Chinese aesthetic spirit
September 13, 2017 15:15 Source: China Social Sciences Magazine Author: Mao Xuanguo Gu Gu style Pan Langyu

  bet365 best casino games With the "Chinese Aesthetic Spirit" column continues to launch,This magazine has received new works from many scholars。Where,In addition to studying the basic connotation of the spirit of Chinese aesthetics、Core concepts and regions、In addition to the characteristics of the era,There are also some discussion of the cornerstone of Chinese culture -Chinese characters、Chinese and Western comparative vision and literary discourse construction and other dimensions,Cut into the spirit of Chinese aesthetics,Grasp its unique features and content。These studies not only expand the vision of the spirit of Chinese aesthetics,It also presents the spirit of Chinese aesthetics more three -dimensional。

Chinese characters are an important carrier of Chinese culture。Due to the unique aesthetic characteristics of the bet365 Play online games Chinese character itself,and its richness refers to the multiple connotations contained in,Makes Chinese aesthetic spirit a unique artistic appearance and cultural charm。Professor Mao Xuanguo, Central South UniversityThink,Chinese characters are an important dimension to grasp the spirit of Chinese aesthetics。Specifically,It is reflected in three aspects: (1) The Chinese character structure reflects the people -oriented and people -oriented consciousness,It is of great significance for the shaping of Chinese aesthetics and humanistic spirit; (2) Chinese characters are poetic experiences,The poeticization of Chinese characters is a manifestation of Chinese cultural poetic characteristics,It is of great significance to the constitution of the spirit of Chinese aesthetics; (3) Calligraphy is the art that best reflects the spirit of Chinese culture and Chinese aesthetics,It has a close contact with the daily life of the Chinese people,It is also an important starting point for Chinese philosophical aesthetic thinking and artistic performance。Pay attention to the impact and role of Chinese characters in the language exchanges and cultural communication of various ethnic groups in the world,It can make people feel the profoundness of Chinese culture and the charm of Chinese aesthetics。

Doing Chinese aesthetic research must have a world vision,We must be able to talk to the development of international aesthetics -this is our inheritance and promoting the spirit of Chinese aesthetics in the world culture of the world、The inevitable choice of constructing the Chinese aesthetic talk system。Professor Ancient Wind of Yangzhou UniversityThink,Chinese aesthetics is a unique aesthetics that is different from the West。Western aesthetics is to break the "beauty" for "beauty",Aesthetics from objects; Chinese aesthetics is to observe "beauty" for "beauty",Aesthetics that is solved from the subject。Although Western aesthetics is rooted in "Senior",But then deviate from "sensual" and seek "rational" aesthetics; Chinese aesthetics is rooted in "perceptual",and adhere to the aesthetics of "perceptual",is the real "perceptual learning"。Western aesthetics is the aesthetics that confront "sensual" and "rational",Chinese aesthetics is the aesthetics that unite "perceptual" and "rational"。Understanding and grasping these basic characteristics of Chinese aesthetics,It is important for the discipline construction of Chinese aesthetics and the construction of "Beautiful China"。

The relationship between aesthetics and literary theory is one of the hot spots of current academic research。Due to Chinese aesthetics related literature is common in literature theory、Poetry theory and calligraphy and painting theory,Therefore,Research on keywords of literary theory is also conducive to understanding related aesthetic categories。Hunan Normal University Pan LangyuLecturer thinks,From the perspective of keywords,Chinese literary discourse can try to return to the way、Litami、Top、Poetic construction。Returning to the road,returns to the way of Chinese traditional culture and literature;,That is, the construction of cultural subjectivity is used to recast the crisis of Chinese literary discourse and resolve literary theory.,On the basis of the idea of ​​returning to Chinese culture, pay attention to the sense of responsibility and responsibility of contemporary Chinese literature discourse; poetic,Promoting poetic text,Maintain cultural characteristics and literary discourse,Continuing the tradition of poetic wisdom。"Return",It is for the root cause of a cultural context; "standing" is a recasting of self -confidence in literary theory; "use" is a kind of discourse stance; "poetry" is a sublimation of the expression of literary theory。Four is exactly a kind of giving up,The purpose is to make Chinese literature theory rejuvenate a new vitality and vitality。

The "Chinese Aesthetic Spirit" column has become a feature of this magazine,We will continue to do it。Inheriting and promoting the spirit of Chinese aesthetics、Bet365 lotto review Exploring the construction of a Chinese aesthetic academic discourse system,It also provides "aesthetic views" for the development and prosperity of current literary criticism。

  Chinese characters and Chinese aestheticsMao Xuanguo

 From the perspective of comparison, the basic characteristics of Chinese aestheticsAncient Wind

Returning Tao · Liben · Shi Zhi · Poetic — Four keywords for Chinese literary theory constructedPan Langyu

Editor in charge: Cui Cen
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