Marxist aesthetics developed in the dispute
September 26, 2022 09:53 Source: "China Social Sciences", September 26, 2022, Issue 2499 Author: Yang Libin

Chinese academic circles about Marxist aesthetics,Most concentrated、The widest time is more than the discussion of whether there is a systematic problem around Marxist aesthetics (literary theory) in the 1980s。This discussion is not only a response to the West on Marxist aesthetic system theory,And prompting the Chinese aesthetic community to gradually form a relatively unified view of this issue。Summary in the "History of Marxist Aesthetic Thought" published in the late 1990s,Marx、Engels has the development process of vertical aesthetic ideological development and advanced science with its critical inheritance、A magnificent and systematic horizontal logic structure created the Marxist aesthetic theoretical system,This system has been continuously enriched and expanded by many future generations of thinkers and theorists,The system existence of the systemicity of Marxist aesthetic theory was finally consolidated。The theoretical arguments of such the theory witness the development process of Marxist aesthetics。or,Theoretical argument constitutes another historical bet365 live casino games development form of Marxist aesthetics。How to conduct scientific and objective inquiry and analysis of theoretical theory in the history of Marxist aesthetics,Promote the clarification of the historical context of Marxist aesthetic、Knowing the characteristics of Chinese Marxist aesthetic theory,This is one of the path selection of the theoretical research of Marxist aesthetics in contemporary China,It is also the useful thinking of the era of era of the philosophy and social sciences proposed by General Secretary Xi Jinping's philosophical and social sciences.。

One aspect,Grasp the key nodes of Marxist aesthetics through the representative theory of Marxist aesthetics in the West。The first thing to mention is Marx、The "tragedy argument" that occurred around the script "Jijinen",This argument is the foundation stone of tragedy theory in the history of Marxist aesthetic。During the continuation of the aesthetic evaluation of tragedy art since the Western Greece since ancient times,,It also breaks the fate of the past in the past、Personality、Ethics、Attribution of negligence,Scientific assertions with "the inevitable needs of history and this requirement that are actually impossible to achieve",For the first time, the root cause of tragedy is on the basis of the contradiction in bet365 best casino games the society,and strongly pursue the artistic characteristic of "Shakespeare" for this tragedy at the aesthetic level。This is what Wang Jie talked about when he discussed Marx's "modern tragedy" concept: no matter from the perspective of tragedy aesthetics,Still from the perspective of philosophical anthropology,Marx、Engels's thinking about modern tragedy is a revolutionary change in the concept of tragedy,In the process of realizing traditional aesthetics,Continuously promoting Marxist aesthetics and literary theory forward (Wang Jie、Wang Zhen's "Marx's" Modern Tragedy "and the Explanation of Chinese Aesthetic Modernity")。Next,"Lu -Bu Fight" in the 1930s,undoubtedly another important argument in the history of Marxist aesthetics。This argument between German writers,As Wang Qi Jian said: The first time through realism、Contents of Modernist issues,Fully involved upper -level buildings and economic foundations、Literary content and form、Class and party spirit、Inheritance and innovation、Ideological and artistic、Typical Marxist classic aesthetic issues (Wang Qijian's "An Important Combat in the History of Marxist Aesthetics"。Through this argument,You can most intuitively recognize the weight and disadvantages of "realism" and "modernism"。On the basis of deep philosophy,Bet365 lotto review Like McDonald Dali in the article "Simple History of Marxist Aesthetics",This is obtained by Marxist philosophy in aesthetic practice,From a fairly basic "reflection" theory (that is, as the upper architectural art reflects the economic foundation) to a more complicated "intermediary" theory (that is, art reflects history,It is also capable of changing history)。Last,There are also "Costwell Theory" that occurred in Marxism in the 1950s in the 1950s。The core of the argument is mainly about the identity argumentation of the Marxist identity of Costwell,Then involves a series of relationships between Cowardwell and Marxist theory,But it also opened a creative theoretical space for Marxist aesthetics,That is the open theoretical thinking brought about by the combination of Marxist theory and the British local cultural experience,It has laid an important foundation for the creation of British Marxist aesthetic theory。

On the other hand,The main theoretical theory of the main theory of Marxist aesthetics recognizes the development process and speculative characteristics of Chinese Marxist aesthetics。Marxism was introduced to China,Chinese Marxist aesthetics also began to sprout at the same time。Under the condition that neither theoretical form and practical experience are mature,"Left -wing Bet365 app download aesthetic ideology compete" while occurring the interior and outside of the left camp,It can be said that Chinese Marxist aesthetics constantly overcome its own theoretical defects、The process of rich and perfect movement。But as a result, Wang Jie raised by Wang Jie's basic issues and theoretical models of Chinese Marxist aesthetics,Chinese Marxist aesthetics presents a kind of "aesthetic" and "form" self -discipline aesthetic stage,"Cultural Research" signs that emphasize and explain the people's aesthetic experience from the beginning,And Mao Zedong's "Speech at the Yan'an Literature and Art Symposium" (hereinafter referred to as "Speech") is an obvious sign of this feature。"Speaking" summarizes and reflection on the cultural thoughts of the cultural thoughts since May 4, including the left -wing aesthetics,,also continued a series of discussions about literary and aesthetic in Yan'an rectification movement,It is an important theoretical result made by Marxist aesthetics in China。This year is the 80th anniversary of Mao Zedong's "Speech",On the basis of inheriting and promoting the spirit of "Speaking",Guided by Xi Jinping's new era of socialism with Chinese characteristics,Continuous improvement and innovation theoretical discourse system,It is the leading direction of the current bet365 live casino games development of Chinese Marxist aesthetics。After entering the new period,Discussion on the issue of "manuscript"、Discussion on whether Marxist aesthetics (literary theory) "has a system",Still about practical aesthetics and post -practice aesthetics, etc.,All have become an important historical node for the development of Chinese Marxist aesthetics,It also injected fresh blood and nutrients to shape the theoretical form of Marxist aesthetics with Chinese characteristics。

It is here to seem intricate and complicated、This one of the hundreds of fights,Marxist aesthetics glowing strong vitality and vitality,I got out of a string of Shen Shi and firm historical footprints。And we will be able to use these wonderful theoretical arguments,Dream of historical fog,The theory of Chinese Marxist aesthetics echoed in the world。

(This article is the theoretical study of the History of Marxist aesthetics (22ysxk01zd) in the major project of the advantages of philosophy and social science planning in Zhejiang Province in Zhejiang Province)

(Author Unit: School of Literature, Guangxi University for Nationalities)

Editor in charge: Cui Cen
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