In the process of realizing the great rejuvenation of the Chinese nation,The protection of intangible cultural heritage shows unprecedented "heat" in theoretical research and social practice.。Where,Traditional drama as an important part of non -heritage,Research on its related protection strategies is also in the ascendant。But if you carefully investigate, you can find that many related research still has disadvantages,It is difficult to use the practice of guiding non -heritage protection。Based on this,Launch the protection strategy that can be replicated and promoted in time,It is undoubtedly a problem that should be solved first in the protection of non -heritage.。
The so -called "Drag",refers to the protection practice of non -heritage drama,Under the premise of fully investigating and demonstration,Non -heritage types that meet the "drag" conditions will be in the form of "combination",The main body of the protection is in skills、Policy、Market and other aspects of overall planning,to form an integrated protection method。Related specific drag method,We can protect the object、Protection methods and protection subjects should be considered specific。
First,Can consider the protection object,Adopt a drama drag with a small drama、Elegant drama with popular drama、Drag of the drama with market advantages and artistic superiority、Drag belt between foreign dramas and local dramas、Dragging between local dramas and tunes。
bet365 Play online games Second,From the perspective of the main body of protection,You can also implement the "Drag" strategy。Look from the troupe,First, from the perspective of the actor,Following the mind,Promote and gradually form a drama -based,At the same time, the "one specialization and multi -energy" mode of other dramas,Form from the perspective of the actor to form the main business dragging and sideline.。Except for this kind of drag band,You can also communicate with the technical and artistic aspects of skills and art through a strong drama.,Drag belt in the form of assistance。Second, from the perspective of personnel participating in the production,It can be through the form of "part -time" and "assistance",Develop the subject matter and repertoire and stage art and other aspects of exchanges and reference。screenwriter and director and even dance、Music staff of different functions such as music,It can also form a "dragging" effect through the "one -time -assigned" method or "exotic assistance"。At the same time,You can also consciously form an impact effect through the drama of actors and producers。Third, from the perspective of performance,The troupe can consciously use the main drama and the "dragging" drama combination,Using flexible performance methods such as "Rainy Snow" and "Sanxian Decoction",Performance through "Binding",Gradually expand the market impact of the bundled drama and audience attention。
For the cultural management department,"Drag" idea can also provide many operating level strategies and methods。For example,From the perspective of the theater system,Can be based on the "drag Bet365 lotto review band" thinking,Consider the division of the troupe and other specific issues。other,From the perspective of management evaluation and the troupe's assessment,You can also use different dramas into a unified assessment and management assessment method,"Comprehensive" and "Taking into account" inspection considerations,A comprehensive and comprehensive assessment of the performance of the troupe,To avoid the bias and lack of the previous "single -sided" assessment。At the same time,Government competent authorities can also pass through the "Pickled" type of funding mode,Mobilize the enthusiasm and initiative of the drama troupe in maintaining the development of the "dragging" drama。
From the development of Chinese opera and the actual experience of the current protection of non -heritage dramas,We can all see the successful example of the "Drag" mode。This also provides us with beneficial enlightenment for us to advocate and improve this strategy。
As far as the protection object is concerned,As the famous "Flower and Male Controversy" period in the history of Chinese opera in the Qing Dynasty in the Qing Dynasty。Actually,During the period of Hua Ya,Each drama class to take care of the survival of relatively weak dramas,Of course, it is more direct the need for artists to make a living,Joint performances are generally adopted,Performance methods such as "wind stir up", "two pots", "three fresh soup",At that time, a number of "drag bands" term appeared at the time。In addition to the several species mentioned above,There are also "Kunzhao", "Kunhuang two pots", "two doors", "two bet365 best casino games -door hugs", "Rain Snow", "Trinity Class", "Three Complete Class", "Kunli Unstopper", etc.,Different names,The essence is "dragging"。These measures played a role in alleviating the crisis of the vulnerable drama at the time。
Suzhou Sukun Opera Troupe has been using the "Drag" strategy for a long time,To maintain the common survival and development of Soviet opera and Kunqu opera。Most of the 20th century,Soviet opera is more market than Kun opera,More welcomed by the audience,Make the Sukun Opera Troupe in the state of "Su Raising Kun" for a long time。But from an artistic perspective,Kun opera is richer than the Soviet drama,Therefore,The artists of the Sukun Opera Troupe, although they rely on Su opera to eat,But unwilling to abandon Kunqu opera with more artistic connotation。After entering the 21st century,With Kunqu is included in intangible cultural heritage,The status of Kunquan and Soviet Opera has occurred back。Current,Kun opera has received attention and support from all aspects of society,It has presented preliminary revival,and the Soviet opera is relatively weak and cold。So,At present, the strategy of the Sukun opera group is "Raising the Su with Kun",With the strength of Kunqu opera to assist the continuation and inheritance of Soviet opera。Soviet drama that once cared and dragged Kunqu opera,Therefore, I got the reward of my once dragging Kunqu,Form another type of "Drag"。
At the same time,For the actor,This dragging form is also beneficial to the art development of the actor himself,and in turn promote the further prosperity of the drama。Take Su Kun as an example,bet365 best casino games The young and middle -aged actors of Suzhou Kunli Theater active on the stage of the Kun opera drama today,Most of them can play the Soviet opera、The two dramas of Kun opera drama。
"Drag" and "Drag" drama communication,There are many successful examples and models in history。Take the predecessor of the Soviet drama "Su Beach" as an example,History of Su Beach was once divided into front beach and back beach。Where,The front beach is also known as "whole beach",It is significantly influenced by Kunqu Opera,Many entertainers can play the purpose of Su Beach and Kunqu drama。This,It makes the exchanges between the two very convenient,Some "Sharing Acts" appeared。As the "Temple of You Temple" and Kun opera stage Shi Xiaomei、Lin Jifan's version of Kunqu "Temple",The two have a high degree of similarity。Mind in some places is almost copy。other,Compared with the "Persuasion", "Dragon", "Lu Lin", "Broken Bridge", "Make Makeup", "Swallowing", "Mountain", "Downsa", "Disposter",You can also find similar or even the same degree of different degrees,The communication between the two and the relationship between the two is obvious。This historical history of Su Beach and Kunqu fully proves: the drama of the powerful drama is used to enrich the vulnerable drama,Often can play a role of vibration and aging,Maintain the survival of the vulnerable drama。
"Drag" can solve the following problems existing in the current non -heritage protection practice。
1. The unbalanced status of "artistic without the market" or "there is no art in the market" for some dramas,Through the "Drag" strategy,Take care of the development of art and market,Conflict bet365 live casino games between the current interests and long -term interests of the drama troupe and the drama。On the surface,This drag may appear as temporary "with strength and weakness",But in the long run,It may be transformed into interoperability and mutual honor between dramas。The "roles inverted" of the above Soviet Union and Kunqu opera is an example。
2. The "Drag" strategy provides convenience for the combination of the skills of different dramas and the exchanges of the repertoire。This subject (person、Actors) Activity is the core protection method with the help of actors "cross -border" and other methods,It is easy to achieve more lively existence of more dramas,It is easy to achieve more lively existence of more dramas,Provides strong cultural support for the sustainable development of non -heritage dramas。
3. "Drag" through the drama in different regions through the origin of the origin,It can also to some extent to eliminate the "narrow spectrum" limit caused by the regional nature of non -heritage dramas,Gradually promote the "cross -regional" and "cross -cultural" exchange of opera,"cross -border" communication of non -heritage dramas。
4. The "Drag" strategy can solve the "self -supporting" and "self -living",Reduce the government's financial pressure,Also play to the people,Also play in the market。This,Non -heritage types have "source living water",Long -term development of the drama。
The above points,It can be regarded as the role of "dragging" strategy in the protection of non -heritage drama protection.,At the same time, it can also be used as the principles and guidelines for towing strategies to implement,As a goal bet365 Play online games of dragging strategy to gradually achieve and achieve。
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(Author Unit: Academy of Media of Suzhou University)
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