Le and Poems have an important position in Chinese culture，On the one hand, they blend water and milk，is the main representative of the characteristics of Chinese art "domain no boundaries"; on the other hand，Compared with other cultural forms，The relationship between poetry and music is more persistent，formed a unique "music literature" form。This article uses "Le"，instead of "music"，It is because the connotation and extension of the ancient Chinese "music" are inconsistent with the "music" in the modern sense。In general，Chinese ancient "music" is the collective name of "music of ritual music" and "music music"。In this sense,，The "Poetry One" we have always admired has actually stipulated that Chinese music literature should be moral and aesthetic、Combination of multiple factors such as utilitarian and non -utilitarian。The evolution of literary trends from the perspective of the concept of music learning，It helps to study the development of ancient literature from a more rich and diverse dimension，Avoid the disadvantages of only discussing literary issues from literary disciplines，This idea is also applicable to the research of the Qing Dynasty poetics。

　　bet365 live casino games

The Qing Dynasty can be said to be the end of the trend of ancient music learning。Qing Dynasty Lexue retaining education、Morality and other factors，It also shows the tendency of "love", "vulgar" and "de -mysterious"。

First，Qing Dynasty Lexue focused on the identity of natural emotions。Paying attention to natural emotions has been revealed in the "Theory of Sorrow without Sorrow"，To the Ming Dynasty，This trend has gained new development with the help of heart learning。Along this path，The Qing Dynasty Lexue further liberated emotional factors from the enlightenment。This is particularly obvious in the theory of opera singing，For example, Xu Dachun said in "Lefu's Biography · Song" "The method of singing，Not only the sound should be said，The emotion of the song is especially heavy "。Essence of World Literature and Art, especially the Boxing of the Dynasties in the Ming and Qing Dynasties，Change the inherent routine of the previous elegant bet365 Play online games music board to promote and educate，The audience loves to see the first problem of the attention of music and opera creators。

Next，The boundary between popular and elegant is eliminated。The problem of vulgarity and elegance is the common topic of the literary and artistic fields of each era，These two concepts usually do not have a very clear and clear boundary，Many times you can convert each other。Qing Dynasty Lexue is very common on this issue，Representatives in this area include Mao Qiling、Jiang Yong、Xu Dachun、Xu Yangyu、Li Yan, etc.。Mao Qiling's "Mountain Music Record"、Jiang Yong's "Lulu Xin Theory"、Xu Dachu's "Legend of Lefu"、Xu Yangyu’s "Lulu Story"、Li Yan's "Learning Music Record" and other writings，Both advocate elegant and vulgar melody，Proposed "the principle of vulgarity，Then you can find the concepts such as Ya Le "" Today Leju Le "。It is commendable to，The value of the Qing Dynasty musicians represented by Li Yan affirmed the value of "Fan Le" or "Yile"，provides theoretical support for the rooting of modern western music in China。

Last，The Qing Dynasty Lexue showed a tendency to "de -mysteriousness"。The concept of music before the Qing Dynasty，Origin of music、Function and other issues，Often with mysterious colors。to the Qing Dynasty，This situation has changed in depth。This is not only a micro -style with Yale、The gradual maturity of the law，Also with the Qing people began to "open the eyes to see the world", the rationality tendency is inseparable。Mao Qiling is a scholar who involved this problem earlier。In his opinion，It has always been five sounds for music and even five sounds、Twelve laws and other issues，Often "magic"，Actually "it is never related to the law of the law" ("Zhenshan Music Record")。Li Yan, who was studied by Mao Qiling, recognized，Western calendar、Algorithm worthy of affirmation，and the learning of the Chinese Sound of Sound，Then call to revive Chinese law，regards it as a representative of "Chinese practical learning"。

This can be seen，Qing Dynasty Lexue has obvious practical characteristics，and gradually show the trend of transformation from traditional music to law。Due to historical reasons，The specific situation of the music practice of the Qing Dynasty is now difficult to recover，bet365 Play online games But speculation from the theoretical level，Its expression at the practical level、Vulgar、The tendency to de -mysteriousness should be more prominent。It can be said，Whether it is ritual or music，The Qing Dynasty showed obvious practicality、Objective trend。

　　"Poetry and Le" concept of the concept

The practicality of the Qing Dynasty music constitutes a potential cultural atmosphere，Music literature affected by it shows many different characteristics that are different from the past。Because this problem involves a large range，To make the discussion more targeted，The author mainly chooses poetry in music literature as the object of inspection。Poetry in the Qing Dynasty showed the development trend of returning to literature itself。Shen Yun School (Wang Shizhen)、style faction (Shen Deqian)、Xingpi School (Yuan Mei)、Essence (Weng Fanggang) and other poetry genres，Most of these genres pay attention to the exploration of poetry。Always，The attitude of the academic world is not clear enough for Qing poetry，Or see it as a derivative of classical studies，Or seeing it as the end of the development of ancient poetry。Guo Shaoyu proposed in "History of Chinese Literature Criticism": "Cover from the Qing Dynasty literature，It is also included in all the characteristics of all generations。"" "All -encompassing" is a good thing，But the writing of literature emphasizes that one generation of literature，Having distinctive characteristics is an important criterion for evaluating "generation of literature"，This not only requires new literary styles to continue to emerge，More inherent literary styles need to reflect a new aesthetic style。As far as the poetry of the Qing Dynasty is concerned，If you simply follow the ideological content、Aesthetic realm and other aspects of review，Features are indeed not high enough，It is difficult to occupy a place in the history of literature; but if you inspect from the perspective of music and literature，will find that the value of the event is greater than the aesthetic value，It represents the unprecedented break of the relationship between the ancient Chinese ritual and music tradition and the poetry.，It also shows that the influence of "music of music" on poetry has entered a new stage。

Objectiveness of the bet365 Play online games Qing Dynasty music has greatly reduced the existence of "Ritual and Music"，potentially provides conditions for the true consciousness of literature。Wang Fuzhi still advocated "poetry and music"，Objectively，This view is the end of the relationship between advocating poetry and "music and music"。He said in "Zhang Zizheng's Note" "Zheng Ya" bluntly said merit，Changing "Ya" is a word of gains and losses，Different from the hidden of "Wind"，Therefore, "Ya"，Elegant meaning with the instrument。This is the reason for the Ming "Poetry" and "Le"，This statement is still in the traditional discourse system，There is not much new meaning to say。Taking this as the starting point of the theory，Wang Fu's further proposed "Ming to the music，You can discuss poetry "(" Xitang Yongri Impatient Internal Compilation · Preface ")、"Poetry and music are in the table" ("Reading Four Books")，So the "music" he said should belong to the scope of "music and music"。This view appears in the background of the early Qing Dynasty.，This view appears in the background of the early Qing Dynasty.，Second, it is in line with the identity of his Confucian master。But this kind of advocacy has limited impact，On the contrary，Scholars in the Qing Dynasty more discussed the method of poetry around the "music of music"。Huang Zongxi proposed in "Huang Fu's Poetry Preface": "If the calendar of the body，Touch of the eyes，Send it in the heart，，Forced by the middle cannot be，One advocates and three sighs，No golden stone suspension and palace Shangming also。"" In his opinion，It is felt by person、Poetry made from true love，It will inevitably have the beauty of one sing and three sighs，The beauty of this beauty and the joy of gold stone is similar。Here，The relationship between poetry and music lies in the auditory enjoyment brought by form aesthetics，Moral factors began to weaken。

　　"Grade" and "music of music"

Since the middle of the Ming Dynasty，"style" has become an important aesthetic standard for measuring the advantages and disadvantages of poetry。Although the connotation of the "style" in different literati's eyes is different，But to Han and Wei、The pursuit of the Tang Dynasty poetry mode，Not a vulgar set in the content，Form in the text from the word，bet365 Play online games It is its common feature。In the concept of "style"，"Tune" plays the basic role，The "Beauty of the Rhythm" derived from the "Beauty of the Rhythm" is the core element of "tone"，The beauty of "tone" is the formation of the formation of the overall beauty (ie "style") of the poetry provides a basic guarantee，Therefore, many literati have held the view of "tuning" since the Ming Dynasty。Poetry of the Qing Dynasty and "The joy of ritual and music" farther away，The relationship between "music music" has not changed greatly。So，The relationship between "poetry" and "music" in the Qing Dynasty is more reflected in the relationship level of poetry and "music music"，The form of beauty in the form of "music of music" has been retained in poetry。

Weng Fanggang, who advocated the "texture theory" during the Qianjia period, has a summary discussion in the article "Theory of Monography": "The badness of poetry is also，From Ming Li、He is also mistaken。Lee、He、Wang、Li Zhi's mud in style，and pseudo -body out。Non -style disease also，The mud tube is also ill。Is there any person with a poem! "Ji" said ‘becomes square，Voice of Voice '‘，The response of the party's sound also，Its section is also style。also said ‘Sound text，Voice of Voice '‘，Foundation of the text of the text also，Its chapter is also the style。That's why kill、啴、Zhi Lian、and Rou Zhi，From this。"Weng Fanggang quoted the text in" Le Ji "，Use the sound of music level to explain the principle of style at the text level，Its attitude towards "music music" can be seen。Weng Fanggang wrote this article to analyze Wang Shizhen's "Shen Yun Theory" and Shen Deqian's "style theory"。In his opinion，Poetry from ancient times to present has style，Also based on style，And the seven sons around the Ming Dynasty had an error in understanding this。In this sense,，Wang Shizhen's correction on the view of the seven sons，Actually returning to the positive way of style theory，The "Shen Yun" and "style" it advocate is the same thing。It is based on this cognition，Weng Fanggang said, "Up and down ancient and modern，Only one style "。

It can be said，Weng Fanggang is discussing poetic relationship，More from the perspective of sound and sound，Abstract morality、Educational factors bet365 live casino games no longer occupy the main position。It is not only Weng Fanggang who emphasizes sound，Ye Ye before him also holds similar claims。Ye Ye thinks，"The rules of the poet are not one end，and say physical，Sound tone，Heng Weiyu "(" Original Poetry · outer Article ")。"physical" is the rules and system followed by poetry creation，It is a macro formal element，"Sound" is a micro formal element，Reflected the importance of the beauty of music。Ye Yan's "Original Poetry · outer Chapter" stated: "Speaking: Sound Corisite Merchant Ye Yun，It is appropriate to adjust it，and Lulu，铿 乎。Please use the prevalence of the current custom, for example, for example。Sound of the Mono，Study first proficient in Pingzhang Yin and Yang。Its vomiting also，Divided lips, nose, tooth palate、Open and closes the method，and Man Yisheng Xiao，Yan Yilu，Section with head and waist interception，Between the negligence。Its tone，can be described as to。But it must be sent to the throat、Quality of the Voice of the mouth，Then its sound around the beam，Its tuning cloud，Nai beauty。"There are two points here to pay attention: First of all，Sound tone should be "Zhonghu Lu"。Although the traditional "song poetry" in the traditional sense was out of order at the time，But from the foot, it can be seen that Ye Ye's love for "music"。Next，The tone must be "the hair of the man in the throat、Voice of the mouth "。This objective cognition of the aesthetics of sound，It comes from his inspection of "Polymons of Now"，and vividly illustrate the beauty of poetry in a vulgar aesthetic effect。From this point of view，The meaning of "music of music" is obvious to the overall style of poetry。

The relationship between the "music of music" and poetry in the Qing Dynasty is two -way。Quotes and poems in the field of literature，There is also a phenomenon of poetic music in the field of music。Xu Yangyu's "Lulu Trust · Tuling Theory II" is called "Five Sounds of Lezhi，There are four voices in the poems of Judu;，Utah Poems have eight diseases。I don’t know that the four voices can’t be a poem，I do n’t know that the poem is not worked for the eight diseases "，Zhu Fengxuan said in "A Briefness with Guzhai Piano · Piano Make"，Utah's poems know the meaning of the word "，bet365 best casino games etc.。The "music" mentioned in these musicians is no longer the "music of ritual music" in the traditional sense，but "music of music"。Whether it is to attract the poem，Still with poetry，Qing people are all saying in the context of music，Showing obviously different features from the previous generation。The Qing Dynasty was a poem、During the disintegration of music，This disintegration is mainly based on the relationship between "the music of ritual music" and poetry，Does not refer to the relationship between "music of music" and poetry。

"Music music" is closely related to the Qing Dynasty poetics，It profoundly affects the aesthetic features of poetry in the Qing Dynasty，Organic integration into the Poetry of the Qing Dynasty。Start from the relationship between the two for research，It can be revealed from a new perspective that the unique meaning of poetics in the Qing Dynasty and the history of poetry in Chinese、Value in the history of literary theory。

(Author Unit: School of Journalism and Communication of Heilongjiang University; School of Literature, Heilongjiang University)