The "virtual and real" category and its multi-directional presentation from a comparative perspective
August 19, 2024 15:02 Source: Chinese Social Sciences Magazine Author: Chen Lili

  bet365 best casino games “Virtual reality” has a profound influence in the history of Chinese and Western aesthetics。In Chinese traditional culture,The aesthetic connotation of “virtual reality” is extremely malleable,Permeated in the content、Techniques、Style, artistic conception, etc.,formed heavy reality、Shangxu、Three aesthetic orientations of virtuality and reality;Western Aesthetics,“False and Real” and Imitation Theory、Phenomenology、Existentialism、Thoughts such as fictionality are closely related。“Virtual reality” has its own characteristics in Chinese and Western literary and artistic creation,Related to their respective philosophical roots,Chinese philosophy regards "Tao" as the foundation of the universe,"Void and Real" are connected with meta-categories such as "Yin and Yang" and "Existence and Absence";Western philosophy takes "existence" as the ontology of the universe,Pursue more subject and existence。

 Keywords:Virtual and real, Chinese and Western aesthetics, multi-directional origin

  AuthorChen Lili,Professor, School of Liberal Arts, Henan University (Kaifeng 475001)。

Editor: Zhang Jing
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