beliefs and other information,It is an important carrier to understand Chinese traditional culture。Southern Song historian Zheng Yan thinks,"The scholars of ancient times have learned,Covery in Figure,Put the book on the right,Covery in Figure,Coriovanic Yu Shu,So people are also easy to learn,Learning is also easy to do "。Cultural relics are visible、Touch it、Anyceptive physical object,When everyone faces it,All have your own way of opening,"Let the cultural relics speak" just to help people find their own key。

"The Ming Edition Painted Confucius Sacred Map" hidden in the Confucius Museum now hidden in the Qufu Museum,In the form of comic comic,Recorded Confucius' 73 -year spring and autumn through 36 paintings,Composition refined、Set colorful、Set colorful,Through images and questions,Let the world know the good deeds of the Holy Master、Humanities,The charm of Chinese traditional culture in the subtle way。

Generally speaking,People have two main ways to understand historical culture,First, literature materials,First is a cultural relic image,They are in harmony、complement each other。How to transform professional knowledge into popular cognition,Let more people understand、Love Chinese traditional culture,This requires innovation on the basis of inheritance,Make traditional culture not only reflects the Chinese spirit,It is in line with the needs of the times,Existing text narration,There are image presentation,This is also the direction of creative transformation and innovative development。

(This article is the National Social Science bet365 best casino games Fund Art Project "Enhance the Image narrative Mechanism and Path Research on Chinese Culture" (19EH213) staged results)

(Author Unit: Department of Fine Arts History of Xi'an Academy of Fine Arts)

Editor in charge: Changchang
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