Totem worship and their utensils aesthetics
February 12, 2020 05:26 Source: "China Social Sciences", February 12, 2020, No. 1864, author: Li Mo

  The formation of symbols comes from human imitation of life activities。Human use of symbols can not only classify and describe intuitive things,You can cultivate your own simulation ability、Logical thinking、Aesthetic consciousness。Totem as a symbolization、Image、Personalized worship object,It is important in human production and aesthetic activities。

  The relationship between the connotation of the utensils and its relationship with the totem can be explained from a comparison perspective。First, start from Marxist theory,Aesthetic features of knowing utensils。The utensil is the purpose of human beings、Consciously transform natural production practice results,Increased aesthetics are labor products created by human production labor and their aesthetic activities。The totem symbols in the utensil together with the utensil itself,The practical aesthetic features that reflect the transformation of human beings to transform nature,Aesthetic value in the dual sense of material life needs and spiritual aesthetic needs。

  Followed by dialectical perspective, understand the symbol value of the totem from a dialectical perspective。In "Psychological Phenomenology",Although Hegel does not directly discuss the utensils and totem symbols,But he creatively discussed consciousness and psychological problems from the perspective of face -to -face and skull Bet365 lotto review phase learning,It provides reference for the symbol value of understanding the totem。In Hegel's discourse system,The creation of totems and its carrying utensils itself is the reality confirmation of abstract self -consciousness,The beauty of this is the perceptual manifestation of the concept,The existence of self -awareness constitutes a direct basis for aesthetic activities。

  Finally, aesthetic activity is launched from the specific perception level。"Book of Changes · Family Ci" has a cloud: "The metaphysical way is the way of the upper top,Settlement and lower part of the device。"" Ancient Chinese people have specific perceptions with things,The basis for judging its "Tao" and "instrument" attribute。The dialectical relationship between the "Tao" and the "instrument" is displayed through the symbol of the "elephant",This forms the "Taoist" relationship such as "device with the lane", "objects",。and "take the body near,Gossip Symbol Creation,reached "the virtue of the gods,Aesthetic target with the feelings of all things ",Eventually obtaining aesthetic experience in the sense of communication between people and nature。

  Actually,The behavior of ancient human creation utensils and totem symbols has always been related to aesthetic activities。From the view of Lievi Burlier,The most general laws unique to the original intelligence can be called "mutual infiltration law",The general connection of people and nature is closely promoted to cause primitive humans to express it in a specific direct Bet365 lotto review way。This aspect is a human simulation of the natural world。In the Book of Changes and Taoist doctrine,Such as "Five Color", "Five Taste", "Four Osh" is equivalent to "Five internal organs","Five Elements" Shengke's association with the behavior of human society,can be regarded as a specific manifestation of "mutual infiltration" in the original thinking of Huaxia ancestors。On the other hand,This is the "image projection" of the natural world for human society activities。From the perspective of French sociological scholar Tuergan,"Rely on this projection,Naturally becoming a image of the social world: naturally reflects all the basic characteristics of society,Reflects the organization and structure of society、Division and re -division of the area "(Erston Cassier" Human theory ")。In this sense,The aesthetics of utensils are the "image projection" of "objects" for natural things,Reflected human rational thinking and aesthetic methods of human beings。

  As a realistic intuitive "image projection",Totem、Totem worship and myths related to it well satisfied the intuitive expression of this original "mutual infiltration" thinking and aesthetic activities。So,We can often be in the utensil created by ancient humans,See a certain kind of organ of the human body、Structure and Animals、Totem symbols and images for the splicing of plants and even inorganic objects。With the development of human production capacity and aesthetic consciousness,The spiritual activities characterized by the worship bet365 Play online games of totem also carried out their own classification at the same time,Among them, judgment and classification of beauty。

  Primitive totem classification logic is not only related to thinking,Also experienced、Classification of perceived。As Levy Strauss said,"Whenever the social group is named,The concept system composed of these names seems to be arbitrarily accumulated by the population change,The latter has its own laws "(" Wild thinking ")。and specific to the aesthetic activity of utensils,The shape of the utensil、The form of the style is often through pattern、Color、Gloss、patterns and other totem symbol elements can be expressed。The final arrangement and combination of these elements and the purpose of the comprehensive application of the purpose of the purpose,Establishing also includes lofty、Order、Positive、Negative、Harmony and other emotional cognition and aesthetic experience。Ancient humans completed the division of the category of the beauty of utensils in the totem classification logic。

  As a form of folk art,Contemporary Chinese sacrifice god prayer activities still retain the symbol aesthetic logic of totem classification。Inner Qiu Shen Code (Capital Process of Shenqi Folk Printmaking in Neiqiu County, Hebei Province) as an example,The historical changes of different totem systems describe the special relationship between the "Chong Shen" god code and people's daily production and life。The way of thinking of "Everything has Spirit" and "Intomedic" through Bet365 app download the totem logic classification of "God" in different images is displayed。Symbols of God Code as a mixed god statue,Production with a symbolic meaning of ritual、Postable、Burning Process,Put the life and belief status of people contained in the reality,and potential totem worship concepts are specifically reflected。During the production process of God code utensils,For a composition、layout、Color、ratio、Patterns such as patterns and other aesthetic elements,Most fully show the real artifacts aesthetics in folk art activities。All kinds of life about people in the god code、Wish、The classification of concept and human image represents the concentration of nature represented by the Chinese people in the Qiu people and the confidence of their own power。(Wang Weiyi、Jiang Yanwen edited "Neiqiu Shen Code Art Exhibition")

  In China,The emergence of the hexagrams and hexagrams of the "Book of Changes",It marks the formation of the logical thinking ability and aesthetic consciousness of the Huaxia nation。The emergence of the hexagrams and hexagrams of the "Book of Changes",Make the ancient Chinese have a kind of objectiveization of nature、Objectized logic ability。Creativity、Artistic symbol imitation is the true manifestation of this logical ability。In the practical projection of the creation of utensils and its totem symbol "object",People look at themselves and know themselves,Examine the beauty of the creation of their own labor。This aesthetic cognitive cognition of the inner Qiu Shen code bet365 best casino games and the longer hexagram symbol is essentially the same。

  In addition,The utensils and totems worship in reality are reflected in the worship and sacrifice customs of the god code in the Neiqiu people。This is both a religious living custom,It is also a kind of utensil aesthetic practice。Actually,The aesthetic characteristics displayed by the utensils displayed by the Nidi God code are the intuitive manifestation of the aesthetic psychology of the primitive human,The potential and practicality of people's aesthetic consciousness can be reached by the symbol。

  Overall,The reason why humans have aesthetic activities different from animals,It is in the aesthetic object and practical tool that people use nature as a objectized aesthetic object。It is in the creation of utensils and aesthetic activities,Humans have completed the "humanization of nature".、Active transformation。With the improvement of the manufacturing process and technology of utensils,Human aesthetic objects and methods may change。but but,In the inherent logic of aesthetic activities,,People worship themselves from the utensils and their totems to "consciously" to the same nature,Inner logic that shows everything that is in line with the rules,and get the spiritual motivation of transforming its own state of survival。This is obviously reflected in the aesthetic activities of the Chinese folk art in the Chinese folk art.。
  
  (Author Unit: Tianjin Academy of Fine Arts)

Editor in charge: Changchang
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