Jiang Ming 惇，Born in Shanghai in 1938。Professor of Shanghai Conservatory of Music，Doctoral supervisor。His Deputy Secretary of the Party Committee of Shanghai Conservatory of Music、Secretary，Dean of Shanghai Conservatory of Music。Part -time members of the Arts Discipline Review Group of the Degree Committee of the State Council (4th)、Vice Chairman of the Shanghai Literature and Art Circle Federation、Chairman of the Shanghai Citizens Literary and Artists Association、Vice Chairman of the Chinese Folk Literary and Artists Association。Published "Introduction to the Han Folk Songs" and "Introduction to Chinese Folk Music" and other monographs，The editor -in -chief "Chinese Folk Song Integration · Shanghai Volume" is also the editor -in -law，Edited "Chinese National Music Appreciation" and "Chinese National Music" (General Higher Education "Eleventh Five -Year Planning Textbook), etc.。

General Secretary Xi Jinping pointed out，"Every kind of civilization is rooted in its own survival soil，Against a country、The extraordinary wisdom and spiritual pursuit of a nation "。The tree is a thousand feet high with root，Water flowing thousands of miles。Chinese national music is an important part of Chinese culture，It contains the cultural connotation of the Chinese nation、Spiritual character and aesthetic ideal，condensed the Chinese nation's thinking methods and infinite wisdom and creation，and cast the glorious movement of the East for the world's music ... In the field of research in Chinese national music，There is an old man who has struggled for a lifetime and made outstanding contributions，He is the former dean of Shanghai Conservatory of Music, Mr. Jiang Mingzheng。He is committed to national music academic research，The heavy responsibility of shoulder shoulder the development of education，To build a Chinese national music theory system and promote the development of Chinese music education，Give a lifetime energy，Has made great contributions!

　　Bet365 app download

The 1950s and 1960s，The major of national music theory in my country is in the beginning stage，The theory is not mature enough，The accumulation of practice is also weak，Discipline construction is yet to be improved。1949，At that time as the dean of Shanghai Conservatory of Music, He Luting proposed the professional education idea of ​​"learning from the people"，Established the "National Music Research Office" in 1953。After the establishment of the National Music Department in May 1956，Shen Zhibai as the director of the department。，Mr. Jiang Mingzheng is learning composition，He loves national music from the heart，Responsive work of the "National Music Research Room" work，While taking into account both learning and composition，Dedicated to study and research of national music。1958，Jiang Mingzheng and Li Minxiong、Teng Yongran two students formed a "three -person group"，Go out of campus，Going to the field，Starting the work of folk music。

They set the first stop of the work of collecting style in their hometown -Zhejiang。The folk resources here are extremely rich，"Symphony" in the well -known music industry。They take root in the field for three months，Recording percussion with an old recording machine，Bet365 lotto review Make notes and analyzes theoretical analysis according to the recording，I have accumulated experience for future generations to study and leave precious information。Later，They carry 20 pounds of disk recording machines to travel mountains and wading，to Shandong、Anhui、Jiangxi、Fujian and other more than ten provinces for field collection。Later，To write "History of Chinese Opera Sounds"，They went to Jinhua Zhejiang Zhejiang Opera Troupe to collect the music information of Zhuji chaos。These precious information for us to understand and study the history of Chinese folk music，and aria、House and performance characteristics，laid a solid foundation，Play an important role。"Three -person Group" collection work，Not only rescue some endangered folk music，It also created a precedent for contemporary professional scholars to enter the field to study Chinese folk music。

Learn from experts，Learn from the people! Rescue the experience of Zhuji chaos，Makes Jiang Mingxuan realized that music not only exists in the classroom、Qinfang and gorgeous stage，More hidden in the hearts of the people，Ethourary between the vast world。songs and operas that spread in the land of the motherland，opened a new world for Jiang Mingzheng's academic career。

When I heard a real folk song on the land of the motherland，In -depth people in the countryside to contact the simple people，Jiang Mingzheng began to think about what is the art of "true"。The so -called "true"，Just have a root。If you want to master the fundamental art，I must love this land under my feet，To continue to learn from the people。It is a generation of generation scholars overcome the rude and difficult working conditions，hard -working and endured、Fed in loneliness，Deep in the field during the day interview recording，Picking the lights at night to organize the information，Use your feet to measure the great river mountains of the motherland，Rescue the precious music heritage with both hands，Digging as a "listener" and "Rescuer"、Rescue folk music, a profound treasure，Only allow the music and cultural heritage hidden in the people to survive and inherit。

Just as Jiang Mingzheng flourish in academic research、When the thick accumulation of hair，But encountered difficulties。1966-1976，Jiang Mingzheng's academic research is almost stagnant，But he is not depressed。Intera，He read more than 30 classic Marxist classics，Make understanding dialectical materialism and historical materialism is the theoretical basis for guiding ideology。This is not only a worldview，Also the methodology of academic research，Is the "Golden Key" for studying academic problems。With this key，You can open the door of cross -disciplinary research。

Many years later，Mr. Jiang looked back at this period of time and indifferently: everyone’s career path is twists and turns，There are adversity in the way。Saon lost horse，焉 Know not blessing。Guidance with Marxist theory，Combined with the practice of folk customs for many years，Mr. Jiang has a personal experience between the close connection between the aesthetics in Chinese music and the traditional folk customs。After in -depth research，His traditional Chinese philosophy、The results and research methods of related disciplines and other related disciplines，Learn、Integrated into the study of traditional music in my country。

During the social transition bet365 live casino games period，The soil where traditional music depends on the survival of the soil，Faculty of folk music is facing the predicament of loss。1979，Dean He Luting rebuilt the "National Music Rescue Group"，Appoint Jiang Mingzheng as the team leader。He re -invests in the work of national music rescue，Lead Huang Bai、Lianbo、Huang Yunzhen、Wang Chan、Li Minxiong、Teng Yongran and others，Go to Jiang、Zhejiang、Anhui、Sichuan、Jin、Shaanxi and other places，Folk songs of people from all parts of China that are on the verge of being lost、Yunnan folk song，Such as a book in northern Shaanxi、Qidong Fisherman Number、Hunan folk song、Yunnan folk song、Suzhou Words and other rescue work。They organize various performing artists，Sun Yude, the south of Jiangnan,、Xu Lixian of Suzhou Plasma，and singer from the people He Jiguang、Awang and other performances and videos，The one -hand material of a large number of field surveys and folk collection，Rescue a large number of endangered music that is scattered in the people。These precious materials，Provides precious first -hand information for the academic research。

　　Academic and Administrative

The 1950s，Special research institutions with Chinese national music as the research object have been established one after another，"Folk Music Research" or "National Music Theory" research field has expanded rapidly。Facing the new topic of "How to build a Chinese national music discipline"，A generation of musicians paid sweat and wisdom。1959，Mr. Shen Zhibai first offered the "Oriental Music" course at the Shanghai Conservatory of Music，See "Oriental Music" as part of the theory of national music。In the early 1960s，National Music Theory Teaching and Research Group proposed the discipline framework of "National Music Theory"。After Jiang Mingzheng served as Dean，Absorb foreign advanced theoretical thoughts，Pay attention to the status of discipline construction in music education，Combined with the characteristics of Chinese national music，Formulated a full range of discipline development plans，and proposed a specific research method。

In the late 1970s，National Music Studies from Foreign Scholars、Music anthropology academic work gradually introduced domestic，Open the "window" for learning the theory of western music in the academic community。At that time，Music Studies in Western Ethnic Nationality are mainly concentrated in two aspects: First, a cultural research in culture defined by anthropologist Meriam。Second is the point of view made by American scholar Hu De，That is, national music is a method of studying all music，It not only studies music itself，Also study the cultural context around this kind of music，This view emphasizes the theme of national music research.。This research method different from Chinese national music，I opened a new research perspective for Chinese scholars。

About national music theory，The earliest introduced to my country was Japanese scholar Tianbian Shangxiong、Chengxiong on the shore、Yamaguchi Xiu and others academic works。Jiang Mingyu translated the "National Music and National Music"。Jiang Mingzheng in the process of studying and study，In -depth thinking about Chinese national music theory and western nation music science。He thinks，Chinese national music theory attaches importance to field inspection、Notation Translation Spectrum、Notation Translation Spectrum、bet365 best casino games Humanology，Its research on music ontology is deeper than Western music，and art creation、Artistic practice is more closely combined。Western ethnic music has a rich theoretical accumulation，Humanology、Music、Folklore and other theoretical support，Based on strict speculation logic，A objective、More accurate、Method of rational speculation analysis music，Its research focuses on the relationship between music and the entire culture。and Chinese national music science is more focused on the study of music ontology，Analysis of the form of micro -music form。He proposed to combine the research advantage of western nation music with the research advantage of Chinese nation music，Cross -disciplinary cross -disciplinary research，Two long supplements、Join hands together。Jiang Mingzheng's global academic field of vision and macro thinking about the construction of the national music discipline in my country，It provides help for the formation of the development of the national music theory in my country。

1984，Jiang Mingzhang as the party committee secretary of the Shanghai Conservatory of Music，In 1991, he served as Dean of Shanghai Conservatory of Music，Member of the Arts Discipline Review Team of the Degree Committee of the State Council。Jiang Mingzheng transformed from a scholar to a decision maker leading to the development of Shanghai Conservatory。During the 20 years as the dean，His older generation of scholars、Leadership is examples，Delicate，Erspeed blood，Make a clear and clear plan for the comprehensive development of Shanghai Conservatory of Music，Make remarkable achievements in the development of discipline construction。He led the colleagues of the Shanghai Conservatory of Music to cultivate a large number of music performance artists and outstanding music educators，continuously advance my country's music education cause。

Music education major is the traditional major of Shanghai Conservatory of Music。As early as 1927，National College of Music (formerly Shanghai Conservatory of Music) established the "Specialty Section"，After changing it to "Teachers"。1929，The National College of Music is renamed to National College，Added to teach music theory and technology，High school teachers for the purpose of developing music specialized talents and primary and secondary school teachers。1964，The music education major of Shanghai Conservatory of Music is suspended with the last batch of graduates.。

The 1980s，The backward status and existing problems against national music education，Lu Yan、He Luting and other 37 scholars jointly wrote the "Suggestions on Strengthening School Music Education"，Proposal to pay attention to the research of music education theory，Institutions and disciplines to build music education in the central and local education research departments。1995，According to the wishes of Mr. He Luting，Jiang Mingzhang fully thinks about the cultural positioning of the Shanghai Conservatory of Music in the "Ninth Five -Year Plan"、Historical positioning and national positioning，Three systems of establishing "professional music education", "school music education" and "social music education" as a target。At the "Shanghai Music Education Seminar" in 1996，His ideas on the development of music education disciplines，Get the support and identification of Mr. Liao Naixiong, former director of the Institute of Music of Shanghai Conservatory of Music。1997，On the occasion of the 70th anniversary of the establishment of Bet365 app download the school at the School of Music，In the development requirements of the new period，Under the difficult conditions of the Department of Culture (now Culture and Tourism) agreed to establish but do not increase funding and preparation，Jiang Mingzhang has received strong support from the Shanghai Education Commission to officially establish the Department of Music Education and enrolls in the same year，Jiang Mingzhang's concurrently served as director of the department。At the same time，He clarified the department of the Department of Music Education，"Music Education" as the main lesson，Piano and vocal music as a professional basic course，Support the introduction of Olff、Kodaki、Darkroz Music Teaching Method，Cultivate the training of music education、Teaching Management、Primary and secondary school music teachers in theoretical research of discipline construction are set as teaching goals。Establishment of the Department of Music Education and the establishment of teaching goals，Has made a huge contribution to the development of Chinese music education，It has a milestone in the history of contemporary music education in China。

　teaching and research and inheritance

Jiang Mingzheng as the dean of Shanghai Conservatory of Music，Always adhere to teaching，and continue to cultivate in the field of folk music you love。In teaching，Jiang Mingzhang often said，Folk music is our eternal teacher，my country's folk music has the characteristics of "spectrum simplicity"，Frequent use of "Runqiang"。The so -called "moisturizing" is a variety of flowers modified in the melody when improvised，to reflect different music styles，or performers' emotional and artistic personality in different situations，There is a certain improvisation。The core of our research should be the musical body，Traditional music in my country mainly depends on the way of "oral passage"，Under this way，Want to do a good job in folk music，You need to go to the folk field collection，Field Caifeng Middle School Singing and Notation is the most important academic training。One is detailed，Mr. Jiang divides the notation into three types，One is detailed，One is the shorthand，One is silent，Sometimes the three are combined，But based on details，Moisturizing cavity、Small notes、Rely on Yin、Boeing、trembling、Remember to slip together。He emphasized that although these notes are small，But very important，These small notes are the style of folk songs。For this，Mr. Jiang's disciples recalled at the "Professor Jiang Mingzheng's Six0th Anniversary Music Education Seminar"，Mr. does not follow the traditional vocal training method of visual singing ear training.，Instead, use a lot of time to record spectrum，Let the students sing the transit of all their attention and auditory records、Narrowing、The "Runye" with subtle changes with the standard sound height。For examples in the textbook，Whether it is a folk song or opera，Jiang Mingzheng is even more handy，Sing casually，From dialect to Runqiang，From emotion to tone，All charm，Three days around the beam。Jiang Mingzhang lets students experience not only the moisturizing cavity of folk songs、Style、Corporation，It is the people’s thoughts and feelings。As the professor of Shanghai Conservatory of Music said, "Mr. Jiang created spiritual wealth while creating cultural wealth; Mr. Jiang taught me the true meaning of folk songs，Not the body，but the soul! "

Pay attention to the Bet365 lotto review traceability of Chinese folk music history，It is also a key point in the research of traditional music research in Jiangming.。Compared to palace music、Literary music and piano scores，Literature records of folk music are rare。But Jiang Mingzhang has a representative time of time for "Meng Jiang Girls", "Yinnice Tune", "Flowers", "Five Geee"，Check the literature、Tracking the source，Combined regions and time，Use fields and historical materials、Research method for analysis of music morphology，broaden the depth and breadth of folk music research。Jiang Mingzheng said，More scholars must do this hard work for Chinese national music research，To translate the lost music score，Resurrection for thousands of years!

　"Source" and "Dome"

After accumulating a lot of folk song information in many years of acquisition，Jiang Mingzheng began to think about how to find the art rules of Chinese folk songs in the ocean of folk songs，How to let folk music go to professional classroom，How to make music workers create more art works with the characteristics of my country's national music。To solve the above problems，The industry urgently needs a book connection with dual attributes with teaching materials and academic attributes from folk music to professional teaching。

After more than 20 years of extensive collection and in -depth research on folk songs，Jiang Mingzheng published the "Introduction to the Han Folk Songs" with the nature of teaching materials and academic monographs in 1982。This book is selected and taken all over 324 provinces with representative Han folk songs，Start with the research of the Han folk songs，scientifically divided the category of folk songs for folk songs，It is the first system of folk song teaching and research monograph in my country's first system。The formation of the genre of the Han folk songs of the Han nationality、Development、Performance method、Music features and melody rhythm、Rotary method、Tune -tuning、song structure、Development method、Style and color relationships, such as the relationship between color and word, etc.，Explore the law of the development of the art development of Chinese folk songs through comprehensive analysis，Provide methods and reference for researchers。Qiao Jianzhong, former director of the Institute of Music Research Institute of China Art Research Institute, commented on this book: As the first comprehensive Han folk song textbook and monograph，Its status cannot be ignored。

Jiang Mingzhang takes academic aspirations，devoted to academic undertakings，Gan is willing to dedicate it for a lifetime。After exiting the job post，He still works every day，Strive to study my country's national music from the level of philosophy and aesthetic height，Further explore the characteristics and laws of folk music。With the accumulation of teaching experience and the accumulation of culture，His scope of research has gradually expanded from music to closely related disciplines。Studying folk songs、The form and structure of national music，Didn't he apply the Western theory directly，Instead of creatively forming your own research logic，​​To achieve the integration of Chinese and Western music，and interpret the psychological level of Chinese traditional music from the psychological level of the philosophical level and national culture。

2007，Mr. Jiang Mingzheng compiled、"Chinese National Music" (third edition) bet365 best casino games published by Higher Education Press has become "General Higher Education 'Eleventh Five -Year Planning Teaching Materials"。"Introduction to Chinese Folk Music" published by Shanghai Music Publishing House in 2016，It is the crystallization of the teaching experience of Jiang Mingzhang's many years of teaching in Chinese traditional music theory.。This book is from three aspects: "feature theory", "physical tailoring" and "morphological theory"，Sort out a large amount of first -hand information about Chinese folk music，Explore its rules from it。Jiang Mingzheng pointed out，Chinese folk music has Chinese culture、Folk Literature、Three features of music art，Organic combination。At the same time，According to the characteristics of the work，Chinese folk music can be divided into folk songs、folk instrumental、Quyi Music、Four types of tactics of opera music。This work not only has academic innovation，Different from the previous research method，Contains the heavy power of the Chinese nation，Can be called the major achievement of the construction of Chinese music theory，The theoretical construction of traditional Chinese music and the innovative development of Chinese academic development is of great significance。Jiang Mingzheng as a pioneer of the theory of national music，It takes academic as a business，Seeking excellence in academic lean，Higher and low -key character，It is the spiritual wealth of the younger generation of the psychological wealth。

Jiang Mingzhang often said，I love my professional，The biggest charm of this major is that it is beautiful，rich resources，There are still many mysteries，attracts me to constantly explore and think。

Time，Mr. Jiang Mingzheng has reached the year of 耄耋，But he is still busy on the front line of teaching and scientific research，Guide students and actively participate in academic activities，Continue in "True Beauty in the Folk，Exploring the end of the road to practice。He always cares about the growth of the next generation，Never stop preaching for them、Honor、Confusion。Da Love Wujiang，Mr. Jiang Mingzheng dedicated his entire strength to the music cause of the party and the people!

　　(Author Unit: Shandong Academy of Arts; School of History and Culture at Qufu Normal University、Jining College Conservatory of Music)