Theoretical debate on Marxist aesthetics in Chinese academic circles，Most concentrated、The most extensive discussion was in the 1980s around the question of whether Marxist aesthetics (literary theory) has a system。This discussion is not only a response to the debate about the Marxist aesthetic system in the West，And it prompted the Chinese aesthetic community to gradually form a relatively unified view on this issue。As summarized in "The History of Marxist Aesthetic Thought" published in the late 1990s，Marx、Engels’s critical inheritance of the development process of vertical aesthetic thought and his advanced scientific nature、The grand and systematic horizontal logical structure creates the Marxist aesthetic theoretical system，This system has been continuously enriched, improved and expanded by many later thinkers and theorists，Finally consolidated the systematic existence of Marxist aesthetic theory。Theoretical debates such as this bear witness to the development bet365 horse racing odds。or，Theoretical debate constitutes another historical development form bet365 horse racing odds。How to conduct scientific and objective exploration and analysis of theoretical debates in the history bet365 horse racing odds，Enhancing the clarification of the historical context bet365 horse racing odds、Understanding of the characteristics of Chinese Marxist aesthetic theory，This is one of the options for studying Marxist aesthetic theory in contemporary China，It is also a useful reflection on the contemporary issues proposed by General Secretary Xi Jinping that philosophy and social science work should consciously adhere to the guidance of Marxism。

On the one hand，Grasp the key nodes in the history bet365 horse racing odds through the representative theoretical debates about Marxist aesthetics in the West。The first thing to mention is Marx、The "Tragic Controversy" between Engels and Lassalle over the script "Sickingen"，This debate is the cornerstone of tragedy theory in the history bet365 horse racing odds。The debate continues the West’s aesthetic evaluation of tragic art since ancient Greece，It breaks through the past fate of the root of the tragedy、Character、Ethics、Attribution of fault，With the scientific conclusion of “the tragic conflict between the inevitable demands of history and the actual impossibility of realizing this demand”，For the first time, the root of tragedy is placed on the basis of the inherent contradictions of society，And at the aesthetic level, we strive to pursue a "Shakespearean" artistic representation of this tragic conflict。This is just what Wang Jie said when discussing Marx’s concept of “modern tragedy”: no matter from the perspective of tragic aesthetics，Still from the perspective of philosophical anthropology，Marx、Engels’s thinking on modern tragedy is a revolutionary change in the concept of tragedy，In the process of transcending traditional aesthetics，Continuously promote the development bet365 horse racing odds and literary theory (Wang Jie、Wang Zhen "Marx's Concept of "Modern Tragedy" and the Development of Chinese Aesthetic Modernity")。Secondly，The "Ruble-Ble Controversy" that took place in the 1930s，Undoubtedly another important debate in the history bet365 horse racing odds。This debate among German-speaking writers，As Wang Qijian said: The first pass to realism、Controversies on various issues of modernism，Comprehensive coverage of superstructure and economic base、The content and form of literature and art、Class nature and party spirit、Inheritance and innovation、Ideology and artistry、A series of classic Marxist aesthetic issues such as typical examples (Wang Qijian "An Important Debate in the History bet365 horse racing odds")。Through this debate，You can most intuitively understand the pros and cons of "realism" and "modernism"。On the basis of deep philosophy，As Macdonald Daly pointed out in the article "A Brief History bet365 horse racing odds"，This is the Marxist philosophical view obtained in aesthetic practice，From the fairly basic "reflection" theory (i.e. art as a superstructure reflects the economic base) to the more complex "intermediary" theory (i.e. art reflects history，Major progress that also has the ability to change history。Last，There is also the "Caldwell Controversy" that occurred within British Marxism in the 1950s。The core of the debate is mainly about Caldwell’s argument for Marxist identity，This leads to a series of issues concerning the relationship between Caldwell and Marxist theory，But this also opens up a creative theoretical space for Marxist aesthetics，That is, the open theoretical thinking brought about by the integration of Marxist theory and British local cultural experience，Laid an important foundation for creating the tradition of British Marxist aesthetic theory。

On the other hand，Understand the development process and speculative characteristics of Chinese Marxist aesthetics from the main domestic theoretical debates on Marxist aesthetics。After Marxism was introduced to China，China’s Marxist aesthetics also began to sprout at the same time。Under the conditions that neither theoretical form nor practical experience are mature enough，The "Left-wing Aesthetic Thought Debate" occurs simultaneously within and outside the left-wing camp，It can be said that Chinese Marxist aesthetics continues to overcome its own theoretical shortcomings、The process of moving towards enrichment and perfection。But because of this, as Wang Jie put forward when discussing the basic issues and theoretical models of Chinese Marxist aesthetics，Chinese Marxist aesthetics presents an autonomous aesthetic stage spanning “aesthetic” and “formal”，From the beginning, it has emphasized the phenomenon of "cultural research" that represents and explains the people's popular aesthetic experience，Mao Zedong’s “Speech at the Yan’an Forum on Literature and Art” (hereinafter referred to as the “Speech”) is a clear sign of this characteristic。"Speech" not only summarizes and reflects on the cultural trends since the May Fourth Movement, including left-wing aesthetic thought，Also continues the series of discussions on literature, art and aesthetics during the Yan'an Rectification Movement，is an important theoretical achievement bet365 horse racing odds in China。This year marks the 80th anniversary of the publication of Mao Zedong's "Speeches"，On the basis of inheriting and carrying forward the spirit of "Speech"，Guided by Xi Jinping Thought on Socialism with Chinese Characteristics for a New Era，Continuous improvement and innovation theoretical discourse system，is the leading direction of the current development bet365 horse racing odds in China。After entering a new period，Whether it is a discussion about the "manuscript" issue、Discussion on whether Marxist aesthetics (literary theory) is "systematic"，Or the debate about practical aesthetics and post-practical aesthetics, etc.，Both of them have become important historical nodes in the development of Chinese Marxist aesthetics，It also injects fresh blood and nutrients into shaping the Marxist aesthetic theory with Chinese characteristics。

It is here that it seems complicated、In the midst of a hundred schools of thought contending，bet365 horse racing odds is full of vitality and vitality，Leaving a series of solid and firm historical footprints。And we will eventually be able to use these wonderful theoretical debates，The trouble of clearing the fog of history，Let the theoretical voice of Chinese bet365 horse racing odds echo in the world。

(This article is a phased result of the major project "Theoretical Research on the History bet365 horse racing odds" (22YSXK01ZD), a major project of Zhejiang Province's Philosophy and Social Sciences Planning Advantage Disciplines)

(Author’s unit: College of Liberal Arts, Guangxi University for Nationalities)