"Big Childhood" view of the children's literature creation with Zhang Wei
April 24, 2023 10:41 Source: "China Social Sciences" April 24, 2023 Total 2637 Author: Duan Xiaolin

Zhang Wei is a famous contemporary Chinese writer,It has won the novel "You on the Plateau" and won the 8th Mao Dun Literature Award。At the same time,Zhang Wei is still an important children's literary writer,He takes the creation of children's literary works that meet the needs of the times as his mission。Looking at all the creations of Zhang Wei,Children's literature occupies an important location in its literary world,A cross -interaction between its adult literary writing and children's literary creation、Synchronous and parallel state。At the same time of launching "Single Pharmacist", "The Secret History of Aiyeburo", "Hewan" and other pure literary masterpieces,Zhang Wei again in "Peninsula Harry Qi", "Juvenile and Sea", "Looking for Fish King", "Rabbit Writer", "Orange Song" and other children's novels、Picture book story "Beauty Tale",and the essay collection of "The Days of Flowers" and the non -fictional novel "My Wild Feast" and other works,shows the strength and depth of their children's literary creation。Where,"Looking for Fish King" has won the National Outstanding Children's Literature Award、Chen Bowbiao International Children's Literature Award。

Zhang Wei has clearly stated many times that his creation of children's literature is not "steering" or "cross -border",His literary road begins with children's literary creation,And in his 50 years of writing career, children and childhood have never been written in their writing career。If Zhang Wei's literary creation is a continuous thickened spiritual autobiography,Then its childhood experience lays the foundation for this "autobiography"。He is on different themes、Repeat repeatedly in the writing of different styles、Recalling and rewriting childhood memories,The interoperability between bet365 best casino games their children's literature works and pure literary works。And,Due to pure literary writing and children's literary creation synchronization,Zhang Wei's narrative mode and style of children's literature are also invading and affecting their pure literature writing,Promoting his literary creation overall new changes。

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Zhang Wei's childhood view is a "big childhood" view: "So far I have been writing my childhood,Write directly or indirectly。There are many ways to present childhood,Can record memories,That is the ‘non -fiction’ usable; then it ’s fiction,That must be much more free。"" This is a "big childhood": ‘possible childhood’ ‘past childhood’ and ‘future childhood’。"" Childhood is not only endless,and is eternal,Need us to maintain and guard。"(Zhang Wei:" Literature: Eight Keywords ") under this concept of" big childhood ",Zhang Wei believes that children's literary creation cannot be excessively type,That is not to be written to children deliberately,Instead, try to open yourself、Real and free to express the most true childhood life and feelings,Works created in this process,Among them, those suitable for children to read will become children's literature。

Children's literature creation under the influence of "Big Childhood" means consciously reject type writing,This kind of non -type children's literary creation has the characteristics of border blur,Like "Peninsula Harry Qi", "Looking for Fish King", "The Endless Sichuan", "My Wild Field Feast", "Orange Song" and other works,It can be read as children's literature,At the same time because of its depth of thought、Art pursuit and heavy character,You can read it as a pure literature boutique。These non -type children's literature works, although the story is different、Different style,But I talk about similar themes。From the perspective of "childhood",Zhang Wei's children's literary creation is a response and healing Bet365 app download of its childhood: "Childhood is used to respond,Childhood itself accepts response。Writers list a lot of details when writing,Construction plot and characters,Continuously make various responses in the way of storytelling。This response is strictly a resistance,and very severe。"(Zhang Wei: Literature: Eight Keywords)

Zhang Wei ’s expression of individual life experience in children's literary works,It presents a variety of creative styles in different ways。But whether it is light and warmth、Pure and happy talk,Still dark and cold、Sad and gloomy words,The expression of different forms is the misfortune and trauma that the author has accumulated from childhood。So,Here here,A "Book of Resistance" may also be presented as a "Book of Love",Although the story of the surface layer、Character、style or different,But the commonality and essence of the interior are "unyielding and resistance"。"Peninsula Harry Qi", who tells the story of the life of the puppet girl ",Still "Finding Fish King","My Wild Field Feast", which records childhood experience in non -fictional ways,Still using non -fictional novels that say childhood trauma "The Sichuan Flow of Love",The Chinese Communist Party of China constituted his narrative and expression of the "big childhood" in each other。

  The effect of children's literature creation on pure literature writing

Since "Harry Qi",Zhang Wei pays more and more attention to children's literature writing,The status of their creation of children's literature is like the first puppet -involved naughty boy,Fresh eyes,The style of style of children's literary works、The narrative mode is also invading and influencing his pure literature writing。For example,In the non -fictional novel "My Field Feast",The boundary between children's literature and conventional pure literature completely disappears,This is a non -fictional pure literary work with high -quality children's literature。When Zhang Wei talks about its characteristics,What Bet365 lotto review emphasizes "non -fiction" sex,instead of "children's literature" sex。

"My Field Feast" and "Peninsula Harry Qi", "Juvenile and Sea", "Searching Fish King" and other children's novels adopted a similar perspective of children's narrative and children's language style,Relying on the details to express the real children's experience。For example,When I see the strong time,"I" found a dense layer of "peach velvet" on his face。Another example,"I" will write the characters in tiles when they first learn to recognize words、Leaf、sickle,Even the shovel made by my grandmother。These details clearly reflect the position of Zhang Wei's child's standard,Its perspective of children、Child Logic、Details of children's emotional and children's experience restore the "My Wild Field Feast" with extraordinarily appeal。In this work,Details become real proof,"I am worried about the details,This is a kind of ability。This may stem from a kind of affection: the more emotional things,The more you can remember the details "(Zhang Wei、Shu Jinyu "" The Story of Sadness,Hidden in the feast of nature "")。Touring the details of childhood、Selected and reproduced,Make "My Field Feast" has an extraordinary children's literature character,It is on the theme、Character、narrative perspective、The language is close to Zhang Wei's children's novel。

"Single Pharmacist", "The Secret History of Aiyo" and "Hewan" are particularly important pure literary works after Zhang Wei turned over the "plateau"。Where,"The Secret History of Aiyo" and "Hewan" very typically reflect the impact of children's literature writing on Zhang Wei's long novel creation。The text of "The Secret History of Aiyeburo" and the appendix's childhood experience and narrative of Chun Yu Bao's childhood,Hunger and humiliation that the teenager encountered、Tenderness and Goodness,Show in the history of individual growth full of suffering。In the novel, the victim's father、Lonely childhood、The description of charming seaside folk customs and bet365 Play online games the sorrows and pains of juvenile growth are similar to Zhang Wei's children's novels。"Hewan" is the most obvious work of its children's literary style infiltration.。Fu in "River Bay" also recalls childhood、Describes the part of the past and recording the life of Hewan,Many of the chapters can be read as children's literature。For example,Fu Yi recalled the text of childhood.,I was born。Since then, there are four people in the hut。I eat sweet fruit、Listening to all kinds of stories grew up。"" People in the huts have a common mind,It is the father who is waiting for the father who knocks on Dashan day and night。I often climb to the highest tree,Look at the shadow in the distance。"The Roman Legend and Story Story in" River Bay ",It is also very similar to Zhang Wei's children's novels,Among them, Fu Yi's "Big Bird" story told by Su Buhui,is a copy of "Little Love" in "Youth and Sea"。

  Poetic pursuit of children's literary creation

In Zhang Wei's view,Children's heart and poetry are the core of literature,The innocence of childhood contains the texture of life and the true nature of human nature,Writing children and expressing childlike heart entered the core area of ​​literature。So,Zhang Wei regards children's literature as "a great cause",and conduct serious poetic exploration: "Real children's literature always has due poetic、Not shallow thoughts,And owned by everyone ","Children's literature and adult literature are the same,Basically the same in grasp of difficulty,It is also the internal and bottom layers of human nature "(Zhang Wei:" Poetry Heart and Children -About Children's Literature and "Peninsula Harry Qi")。The "poetic" here not only refers to the poetic thinking unique to children's literary creation,Pursuing the pursuit of "literature" of a high -quality pure literature。He will have children's literature and children's reading、Children's popular publications are different,It is believed that the difference is "poetic",That is, children's literature needs "poetic bet365 Play online games support", "more difficult language art" and "strong personality of the writer itself",Yang Xue interview and sort out: "No childlike and poetry heart,There is no literature ")。This poetic pursuit in novels such as "Peninsula Harry Qi", "Finding Fish King", "The Day of Flowers", "My Wild Field Feast" and other novels、Prose、Non -fiction works are presented,Especially the latest published "Orange Song" is the most typical。

"Orange Song" is a profound work written in Chunshi。Different from Zhang Wei's previous children's literature works,"Orange Song" is a "long poem" that tells the texture of life from the perspective of the elderly。"Orange Song" is taken from Qu Yuan's "Nine Chapter",Zhang Wei once praised "Orange Song" in "Chu Ci" is the most perfect one in Qu Yuan's poems。Independent orange trees in the poem with their high clean self -esteem、Sober and Individual、Careful and self -sustaining character deeply moved Zhang Wei。In the novel "Orange Song","Orange Song" is both a cat,It is also a family totem and spiritual power。Personal history centered on Lao Wengong、Family History、In the narrative of village history and national history,Laoshuang Four Generations and Laosu Village of Laowen Gong Family、Li Yinglian and others in common is to keep a kind of adherence to self -holding、Stubborn and strong、The consistent "Orange Song" character,They have "stubborn hearts"。"Orange Song" with pure and clear poetic、narrative of big and non -work、The story of the deep and mellow stories shows the spiritual nature of the author and philosopher of the author and philosopher。

Since the "Peninsula Harry Qi" regains the child's heart,Children's literature occupies increasingly important positions in Zhang Wei's literary world。He has discovered the basic nature of children's literature in his creation、Core and original status,and formed your own creative style。Multi -dialogue and demands that integrate into the field show the depth of thought of Zhang Wei children'Bet365 app download s literature,Introduction of history and presentation of suffering to form a heavy character for children's literature。His children's literary creation is in a continuous period of continuous work,Facing children in the new era,Zhang Wei will "tell the real earth story that is truly native" (Zhang Wei: "" Finding Fish King "answers") as the mission of the era that must be completed。

 (Author Unit: School of Literature and News and Communication of Ocean University of China)

Editor in charge: Chen Jing
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