From the Yuan Dynasty，The Central Dynasty implemented a toast management system for various ethnic minorities in Xiangxi。In order to solve the disadvantage of the toast section of the vitamin of the day and long time，The rulers of the Ming and Qing Dynasties have implemented the policy of "changing the soil" policy，The official temple has been established and improved in the western Hunan area，Manage the ceremonial etiquette of the official temple，Standardize sacrifice music。The establishment of the Guanmiao Temple in Xiangxi aims to implement the "governing the people with temples、Educational proposition of Temple Barbaria "，Strict norms on the movements of sacrifice music and dancers，People must follow the etiquette specified in the original、Lege and Dance for sacrifice。So，These music songs and dances have gradually evolved into folk sacrifices music and dance。

The Central Dynasty strongly advocated the implementation of the "Returning of the Soil Returning" policy in ethnic minorities，that is, the hereditary system of the toasts in a place with relatively mature conditions，Weaken the rule of toast and its management power，Establishing Mansion、Hall、State、County，Send a certain ability to manage local government affairs。The Yonggan period of the Qing Dynasty was the most important stage of "changing the soil"，Yongzheng is aggressive，Large -scale promotion of "changing the soil to the current"，This move Bet365 app download was finally completed during the Qianlong period。Qianlong completed the important sign of "changing the soil"，It is to build an official temple in the western Hunan area，Reform of the Witch Music System，and innovate the etiquette of official temples in Xiangxi。

Reinstall the official temple，In fact, it is invested by the local government，Organize the construction of a legal status altar temple。These altar temple built by the government recruit professional musicians。The musicians are loaded into the government's corresponding book，The government distributes Lulu on time，Altar Temple on the corresponding date of the government organization。During the Yonggan period，Xiangxi Guan Temple sacrifice music is basically reduced on the basis of worship music of Wenmiao Temple，These sacrifice music has a direct or indirect effect on folk sacrifice music in the western Hunan region of the later generations。Qianlong in order to further consolidate the results of the return to the western Hunan region，While carried out a series of construction of the official temple of Xiangxi，A systematic specification of the official temple sacrifice，Specially formulated strict regulations for music activities in the official temple。Establishment of worship music in Xiangxi Guan Temple，Is Xiangxi Guanmiao、Tianwang Temple、Land Temple、Tuwang Temple、Panjie Temple、Xin Nu Temple、Swing at hand church and other fusion mixed results，Music and cultural relics that preserve more primitive religions and natural religions，Therefore, the witch wind and rhyme of ancient singing and dancing sacrifices in the western Hunan nations。

bet365 Play online games The five years of Yongzheng (1727) to thirteen years，The Qing Dynasty implemented the renovation of the soil in the western Hunan area，Implementation of flow official rule。Liu Officer first built official temples in various regions of Xiangxi，Hold a ceremony and music sacrifice，spread Confucianism (Sinology)，Education people。At the same time，System of Witch Music System before the reform，Abolish the hereditary tradition of the musician，Eliminates the harsh donation of music and artists，Following the old music sacrifice procedure。Tianwang Temple is an official temple established by the Qing Dynasty based on the western Hunan folk sacrifice etiquette，Its main economic source is temple production。The temple production of the Tianwang Temple consists of two parts，One is incense money，The second is the temple field。At that time，Miao Tian does not need to pay tax。Qing Qianlong Ben's "Phoenix Hall" Volume Ten "Said Ceremony" contains:

Tianwang Temple is located in Jingjiang Camp，Thirty miles away from the city。Three temples，A picture of the wall，A picture of the wall，The outside of the wall is Min Tian，Its Tianping is about two hundred steps wide，Tianwai is a large road ... Every year, from a young age, it is a god of taboos，From the day before the section，By the end of the festival。Qun Feng Taboo: Do ​​not slaughter of animals，No drum，Do not do a happy event，Onion ginger melon vegetables，I dare not pick it up。Three Hall soldiers are all true。When the Miao people are taboo，Sitting at home，Dare to go out，I dare not speak。and the day of Eid，Take a factory bet365 live casino games everywhere in the wilderness，Set a sacrifice for livestock wine，No need to go to the temple。Shaping Statue three in the temple。According to legend, there are three brothers with the surname of Yang，Smart and brave people，Repeated Miaozhong，Miao people daunting，Temple worship，Called Bai Emperor King。

This historical description in the "Phoenix Hall"，The sacrifice of the Tianwang Temple is divided into two stages: respect for God and the celebration god。Xiaoshu is a taboo every year，The day of Eid is the celebration stage。People、The specified music songs and dances are sacrificed。

At the same time of the construction of the official temple of Xiangxi during the Qianlong period，It also strictly regulates the music activities in the official temple。For example，The movement is unified as welcoming Kagura、Covering music、Send Godle，Musical instrument musicians are unified as a pupae、Golden Bell Sixteen、Sixteen sides of Yuli、Big Drum One、Two flute、埙 2，Fifty -two musicians，The unified regulations of the dancer dancer are regulated as two firsts、Yulun thirty -six measures，Thirty -six places of dancers，More completely retains the Miao people of Xiangxi、Tujia Family and other ethnic minorities ancient witchcraft music、Dance and religious sacrifice music form。1704-1795 During the period of Xiangxi Liu Officer，Governments around Xiangxi have rebuilt the Tianwang Temple in some important places and densely populated areas、Wen Temple，For the people's sacrifice。Blessing and other functions，Bai Di Tianwang faith has become a relatively mature religious belief，People bet365 best casino games think that Bai Di Tianwang has a town barbaric、Disaster、Delivery、Blessing and other functions。Outside the east gate of Fenghuang County, Xiangxi，Create Tianwang Temple，Three years of Jiaqing (1798) Construction。Every year，The government must organize sacrifice activities here，As soon as the Chen Ri before the summer, start to seal the fast，Eid after the summer summer，Killing pigs and sheep，Hold a sacrifice to the King of Heaven。When sacrificing the King of Heaven，The ceremony band uses Han music，The band has reduced it。"Phoenix Hall Chronicle · Ceremony" contains: "Temple sacrifice music staff。One Music Drumist，One person with a drummer，Jiangnan Drums，Basu Drumist，Chu Yan Drumist，Zhonggong、 磬、One of the workers of Xiao，servant shooting two masters and leaders。One of the workers in Sheng，Two piano workers。”

other，A few days before New Year's Eve，People spontaneously zone pig head、Chicken、Fish Three Animals Go to Tianwang Temple Worship，Witcher hosting sacrifice ceremony。During the Yonggan period，Funding funds from the local government，Phoenix、Baojing、Luxi、Jishou and other places have been rebuilt many pore temples (Wen Temple)、Tianwang Temple、Chenghuang Temple、Guandi Temple, etc.。The establishment of these official temples is mainly to implement the policy of the central dynasty，spread Han music culture。

Features of Music of Hunan West Official Temple in the Qing Dynasty，It is mainly manifested in the following aspects。One，superstition gods、devout witchcraft，The main interpretation form is based on the instruments such as the tiger button bet365 Play online games and the Payu Chu Chu Chuchu。In the religious beliefs of various nations in the western Hunan region，Gradually incorporated into many Han religious belief ingredients，At the same time, it absorbs Taoism、God of Buddhism。Tujia in Xiangxi、Miao and other ethnic minorities do not have a single fixed religious belief，They believe in multi -god，Believe in witchcraft，Therefore, the official temple sacrifice with strong witchcraft nature。Its two，Believe in ancestors、Worship Totors，The sacrifice ceremony undertakes ancient Barchu music。From the Warring States Period，The people of all ethnic groups in Xiangxi have close contact with Ba Chu，Xiangxi Guan Temple sacrifice with a strong Bachu cultural customs。When the ancient Pakistan worshiped ancestors，Drumming is a sacrifice，After claiming to be a white tiger。The "Dance Dance" jumped by the Tujia family during sacrifice，Basically retains the tradition of the dance of the ancestral sacrifice ceremony。Visible，The characteristics of the "Half -Baba and Half Chu" characteristics of religious sacrifice in the western Hunan family have always been reflected in the official temple sacrifice ceremony。Its three，Attached Witch Wind、Self -entertainment，Aesthetic concept of "life is beauty"。Witchcraft activity has an important impact on the formation of worship music for official temples in Xiangxi。Ancient Chu Ci and Xiangxi folk ritual ballad，Most of them describe the situation of the official temple sacrifice and sacrifice song and dance，Visible，Xiangxi official temple music is different from the Confucian Temple music bet365 live casino games in the Central Plains，It has its own unique quality，The fundamental feature is that there is no connection between cutting off and witch wind sacrifice，Therefore, with a strong witch color。

(This article is the "985" project of Hunan Philosophy and Social Sciences Brand "985" project "Research on the Innovation of Hunan Music Cultural Resources in the Belt One Road" (19YBP005) phased achievement)

(Author Unit: Marxist Institute of Hunan University of Science and Technology)