Non -tune music is relative to traditional tone music，It generally does not have the center of tone or the sound high school。The first unseen music works in the West were "Three Piano Songs" created by Austrian composer Xunberg in 1908，and China's first tone of non -tune music in 1947 was created by Sangtong in 1947。

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The spread of non -tune music in China，can be traced back to the 1920s。There are two types of spreading types，First, introduce it in the form of journal literature，Second, the teaching and creative practice of the National Audio College。

1927 "New Music Tide" Volume 2 Phase I published an article entitled "New Music" in "New Music"，Introduce some concepts of modern western music，such as "multi -tone", "no tone", "multi -rhythm" and "rhythmic rhythm", etc.; The following year he focused on the article "Shenbek's Music". Blazer Xunberg。1928 "Music Magazine" published the translation "Modern Music -his purpose and trend"，The classical school is mentioned in the text、Romantic and Modern School，And briefly described the aesthetic concept of three musicists，believes: "Modern School is a camera that is a spiritual camera，Take the outside world，Remember the impression I received。"1934 The young master published" Reaction Music? "，Isonberg、The music of Belg and others as an example. As an example, ask the opponents of modern music at that time，It has a positive attitude towards the twelve audio music。This is also the first article in my country to evaluate the concept of the twelve sounds and technology。In 1936, Song Shouchang's "Non -Trowthism" pointed out that non -tunant music is "the highest and undoubted purity combined with sound and harmony"。

1939 Frankle came to Shanghai，In the summer of 1941, he was hired as a national audio teacher。Bet365 lotto review He assumed the sound、Strict opposition、Freedom opposite、Fogg、Edition、The theoretical courses such as the song and the freedom。Frankel also introduced the music of post -romanticism and expressionism from Vagna，and described the twelve sound technology。He often inspires students with the innovative development of German music，His teaching in the National Audio College has continued until 1946。According to German composers and musicians、Dr. Christian Uzn, the University of Vienna University of Music，Frankel wrote a lot of music analysis manuscripts during Shanghai，It checked 16 music analysis manuscripts at the Babaria State Library of Munich。The most important thing is that the labeled date was March 2, 1944 in Shanghai，And the signature of Frankel's signature to Xun Berg、Webern、Belg、The editing of Stravinsky scores and theoretical writing of some book reviews。These should be Frankel's teaching in China as a national audio specialty and their own theoretical research。1947 Frankl left China，He recommends the student of the German expressionist music master Alban Belg's student Xu Luoshi to compose the teaching department，Professor Fu Ge、Editions and composers and other courses。

The spread of non -tune music in the first half of the 20th century in China，From time to view，Can be divided into two stages around 1940。The first phase of the musician's discussion of tune -free music holds a positive attitude，But it is just a brief introduction to modernist music and related composers，It does not involve the constituent elements of modern music、Sound height organization logic and other aspects; the second stage is mainly Frankel's teaching practice in the national audio specialty，and the introduction of the spectrum of modern music works and audio。This provides realistic possibilities for China's tune music creation。

　　Sangtong and non -tune music writing technology

Sang Tong study in the national audio specialty，Bet365 app download Follow Frankel、Tan Xiaolin and Xu Luoshi and other learning composition techniques。Important courses are Frankel's "Harmony"，This course uses Xunberg's textbook，mainly traditional and sound，But the content of the lecture is not functional and sound。Harbin Sound lessons have strong autonomy，Students can create a harmonious connection，Analysis of related works, etc.。Another of Frankel's most distinctive courses are "free opposition"，Based on the "Bach's Line Date of Bach" in El Kolt，Take Bach's work as an example to explain from the single -sound department writing，Step by step towards the two parts and three creative songs。At the same time，Frankel requires the melody line to be ups and downs，Pay attention to the organic combination of tension and relaxation。His "song and composition" lessons pay more attention to the combination of composition and voice writing。1946 Tan Xiaolin returned to China，He offers the Writing course of the two -sounding part of Xinde Mitter，Sangtong also studies with shifts。The characteristic of this course is to break the traditional concept、Expand the range of sound，The establishment of the tone is determined by the level of the sound of the schedule。Professor Xu Luos ’s course has a grid、Edition and composer，Sang Tong's composition for the class of its composition class。Xu Luos made a detailed analysis of the Belg opera "Waltick"，This has an important revelation for Sangtong。

The theoretical teaching of the national audio composition theory at that time was mainly teaching of traditional composition techniques，Only a small amount of analysis of some modern works。This is obviously a confusion for us to study how Sangtong learns non -tune music writing technology。This can't help but remind us of Xunberg，When he is writing non -tune music works，It is also impossible to learn (Sonberg is the pioneer of non -tune music) for the specific writing bet365 Play online games technology。This just shows that the writing technology of non -tune music is related to traditional tone music writing，That is, non -tone is relative to tone，Know the writing of tuning music，can insight into the writing technology of unjust music。No doubt，The traditional composition theory courses set up by the National Audio at the time laid a solid foundation for Sangtong's music creation。

Although the composition theoretical course set up by the National Audio Specialist does not teach specialized modern composition techniques，But in Frankl、Under the guidance of teachers such as Xu Luos and Tan Xiaolin，Students have a strong interest in modern music。Coupled with the national audio library and the Shanghai Ministry of Industry Library at the time, there were some modern music theoretical books and scores，This provides important information for Sangtong's research on Western modern composition techniques。

Sang Tong and Yang and Shi together analyzed a "Creative Song" written by the twelve sound sequences in early 1947，​​Published on the wall of the Student Union after writing and writing an article。This aspect reflects Sangtong's interest in modern music，On the other hand, it also reflects his ability to analyze modern music works。Sang Tong passed Xunberg、Analysis of music works such as Weberne and Frankle，Discover the core height language that constitutes the core of non -tune music，This is the most critical step for creating unjust music works。Sang Tong also pointed out in the article "No Tune and Other Methods and Others in the Night Scene": "Non -tuning is relative to the traditional concept of tone、Tune structure、Method and tone presentation method、Method for Method。In non -tone music，excluded the above traditional tone composition conditions，As a result, people cannot feel the role of tone and understand the meaning of tone in terms of spectrum or hearing。"" can be seen from the above explanation，bet365 live casino games Sangtong's Learning of Non -Tone Music Writing Technology，It is based on his study of modern music works and awareness of traditional tone music。

　　The creation and premiere of Sangtong's "Night Scenery"

spring 1947，The second year of Sangtong's re -enrollment，He started to create a title song，Using non -tone writing，This is "Night Scene"。Using non -tone writing。The most direct way to establish traditional tone music is to be performed by the seven chords to the harmony of the main chord，Its core elements are solved by the three complete sounds in the seven chords according to the tendency of their unconnected schedule。and the Sanquan Sound in this work is widely used，If in the first section，The second sound of the violin part of the violin in horizontal and the third sound constitutes the three full sounds，Two intervals above the four -tone chords of the vertical structure are also three full sounds，Sang Tong used a large number of three sounds in this work, both horizontally or vertically。But these three full sounds not only did not solve a three -degree or six -degree schedule according to their own unconnectedness and tendency，Also continues to increase the unreasonable interval after these three comprehensive sounds，or even the continuous use of Sanquan sound。This kind of harmonious language continuously，Lost the tone of music。At the same time，The composer has continuously increased the small two or a period of time interval，The addition of these intervals not only makes the audio unconnected intensify，and also constitute a triple group。American music theorist Royf Francoli called this three -tone group as "Vienna Three Sound String"，This chord is in Xunberg、A large existence in the works of Weberne and others。Sang Tong did a personalized process when using the tuning triple group，That is, he is more inclined to a combination form of the sound part of the sound of four degrees Bet365 lotto review (pure five degrees) below，This is the difference between his western composers such as Xunberg。This is reflecting the selective application of Sangtong's selection of non -tone tri -notes based on the nationalization of music。In addition to the use of non -tone triple group，"Night Scene" also uses non -traditional three -degree stack chords in the chord structure、Semiconized harmony, etc.。Traditional harmony is completely abandoned，Invoasant harmony。These harmonious techniques are all rebels on traditional tone music，Therefore, no tone can be fully reflected in this work。

"Night Scene" was not performed quickly after the creation was completed，It did。The spread of non -tune music in China has laid the foundation for my country's modern music creation，and Frankel's teaching and creative activities in the national audio specialty have a direct impact on such music creation。On the one hand, it is a strict teaching of traditional composition theory; on the other hand, it is recommended that national audio students read modern works，This provides a fertile soil for Sangtong's non -tune music creation。Sang Tong's strong interest in modern music works and their techniques is a prerequisite for unparalleled music creation。

"Night Scene" not only achieves non -tuning purpose，At the same time, I made ethnic attempts。In the first half of the 20th century，There are Xiao Youmei、Huang Zi and others learn music in the West，After returning to China, they have been committed to how to achieve the fusion of Western composition techniques with Chinese music，And they do more based on the nationalization processing of traditional Western composition techniques。The biggest difference between Sang Tong and these Chinese composers is to use modern composer techniques，At the same time, pay attention to nationalized exploration。Sangtong is treated in the process of no tuning tri -notes，Putting pure four degrees or pure five bet365 live casino games degrees below, different from the unseen three -sound group used by Vienna Music School，These reflect the cultural consciousness of Sangtong's cultural music。The successful creation and premiere of "Night Watch" marks the occurrence of non -tune music in China。

(This article is the 2018 National Social Science Foundation General Project "Sangtong He Sheng Theory and Practice Research" (18BD057) phased results)

(Author Unit: Conservatory of Music at Suzhou University of Science and Technology)