1931，The September 18th Incident that shocked China and foreign countries broke out，Chinese movies have begun to bear the heavy responsibility of propagating national salvation。In the early stage of the Anti -Japanese War，Especially between 1932 and 1935，The Communist Party of China has set up a film group，Xia Yan created the first batch of anti -feudal film works。These movie works are based on a clear national theme、The spirit of the high struggle becomes the era of the era of "movie anti -war"，greatly stimulated the enthusiasm of the people's anti -Japanese war，strongly cooperated with the Anti -Japanese War of the Anti -Japanese War in the 1930s，and the creation of red classic movies after the founding of New China has a profound impact。

　Bet365 app download

Before the outbreak of the September 18th Incident，Imperialist uses the emerging medium of movie，Singing singing and dancing、Erotic Love and other pedantic concepts instill the pedantic concepts at the same time，I also earned rich profits。According to statistics，Among more than 250 cinemas nationwide in 1930，Only about 50 are selected for domestic films。This trend of deformity development，Not only has the economy seriously suppressing the national film industry，And also let the attitude of numbness of the Chinese numbness。After the outbreak of the September 18th Incident，The atrocities of the Japanese army have inspired the people’s patriotic enthusiasm，Some film companies have begun to turn to creative movie script，The underground organization of the Communist Party of China set up a movie group in a timely manner，and established the party's leadership of the film movement。

The film group is composed of members of the Communist bet365 live casino games Party of China with ideological progress film workers，Where，Xia Yan is responsible for the specific work of film creation。Xia Yan，Original name Shen Duanxian，Joining the Communist Party of China in Shanghai in 1927，He has participated in the preparation of the establishment of the Chinese left -wing writer alliance (hereinafter referred to as "Zuo Lian")，is one of the main responsible persons of the "Zuo Lian"。He not only participated in the creation of a number of anti -feudal film scripts such as "Madness" and "Feng Yun Children"，Shen Xiling、Wang Ying、Hu Ping、Zheng Junli、Shu embroidery、Situ Huimin and others joined the creation of the movie script，greatly developed the early film creation group of the Communist Party of China。other，The party's film group also actively unite、Strive for some outside party progressive people to participate directly in the film production process。Where，The "Yu Guangqu" shot by Cai Chusheng is based on a realistic theme、The moving plot won the love of the audience，Created a record of 60 consecutive days in a row，It produced an important social response。From 1932 to 1935，Under the leadership of the party's film group，Film creators have created 15 anti -Japanese war movies independently，Such as "Flurry", "Three Modern Women", "Small", "Fengnian", "Ethnic Survival", "The Angry Tide of China" and other films。These films are based on the survival crisis faced by the country，Display the real problems of the old society，The banner clearly proposes anti -imperialist and anti -feudal thoughts，strongly stimulated the awakening of the Chinese people's anti -Japanese nation awareness。

The Party’s Film Group In addition to actively leading the script creation，Create a movie review team，With a newspaper、Magazine and other media strengthened the theory of movie theory、Publicity of Comments。Under the leadership of the party'Bet365 app download s film group，A group of progressive film critics published a number of comments in newspapers such as "Film Times" and "Film Journal"，Deep criticism of poisonous movies，In -depth analysis of movies with good educational significance and widely publicized。At the same time，The Party's Film Group also founded its own theoretical publication "Movie Art" magazine，Adhering to the "open struggle，Objective criticism，Studies in theory，Introduction to Academic Introduction "，Deep reflection and criticism of the movies at the time。Under the leadership of the party's film group，Chinese movies enter a new stage。

　Red Gene

Persist in everything for the people、All rely on the people，Always put the people in the highest position in their hearts、Take the people's longing for a better life as a goal，This concept is the focus of our party's long -term attention。As early as the 1930s，The party's film team is practicing the concept of "people first" with practical actions，They use the creative concepts and techniques close to the people，Use the movie to publicize the idea of ​​anti -Japanese saving the country、Awakening the people's national consciousness，Injecting clear red genes into early anti -Japanese war movies。

First，Highlight the dominant idea of ​​anti -imperialist anti -feudal and anti -feudal feudal。After the outbreak of the September 18th Incident，The Chinese people are facing the double task of anti -imperialist and anti -feudal feudal，And the invasion against imperialism has become the top priority。In view of the social status of the society at the time，Party's film group proposed，"The current situation is serious ... Chinese people，If you cannot fight from the oppression of imperialism，Only death ... So our current main task is anti -imperialism "。At the same time, emphasize，The violation of imperialism to the people of our country is to use feudal forces to directly or indirectly bet365 best casino games attack the people，Therefore, the Chinese people are in the battle of liberation movement，Not only do you have to defeat imperialism，Also defeat the feudal forces。From this，The party's filmmakers will be anti -imperial and anti -feudal as a guidance policy for film creation、Main tasks and material selection standards。In order to better implement this guideline，The Party's Film Group prepared the establishment of the Chinese Film Culture Association。Starting in May 1933，The association specifically organizes party members to publish a series of comments in the Star Monthly Magazine，Detailed statement of the main tasks and basic content of the current film culture movement，For example, the first issue of "Star Monthly" published a comments with a pen name "Dust"，Banner clearly pointed out that "the current task of Chinese movies is anti -feudal and anti -imperialism"，At the same time, the bourgeoisie "has deviated from the revolution and surrendered to the arms of feudal remnants and imperialism"，Therefore, the importance of the party's importance to the current film business leadership。

Next，Movie content loves to see。The party's film team proposed in the discussion，Anti -imperial anti -feudal films must be popular，"Try to quote the true life of the public"，and "the characters who are in contact with the public every day as the protagonist"; in the form of "it should be very fast，Multi -action，Shao Dialogue，Do not use all backwards、Memories, etc. Only those who know only intellectuals or talents who have watched movies "。So，The Anti -Japanese War movie under the leadership of the party insists on the content of the public's popularity as the main creative principle，Link the daily stories that happen around the people with the future fate of the national nation，Stimulates the patriotic enthusiasm and resistance of the people。In order to achieve positive results，The anti bet365 live casino games -Japanese movies during this period are mostly focused on the lives and fate of the people。

Last，Taking metaphorical reality as the creative method。The screening of the Anti -Japanese War film has caused extreme dissatisfaction of the reactionaries，Based on this，The Party's film group put forward new requirements based on the situation。Xi Jianfang recommends not to point out the protagonist’s out of the way when the film creation，Instead, you need to use a metaphorical method，"Putting the contradictions of reality naked、Unreasonable，Put in front of the audience，Make them deeply feel the necessary social change，Make them urgently find their own way out "。So，Metaphorical reality became the main creative method of the Anti -Japanese War movie at that time。Ruyang Hansheng screenwriter、The "Frambry Tide of the China Sea" directed by Yue Feng will be pure and loyal、The image of the fisherman of the fisherman and the images of the feudal inferiority of the people who oppresses the people will form a sharp contrast，Highlighting the feudal forces' exploitation and oppression of innocent people，By setting up inferior gentlemen colluding Japanese imperialist fishing boats into the plot of China's collar sea fishing，Metaphor for the facts of Chinese feudal forces to collude with imperialism to oppress the people。In addition to using metaphorical techniques in the theme performance，Most of the symbolic methods are also used in the use of lens。

　Deep influence

Under the leadership of the Communist Party of China，Anti -Japanese War movie not only greatly stimulated people's anti -imperial and anti -feudal struggle awareness，It also indicates the correct road for the development of Chinese movies，and the creation of red classic movies after the founding of New China has a profound impact。

First，The Anti -Japanese War film led by the Communist Party of China actively promoted the anti -Japanese thought，strongly cooperated with the Anti -Japanese National Movement。After the outbreak of the September 18th Incident，The Chinese nation is facing the crisis bet365 live casino games of life and death。Movies as a type of mass media tool，Under the direct leadership of the party's film group，Public Opinion Pioneer of the Anti -Japanese War。From 1932 to 1935，The Party's Film Group created a number of anti -Japanese war movies，These movies use anti -imperial and anti -feudal feud as the leading thoughts，After being publicly screened，Wake up the people like thunder，Let the audience realize that when the nation survives，Everyone has the obligation to participate in the Anti -Japanese War，Anti -Japanese War is the responsibility of every Chinese child。These movies have strongly promoted the spread of the thought of anti -Japanese war，While inspiring the people，closely cooperated with the Chinese Communist Party’s Anti -Japanese National Movement。

Next，Anti -Japanese War movie changes the development direction of Chinese movies，Guide Chinese movies to turn to the attention of national survival，and let it gradually enter the mainstream culture of society。Under a huge national crisis，The short selection creation of parents before the Chinese movie was changed，Instead of focusing on the era of national survival，For individuals and society、Thinking in in -depth thinking，Constantly enrich the creative content，Make the film's own cultural connotation、The ideological realm has been sublimated。

Last，Anti -Japanese War movie laid the foundation for the creation of the red classic movie after the founding of New China。On the one hand，From the perspective of creative form，Red classic movie continues the creative idea of ​​"evoking the people's resistance to the bottom people" in the Anti -Japanese War movie，With strong ideological features。On the other hand，From the perspective of creative content，Classic Classic Movie continues the class struggle mode in the early anti -Japanese war movies。Early Anti -Japanese War Film narrative completed personal violent resistance to the group、bet365 Play online games Class Violent resistance，and legalize it。Classic Red Movies will oppose the rich and poor in the early anti -Japanese war movies、The violent struggle mode of class aggression continues，Become Promoting Relans、Anti -aggression inheritor。

　　(The author is the deputy dean of the School of Journalism and Communication of Zhengzhou University、Professor; PhD in the School of Journalism and Communication of Zhengzhou University)