The origin of the Pavilion is from ancient times，The Tibetan Room of the Zhou Dynasty、The Alliance of Spring and Autumn is originally born，Its function is mainly collection and sorting books。The System of the Northern Song Dynasty Pavilion is also established along this tradition，Especially for the Tang Dynasty system, there are many successors，But than before，Some important new changes have appeared in the Pavilion of the Northern Song Dynasty。For example，The rise of the carving printing，Pavilion has the responsibility of publishing the book for this book，As if the responsibility of the official revision of the history is borne by the Pavilion。As for the special correlation with art is，Pavilion began to assume the functions of organizing and watching art collection，The court clerk participated in it with a formal standard program system for a long time，This can be said to be an important phenomenon that ancient Chinese art appeared at the institutional level。

DPRK's viewing。In the early Northern Song Dynasty，Pavilion actually includes Zhaowen Museum、History Museum、Three institutions of Jixianyuan，Also known as San or Chongwenyuan。Taizong Duan Gong built a secret pavilion in Chongwenyuan in the first year，Integrating the collection of the three halls。The "Lin Tan Story", which specializes in the Northern Song Dynasty Pavilion system, lists the relevant details: "There is Jin Wang Xizhi、Dedicated、庾 Liang、Xiao Ziyun、Tang Taizong、Minghuang、Yan Zhenqing、Ouyang Xun、Liu Gongquan、Huai Su、Huai Ren ink，Gu Kaizhi's painting Vimo，Han Qianma，Xue Hehe，Dai Song Niu，and the modern Dongdan King Li Zanhua Qianjiao Deer、Xichuan Yellow Rabbit，Also Miao also。"Of course, all of them are calligraphy, calligraphy treasures，Extraordinary ordinary bet365 Play online games types can，It can be seen that the secret pavilion is at the beginning of the establishment，It assumes an important function of collecting precious artworks。In the literature related to Museum and Pavilion，The term "picture book" often appears。It is not clear，Sometimes refers to pictures and books，Sometimes it refers to books with pictures and books without pictures。Maybe it takes a long time，The pictures of as a book and the pictures as arts have not yet been clear。"The Book of Famous Painting in the Dynasties" has an article "The Secret Painting of Gu Gu"，Among them, the "Five -Star Gossip Twenty -eighth Sepaus", "The picture of the yin and yang house", "The Twenty -eighth Separate Field Picture", "The Map of the King of the Kingdom of the King", and the "Three Rites Pictures" and so on For books，instead of creative paintings of artists who later。As far as the Pavilion of the Northern Song Dynasty is concerned，The court clearly regards calligraphy and painting as a category -let's express it with the word "art"，In the Pavilion Collection, the book is in a side position。

There are many records in the art collection of the monarchs and ministers in "The Story of Ling Tai"，If the number between the old houses of the secret court today，Rebuilding as an inner hospital，Feng'an Taizong Shengrong and Royal Book amount，Putting for Royal Books、Astronomical Forbidden Book、Picture，Its Four Corridors and Library and History Museum's Calendar Library "" Driving and Xing，Stele Pavilion，Xuanqun Chen's Viewing Fighting Royal Book Royal System、Calligraphy and painting、Ancientware, etc.，All the secrets of the secret "。Pavilion also has a formal calligraphy and painting system，According to "Pengshan Zhi": "Painting and calligraphy in the secret province，The age of the year，From May 1st，From August。Is the month，Zhao Shangshu、Sales、Bachelor、Staying、Yu Shizhong、Kaifeng Mansion Yin、Dianzhong Supervisor、Daji Chengcheng officials and museums，Banquet，Chen Book Ancient Overview，Title to the Bet365 lotto review list。""，More than just ministers，A large number of Beijing officials have the opportunity to appreciate these precious collections。but but，It looks quite complete art collection system gradually appearing in the long -term operation，In addition to the fire in the middle of the Rongyong Palace，So that "Pengshan Zhi" specifically mentioned that at the time (the late Northern Song Dynasty), many previous paintings and calligraphy collections were difficult to find: "Today's Huairen Ink、Weimo Portrait、Hanma、Xue He，Nothing exists。"" Among them, a "Shepherd Picture"，It was only the four years of Chongning from the Pavilion from Outdoor Pavilion，But the mark above shows that this painting is hidden by the Taiping Heavenly Kingdom Secret Pavilion，Therefore, those who lost from the inner court，There may be a lot of artworks that are scattered like this again。"Pengshan Zhi" also mentioned a "Five Star Twenty -Eight Creation True Map"，and promote it as "Tangren Miao Pen"。"Houshan Talk" also records that Li Gonglin once praised this secret collection，"It is said that Wu Sheng's woman"。These all indicate，Painting and calligraphy treasures hidden in the Pavilion，DPRK, especially the court ministers, have a lot of channels to see the true appearance，Comparison of comparison，The chances of civilians in the Tang Dynasty are much less。

Public Theory。but but，This alone is not enough to support a "public" substantial expansion，The more important influencing factor is，The scribes at the time — especially the scribes who worked as a museum，I like to publish a discussion about the art collection of the Pavilion，and often a criticism of criticism。In the Northern Song Dynasty，Because of the openness of the collections of the pavilion and the scales of the Court of Court，This kind of discussion is so common，so that it is an important dimension for becoming a literati to communicate and identify with each other。If you say the Wenchen who is most familiar with the collection of pavilions，Bet365 lotto review Push Mi，Dan Mi Yan's calligraphy and painting text, although there are many text and calligraphy text，but rarely involved in the hidden in the palace。In the books such as "Baozhang Be visual", "Book History", "History of Painting"，Mi Yan commented on the works that are scattered in the people。But in "Book History"，He also expressed dissatisfaction with the Pavilion's seal: "My ancestor's‘ Secret Pavilion Book Seal ’is not full of two inches，circle、Text is fine。Labeling of the Pavilion is also the same。Renzong Houyin Jingyuan Given，Use ‘Shangge Book’，Word Big Seal Rough Text。If it is applied to calligraphy and painting，Occupy Paper Painting and Painting，Most of them are damaged in the book post。The Seal of the Three Museum Secret Pavilion，Although the text is fine，Circle is rough，such as half finger，Also printed paintings and calligraphy also。"Although this does not involve authenticity identification，But it is also a content that is closely related to calligraphy and painting collection，Its argument has revealed a question of the collection of the art collection of the pavilion。

The era of Su Song, a famous minister in the Northern Song Dynasty, was earlier than Miho，Although he is not a professional painter like Mihuan，But pay attention to here，and long -term as a museum。Calligraphy and calligraphy hidden in the pavilion，Although there is no direct comment，But its "Right Army" post, "Yu Xiangjian Erwang Book Post，Suspected True Truth，Should be Xiangtuo "" So the discernicer is a piece of paper and use hard yellow ears "，It is likely to involve the calligraphy of the two kings hidden in the pavilion。Looking at the "Xuanhe Book Book" we can see that the ink under the name of the two kings hidden in the Museum and the pavilion at that time，Therefore, the authenticity is naturally not invisible。If you look at Su Shi's comment，The attitude is more obvious directly: "Taste in the secret view of the ink，All the Tang people are hard yellow upper。""，The collection of Pavilion became a focus of discussion at that Bet365 app download time，The Art Collection of the Northern Song Dynasty Pavilion presents a kind of "publicity" that the previous generation is unprecedented。Along with such discussions，The literati circle has formed an artistic cultural atmosphere，In it，Discussionists intend to show their own art appreciation level，This is a new cultural literacy。

Exploring the meaning。Huang Tingjian's "After the Luo Shen Fu" tasted: "Taste the doubt of" Luo Shen Fu "non -Zi Jingshu，However, it is far from the words and brushwork，Dare to stand this theory。and present view，Song Xuan Xian Gong、Week meals have less brushwork，It is also possible to and this。"Luo Shen Fu" mentioned here refers to Wang Xianzhi's cursive "Luo Shen Fu"，and Song Yan (Xuan Xiangong)、Zhou Yue (Member Wai Lang) are all cursives in the Northern Song Dynasty，The work of Wang Xianzhi's work in the pavilion，"Xuanhe Book Book" Wang Xian's first type is the cursive "Luo Shen Fu"。It is worth noting that，Huang Tingjian's appraisal standard is not a detailed inspection，It is not based on material judgment，and in a style or penny。This kind of comment is not without before，But for Huang Tingjian，This is already the core characteristic of calligraphy works，enough to play a key role in the authenticity appraisal of the collection。Similar situations are also seen in its "After the Title Oriental Painting Praise": "Taste" Oriental Painting Praise "ink，Suspected of Wu Tongwei Brothers Book，But dare not quality，Words for writing，Extremely like the micro -book "Huang Ting Extraordinary" also。Ru Buddha's top stone carvings，Stop is a book，Do not lead to the same column。"Wang Xizhi's regular script" Portrait of Oriental Shuo "is also hidden by the pavilion，See "Xuanhe Book Book"。Huang Tingjian judged that it may come from the Tang Dynasty calligrapher Wu Tongwei、Wu Tongxuan，It seems to pay attention to some brushwork basics，However, he then used the "Book of Shengsheng" of the Buddha's rock carvings as an analogy，The taste that is not interested。

Actually，The literati bet365 live casino games of the Song Dynasty questioned the most concentrated manifestations of the Pavilion's calligraphy in the "Chunhua Pavilion Post"，Although the "Pavilion Post" is engraved with all the collections of the pavilion，Many are collected from the folk，But there are still many collections in the pavilion，and it reflects the official authoritative artistic taste and appreciation level at that time，There is a standardized meaning，This has caused literati to question this standard。They proposed their artistic standards。Su Shi criticized the "Chunhua Pavilion Post" in "The Faithful Post" "Trust and Pottery"，Putting the method of discrimination: "Difficulty of identification，Just as listening to the cut veins，It is okay to know its beauty and evil，Those who will be able to take the name，All over。"" Book of Metaphysics，Among them, there is a kind of mental method that is personalized and difficult to teach。

Su Song、Su Shi、Huang Tingjian、Mi Yan, etc. are first -class scribes in the Northern Song Dynasty，They have a strong interest in calligraphy and painting art，All comments on the art collection of the Pavilion Pavilion。His calligraphy and painting posts can intuitively feel that the painting and calligraphy is collected in the back of the literati at the time，Following it is the evaluation and appraisal become a cultural trend。The role of the Pavilion in this process，It is in the "publicization" of precious collections in the palace to a certain extent。In the previous dynasty，Basic secrets of the inner government's collections are not shown。In other words，The Pavilion of the Northern Song Dynasty giving birth to a active "public space" of a literati doctor "，Artworks have obtained unprecedented review from this group in this space、Evaluation and even imitation。From this，Arts -especially the discussion and collection of calligraphy and painting — are increasingly infiltrated into the life of literati in an unprecedented way and scale。and Su、The literati spoon of the Huang Tong period said in his notes "Bo Zhai": "，The Secret Pavilion of Tibetan，Pavilion，Vulgar Watching Painting，bet365 live casino games But Yunge Ben is called good。"This is just as the scores of the piano at that time had the saying of" Pavilion "，and the doctor of the literati questioned the value of the pavilion with the more interesting folk scores such as the Jiangxi spectrum and the Zhejiang spectrum。Is this universal criticism of the collection of pavilion collections completely reasonable and regardless of，This situation reflects the important position of the art collection of the Pavilion -they are often regarded as a "negative" example。But this is the establishment of the "negative" to promote scribes to discuss and even create "front" works。In this process，They no longer only focus on art techniques or material details，and tend to be taken by the "meaning" that is more culturally meaningful，Finally developing a new artistic style and its words，This is exactly what the literati art of later generations said。

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