"Berlont Magazine" and the West Biography of Chinese Art Aesthetics
August 31, 2021 09:21 Source: "China Social Sciences", August 31, 2021, Issue 2241 Author: Yang Lixin

"The Burlington Magazine for Connoisseurs) was published in London in March 1903,It is the first artistic research journal with international influence。A total of nearly 300 articles about China and Oriental Art were published in the early stage before World War II.,Involved in Chinese archeological information、Art Research and Exhibition Reviews,Become the most well -known Western journal for Chinese art comments in the first half of the 20th century。

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early 20th century,With the development of photography technology,The UK is a professor at 40 art history at the United Kingdom、Analysts、The consultant committee composed of the curator of the museum or the curator of the museum appointed Robert Dell as editor -in -chief,Start the journal of "Berlienton Magazine"。Publications have been published for more than 100 years,Although repeatedly suffered a financial crisis、Concept disputes and changes in personnel,But always insist on publishing normally every month 1 period,Calendar Battle、World War II Fengyun,attracted articles from almost all important art historians in the 20th century。

Earlier editors of the early publications such as Charles Holms and Roger Fry, all have a crop for Chinese art,Holmes has predicted that the possibility of realism is exhausted,The next exercise of European art is likely to adopt the rules that Chinese people have declared a thousand years ago。Fle is the soul of the publication,Edit with more than 30 years、The identity of the editor -in -chief and writer strongly affects the running strategy,The scope of the publication will be extended to non -European art、The main position of becoming a Chinese aesthetic West has a key significance。bet365 live casino games More than 30 years that Fle died in 1934,magazines published more than 200 articles about Chinese art,and will be with European medieval art、Renaissance Italian art,and the discussion of the European emerging modernist art melted into one furnace、Send each other,In the international vision, the aesthetic exploration of modernism。

 An opportunity to publish Chinese art comments

"Berlidton Magazine" promotes Chinese art aesthetics,There is a specific era background。First,late 19th century to early 20th century,Western aesthetic thought tide and literature and art are experiencing from realism and naturalism based on "imitation theory",Exploring the major changes of the new path of modernism,Therefore, it is urgent to seek aesthetic support from their own cultural traditions。and starting from the work of "Father of European Painting" Gi Luo Di Donada,Western painting is under the control of classical realistic traditions。By the 1940s,With the invention of the camera,The realistic standards of art have been subverted,Japanese art style began to be popular in the West。But when people trace the root of Japanese art,It is found that its mother is actually a profound Chinese art。U.S. Oriental Scholars Ernest Femorosa published an article "The Important of Oriental Art" in 1892,It believes that ancient China has the art of ancient Greek art、The great art tradition of the medieval Christian art comparison。British Sinologist Lawrence Binyong also believes: "The focus of Asian art must be found in China。In all Oriental countries,The Chinese people have shown the strongest aesthetic instincts in history,The richest imagination,and this instinct and imagination have gained the highest level and perfect performance in painting。”

2,Scholars and artists turn their sights to the art of the East and other non -European countries and regions,After the development of capitalist civilization to the stage bet365 Play online games of colonization and imperialism,Self -criticism within Western Culture、The strong demand is inseparable from returning to the back。British historian G. L. Dkinson and philosopher Betland Russell, which was completed in China in 1913 and 1920,can be understood in this context。

For Dekinson, who claims to be "I was a Chinese",China represents justice、Order、The ideal realm of humility and non -violence。The book "" Chinese List "letter published in 1901, that is, the tone of the Chinese philosopher condemned the Westerners trapped in the rational tool,I believe that Chinese people pay attention to the harmonious coexistence of man and nature,No rough competition,It is not affected by industrialization,Pay attention to the construction of a spiritual homeland without drawing it in material wealth。Russell has also spared no effort to scientific, technological and industrial civilization in the "China Issues",condemned "The Outlook on Life of Western Machinery",I believe that the Chinese view of life under the revelation of Taoist philosophy "can be used to balance the radical and brutal style in Western culture"。Scholars in "Berlienton Magazine" seemed,Early art from all over the world not only has the meaning of anthropology and art history,It is the so -called "interested form" Bell,Culture and aesthetic value with the disadvantages of western modernity。

third,Since the Opium War in 1840,China has gradually become a semi -colonial and semi -feudal society。The second Opium War to Yuanmingyuan in 1856,A war of invasion of China launched by the Eight -Power Allied Forces in 1900,In the early 20th century, Westerners' cultural relics were excavated in the name of adventure and archeology in China,and its transportation to China、Geological exploration and monopoly of mining,The main reason for becoming a large -scale loss of overseas in ancient Chinese art treasures。

3879_3932,Based on 19、In the 20th century, Western Bet365 lotto review imperialism linked to the bold and snatched invasion, China lost overseas treasures,It opened a rich and elegant world in front of Westerners in front of Westerners。1895 and 1896,The British Berlidon Fine Arts Club held a Chinese ceramics exhibition; 1891-1896,Fernoosa held a Chinese painting exhibition in the United States; 1915,Berlidon Fine Arts Club held a "Chinese Artwork" exhibition; 1935,Unprecedented "China Art International Exhibition" opened at the Royal Academy of Arts London,The number of people who go to watch more than 420,000 people。To cooperate with this exhibition,"Berlidton Magazine" launched the "Chinese Art Special" (December 1935)。Deep aesthetics and cultural implications reflected by Chinese art,Make Western modernist artists surprised to find a conscience,I realized that my aesthetic ideal has greeted the seductive glory in the oriental civilization thousands of years ago。About this exhibition,British art historian Behil Gray, the director of the Oriental Department of the Daying Museum, pointed out,This is the most widely widespread Chinese artwork in the west.。Exhibition becomes a turning point for Westerners to accept Chinese art,A whole generation of European Pioneer Artists,It can be said that they have benefited from Chinese art exhibited in the West during this period。

  Promotion and research on Chinese art aesthetics

1903,Bellennon compared Christian art and Buddhist art,Criticizing the former's scientific tendency to be too stubborn,affirmed the spiritual characteristics of Buddhist art; Bobeel (also translated Bushi), who had served as a doctor in the British embassy in China for more than 30 years, also provided a series of papers on Chinese art to magazines。

Publications Promote the representative of Chinese art aesthetics,Lawrence Binyong, Director of the Oriental Department of the British Museum, and aestheticist Roger Fry,They are translating、Research、Explaining and Huahua Chinese art has its own thousands of autumn。Bet365 app download In the "charm" of the core concept of Chinese classical aesthetics into the "rhythm" in Western aesthetics,Binyong has a key significance。1903,The Tang Dynasty paintings of the East Jin painter Gu Kaizhi's "Female History" during the invasion of the Eight -Power Allied Forces were entered the Great British Museum。Binyong published his replication in the following year in "Berlienton Magazine" with the title of "A 4th Century Chinese Painting",Emphasizing the "mental and expressiveness" of Chinese art。His important sin works include "Far East Painting: Asia,Especially the theory of art history of China and Japan (1908)、"Flying Dragon in Sky" (1914)、"Chinese Painting in Europe" (1927), etc.。to "Flying Dragon in the Sky",Binyong specializes in a chapter of "rhythm",and think on the basis of comparing several English translations of "Qi Charm",It is difficult to accurately convey its essence no matter what kind of translation,But "The rhythm of the artist through the surface to capture the endless cosmic spirit" is undoubted。

February 1909,Binyong and American young poet Ezra Pound met。Pound later listened to Binyong's four lectures on Eastern and Western artistic thoughts; 1911-1912,Pound conducted a series of new tests on the form and structure of poetry; 1912,Image Poetry Poems "Poetry" was born in Chicago; 1916,Pound has repeatedly quoted the discussion of Binyong's "Flying Dragon in the Sky" in "Gogye Burzerzka Memoirs",Special mention of "Qi Charm",Think that they are also applicable to the creation of the French Impressionist painter and sculptor,Sighing "China's incentive effect is not inferior to Greece",It is also Bin Yong introduced the acquaintance of Pound and Mrs. Fenolsa。Mrs. Fenolsa gave her husband's manuscript about Sino -Japanese literature to Pound,Achieving Pound's Oriental Tour Journey,Eventually it becomes the leader of American imagery poetry。

Fle further elaborates Bet365 lotto review the principles of Chinese aesthetics and puts it into practice,turning it into an organic component of the theory of aesthetics of Western form。1908,Flei deeply feels the charm of Oriental Art after reading Binyong's "Painting in the Far East",In a speech at Yingxin University at Yingxin University,Special mention of the dual quality of early Chinese painting reappearance and performance; 1910,In the "Painting of the Far East" published in "Painting" published in "Berlidton Magazine",Flei reads "extreme modernity" from Chinese Song paintings。Its most influential comments, such as "Visual and Design" (1920) and "Transformers" (1926), are integrated with the spirit of Chinese art,Subjective expression of painting works、Prosperity of scattered point perspective and plane composition,Mobs of the Beauty of "Art of Line",Pay attention to the principle of "leaving white" and other aspects reflected。His heavy formal aesthetic analysis book "Cezanne" (1927) is even more based on the concept and terms of Chinese painting.,Establishing a new standard for the evaluation of modernist art。

To sum up,As a trend of aesthetics and literary thoughts,Faying in the middle of the 19th century,Modernism that has become a climax in the 1920s,It is of great significance in the history of human culture,But the historic concept of historic geography generated by modernism for a long time is too narrow due to European centralism。After 18th century,With the rise of Western nationalism,People gradually ignore or intentionally cover the influence of Oriental art in the process of the rise of modern art。Chinese and Western Literature -Historical Affairs of Cultural Exchange,Chinese literature and art and aesthetic style through foreign translation,Museum、Exhibition of Gallery and Private Chinese Art Collections,and business exchanges and other channels,subtly inspired the western literary innovation。China bet365 Play online games has not only made significant contributions in the long history of human civilization,After entering the 20th century, in the mainstream discourse system of world art history,It has played an irreplaceable role。From this view,The generous historical culture and artistic heritage of the Chinese nation has already played an important role in the construction of the community of human destiny。

  (The author is the person in charge of the State Social Science Fund project "The Research on Chinese Cultural Elements in the Modernism Movement of the Blooms Berry Group"、Professor of the School of Arts of Nanjing Normal University)

Editor in charge: Zhang Jing
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