"Dianshi Zhai Pictorial", which has a pivotal position in the history of modern Chinese painting, has been favored by Chinese and foreign academic circles in recent years，The literature of the late Qing knowledge update and the tide of social transformation、Art、News、Thought、Culture and other elements，attracted multidisciplinary participation，Research basically presents the perspective of art and visual culture based on image -based arts, as well as the perspective of text -based history and cultural history。But between the gap between "Picture" and "Wen"，The main body of the drawing pictorial — late Qing painter，The academic world still lacks sufficient focus。Taking modern press and publishing industry as the background，From the perspective of work content and nature，The painter has completed or is completing the identity conversion from "folk artist" to "career beauty"。It is precisely in this conversion process，Breeding and born in the era of the Great Reform of the late Qing Dynasty, the narrative method different from traditional graphics、Communication concept and social function。

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Suzhou Commodity and Painting Trading Market has begun to take shape in the middle and late Ming Dynasty，Remove a large number of professional painters and painters，The artistic style of product painting in the late Qing Dynasty is more diverse，provided a technical reserve for its future entering the Shishi Zhai Book Bureau。In the stone Bet365 lotto review seal pictorial with the pursuit of exquisite and small，Its business painting thinking that is good at and dare to change is on the field of visuality and emotion in the pictorial，Suzhou painter showed the innate technical advantages and outstanding image narrative capabilities。

First，Point Shizhai painter is good at using Western painting skills。"Point Shizhai Pictorial" in the screen space performance combines a large number of corner perspectives and light and dark performance of western painting，provides a visual experience that is different from traditional aesthetics for the public，The reason for this narrative pattern is multi -faceted。First，This is not the first point of the Shi Zhai painter，Taohuawu prints in the middle of the Qing Dynasty, such as "360 lines of Gusu,", use an angle perspective to express urban buildings，and with obvious shadow effect，Fully illustrates that Suzhou artists already have technical experience and painting traditions of painting。Second，When facing the complex structure of urban landscape，The sight of the traditional "boundary painting" in the form of "boundary painting" is not conducive to the focus of the narrative of news story scenes and the three -dimensional performance of modern buildings，Plus under the stone seal technology limit，At this time, traditional painting language can be described as short -drawn，It needs more intuitive graph intervention。third，Angle perspective supplemented by the light and shadow effect，More in line with the reading ability of the people in the lower levels，Easy to obtain commercial success。

Next，Point Shizhai painter in terms of image narrative bet365 best casino games architecture，When depicting local landscape and character image，It can be proficient in using the programmatic language symbolic organization picture relationship between the traditional painting of traditional painting，Sound electrification of the Western world、When the exotic style, etc. cannot be seen on the spot，It mainly expands a "technical imagination" based on national and localized aesthetic perspectives based on text descriptions。Take "Broken Boat" as an example，Re -translated by the artist's image，Mountain、Water still uses traditional painting program symbols，Ship in the ship with the dovetail、Wear a hat、High cheekbone、Duohu beard，A total of 20 people performed their duties，All use the traditional line description method。There is a machine in the ship、electric light、round windows，The most important hull part is simply outlined with the contour lines of "shape like egg"。This picture is a totem imagination from the perspective of "Others" from the perspective of "Others".。The imagination of this technical level not only reflects the future of the Western learning of the Western learning, the people of the late Qing Dynasty are in the future、Follow the efficiency and utilitarian，The use of the painter's use of traditional graph also implies the historical imagination of traditional aesthetic dimensions。

Last，The technical means of the painter are good at translating and re -translation of multiple media images.。The Pursuit of "Be Shi Zhai Pictorial" pursuing "can be used" replaced traditional aesthetics with "Eye Eyes"。In the works such as "The Sky" and "Dispertation"，It first has a unique bet365 best casino games composition，Give up the medium -to -long view distance used by most screens in the pictorial and the perspective below the horizontal line，and adopt a composition with a high -looking vision with a strong sense of field and a high viewing line。"Following People in Danger" against the line and the performance object structure、The understanding of the dark relationship is further，But the depiction of smoke still uses traditional techniques。Comprehensive picture features，The painter uses an unprecedented on -site photography and television angle composition，and not used a single traditional painting language to re -translate the external news images，Instead, the visual state of the Eastern line drawing and the vocabulary of Western prints。

　　From "Views from Wide" to knowledge conversion

"Point Shizhai Pictorial" is based on the new knowledge of journalism and communication，Although it does not reflect a distinctive revolutionary consciousness，But as a new media form in the late Qing Dynasty，Pictorial "Undoubtedly the possibility of dialogue between the meaning of the image and the political enlightenment，derived into the pioneer of image media involved in political narrative in modern history "。

1 is the impact of media logic on the artist。Traditional painting logic for the subject itself rather than the subject as a cognitive object，Even the folk custom painting reflects the image thinking that does not pursue the accurate and strictness of the picture。And the late Qing pictorial as a communication medium for the purpose of "seeing widely"，The creation of Dishi Zhai painters who grew up from the tradition is naturally dominated by the media logic that advertises "the truth Bet365 app download of things"，In addition to causing the objective realism mentioned above，There are media logic and politics、A series of changes produced by capital interaction。The first is the conversion of the subject character of the artist。The emergence of the pictorial enables the artist to judge the value of social phenomena，The various images of its structure all prove that a true interdependence between itself and the outside world。Second，The painter has gained an unprecedented social experience with the reader with the reader。Readers get perception in the pictorial medium that lacks space -time restrictions，Experience a collective joy of touching reality through the mass media。Last，Pictorial as a product of the operation of the capital market，While pursuing economic benefits, you will deliberately avoid social risks，Therefore, the media logic of the artist is also intervened by the market and consumption，The dominant position of the traditional painting program gradually allows the consumption，The latter becomes an important thinking orientation of painting creation。

The second is the knowledge conversion of traditional culture。The emergence of the pictorial has changed fundamental changes in the relationship between traditional painting and society，from the pure art field to a public domain with political functions。The painter in the media faces the situation of the era of great changes，On the surface, it is effortless to express the knowledge demand of modern society through traditional painting.，In fact, it is a set of visual mechanisms for the media survival of traditional painting under cultural collision。In Bet365 app download front of the opportunity of traditional culture inheritance and regeneration，3656_3677。During this conversion process，The painter emphasizes the national feelings of national self -improvement and common political、Economic and Cultural Ideal，Reflected a distinctive nationalist complex。Nationalism as an emotional spiritual power，The psychological experience of the painter's subject in this historical period is。Another，The attention of the academic community about the "Point Shizhai Pictorial" is more concentrated in "New Things and New Knowledge" and other content，Pay less attention to ethical knowledge in traditional culture。Point Shizhai painter using the cultural order and mode formed by the pictorial medium，Construct the legitimacy logic of the image of the image through the way to reinstate the ethical knowledge in traditional culture，So as the new dominator。

So，Painters who grew up in Suzhou's good artistic environment to raise the "Dishi Zhai Pictorial" to the artistic height of the post -history of the Chinese modern painting newspaper through outstanding image narrative skills，It has the accidental and inevitability of its historical。As a press publisher, the most worthy of feeling and hanging by hanging，It should be this group of painters from Suzhou as a pioneer that the public begins to recognize the importance of art publication，and gradually identify with the talent status of the professionalization of art editing。

(This article is the National Social Science Fund General Project (18BZW120)、Jiangsu University Philosophy and Social Science Research Fund Project (2018SJA1932) phased achievement)

(Author Unit: School of Art, Textile and Clothing Bet365 lotto review Engineering, Changshu Institute of Technology)