bet365 best casino games "Sensing" and "Inspiration" in the context of Chinese and Western classical poetry are used to describe the principle of "touching things" and the principle of "God's Apocalypse" in artistic creation thinking。As a representative "foreign word" as an early new poem in China，The translation of "Inspiration" opened the discussion of the Chinese traditional sense of prosperity and the theory of Western inspiration。By flowing through the semantic sources of the proposition of poetry、Aesthetic induction mechanism、Method of artistic ideas、Comparison inspections of creative subject factors，provides an opportunity for the multi -dimensional dialogue of "Sensing" and "Inspiration" in the multi -dimensional dialogue of the Chinese and Western poetry system，It can be on the historical context of the two concepts、Thinking method、discourse paradigm、The purpose of the righteous world has a clearer understanding。The encounter between "Sensing" and "Inspiration"，It also opened up a new space that can accommodate different poetic traditions for the study of poetry，Cross -cultural interpretation and communication with the keywords of Chinese and Western literature on Chinese and Western literature with multiple semantics and value。 

　　Keywords:Sensing  Inspiration  Creative thinking  Comparison research 

　　Author Zhang Jing，Professor of the School of Humanities of Chinese University of China (Beijing 100024); Liu Xuan，Lecturer of Han College of Dalian University of Foreign Studies (Dalian 116044)。