At the end of the Ming and early Ming Dynasty painter Wang Lu (1332-1402)、Preface、postscript，I proposed a series of painting aesthetic thoughts。In the relationship between "shape" and "meaning"，Proposal "Infosting shape"，It is advocated that painting must "have both shapes" and "the same shape"; in the relationship between "heart" and "object"，Proposal "Mister Huashan"，Proposal of painting creation should be based on the aesthetic perception of direct heart，The image of painting image is the deity of the gods who meet; in the relationship between "people" and "I"，Proposal "Zong illegal"，Proposal of painting creation must inherit the tradition and not to the traditional，Based on the need to meet the appearance of the objects and the subject.。

Looking at Wang Lu's painting aesthetic thought，Its core point is "Painting is not imitated by God and God encountered"，Highlighting the painter's deepening object，Using the unexpected perception between the main objects as the "shape" and "asking for" basis，instead of closed -door imagination、Follow -up simulation。

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Wang Lu first tried to define the essential attributes of painting，This has a lot of elaboration in "The Map of Huashan"。"Despicable shape，Lord。It means that there is a disadvantage that is non -shape.。Although，Interested shape，What do you ask for? So those who get their shape，It is overflowing。""，In his opinion，Painting bet365 best casino games is "shape" in essential attributes，It is also the painter's "meaning"。Painting that meets the standards of Wang Lu's aesthetics is "shape" and "meaning" blending unified，It can be summarized with "meaningful shape"。

Painting as a styling art，First of all, the "shape" of material factors should be supported，As Heidegger pointed out in "The origin of art works"，Art works as a kind of production have material factors。Painting art gives up the "shape" of material factors，It will become an invisible idea，Painting art itself will also be eliminated，That is, "What is the asking for shape" by Wang Lu? therefore，Wang Ling thinks，One of the essential attributes of painting is the "shape" element that must be visual。

In the "shape" relationship of painting，Wang Lu also does not have the thick one another，Profitting "Syndrome", "the same shape"。painting although it is "shape"，But the "shape" of the artist，It is the "shape" after the painter's feelings move，This "shape" has been integrated into the artist's subjective affection。Wang Lu said: "Yu Zhuan also，After the world is far away from the deserted people,，Well -known，Meeting the name of the name，You can fulfill his victory，With all his place? Ran God will experience，It is not in the remains。"(" Preface to the Map of You Huashan ")

This material clearly clarifies the "shape" in "The Map of Huashan"，2977_2989、Feeling touch is the basis of the choice，Painting image is between the main object "Scenery Love，Promote each other due to love、Products that I feel out of each other。So，From the perspective of Wang Lu，The "shape" and the "intention" of the painter are causal、bet365 Play online games Dynamic，The two are inseparable，combined as one。

　Master Huashan

Another prominent highlight of Wang Lu's painting aesthetic thought is that the painter must "Master Huashan"，Emphasized painting creation should be based on the direct aesthetic perception of the heart，I believe that the image of painting is the experience of God's meeting after the heart of the mind。

Before Wang Lu，Chinese painting has always existed in the tradition of "foreign teacher creation"，But the predecessor's "Foreign Teacher Create" is significantly different from Wang Ling's "Mister Huashan"。The former emphasizes "Consciousness"，The latter is very similar to the "sketching of scenes" in Western painting。Wang Ling said in "Starting to the Mountain to the West Peak": "By the time of the pen and paper with paper and pen，The appearance of the victory。"He criticized the artist to rely on" Paper's Consciousness "，That will "get more and more hesitant"。He said: "Painted the desire elephant，Didn't you know it? "(" Emphasis on the Sequence of Huashan ") In the late Yuan and early Ming Dynasty, it was simulated into the wind、In the case of the painter imitation of a family，Wang Ling emphasized "Misters Huashan"，Vigorously advocate the painter to go deep into the object，Based on the personal field perception，Still very valuable。

Wang Ling thinks，The painter does not penetrate the object，It is also impossible to show the magic show of the object at all。For example, the specific example of Wang Lu's "Starting to the Mountains to the West Peak": "，The big comparison of the appearance，Yiping Drawing Tree，Although search for strange hunting monsters，Zhining like this? "He found it through field inspection，The "Bet365 lotto review shape" of the object can only perform after the painter experienced perception，Can't be obtained from other people's painting paradigms。

Wang Ling also has an error mistakes created without field perception。After inspecting the "Fairy Palm" attraction of Huashan，He wrote: "The endless kiss is true，That knowledge of the old doubt。Shiwan He has broken，River Ben Selfest。"" ("You Huashan Map Poetry") and asserted，Wang Ya's "Fairy Different" must be based on rumors，Say the disadvantages of "the world's ancient and modern expensive ears"。

In the relationship between painting and creative minds，Wang Ling proposed "My Teacher's Heart，Heart Master，The famous assertion of the Master Huashan "，Developed Zhang's "Foreign Master Create，View of the Heart Source。It is mainly reflected as，Wang Ling's "Heart" and "Huashan", that is, the "creation" of Zhangbu and the "heart source", have more "measuring" links。This link is exactly the field perception object required by Wang Lu，That is to say, "Creating" and "Heart source" requires opportunities、Feeling。Only the sympathetic Bet365 lotto review resonance between the hearts and things can blend with each other，Otherwise, the object and the subject are still external、free。As Wang Lu said, "the world's strange place，Inherent Diaoyuan Patsa "，Can I have a sense of aesthetics between the hearts and things，The key。

Therefore，Compared to Zhangzhai，Wang Lu specially emphasized the role of "eyes" in communicating "heart" and "things"，Think that the painter has only in -depth objects、Perception object，Only to promote the formation of the relationship between the blending and Bet365 lotto review resonance between the hearts，Create of the image of the heart and material all -in -one。

　　Zong violations

Wang Lu's painting aesthetic thought strongly advocates that the artist must go deep on the ground，But do not oppose the inheritance of tradition，He also said, "Yu Ziyuan Painting Mountain，摹 Four or Five Four Films of Yu Jiannian "。("Cheng Cheng，Play in this self -sorrow ")) In the relationship between" people "and" I "，Wang Ling proposed "Zong Irimination"，Proposal painting creation must inherit the tradition，It cannot be restrained by traditional。

In "Painting Kai"，The king has accepted the ancient paintings for many years，"Good paintings in the middle of the age，Good asks，Good hometown，For many for a long time "。So，Wang Lu must not intentionally violate the predecessor，Teacher Heart Create，In his own words，"I dare to memorize the person in the past，can not stand outside the predecessors "。He has to violate his predecessor，Mainly because the ancients "family numbers" have some blind spots in terms of performance objects and subject intentions，I have to "go to the new"。

After the Wang Ling traveled to Huashan，Only when you cut your body，Only because of the ancient people，Can't express the feeling in the chest, and the appearance of Huashan in front of the eyes。He said in "Su Yu Nu Feng Ji": "Yu Xue painted for thirty years，But the paper silk is exhibited in each other，refers to the number of a certain family。By plagiarizing one or two，The name of the attacker painter，Anti -deity is so deified by Anzhi Paper Silk "; in" Cheng Cheng，Drama to do this "also said:" And Denghua Mountain，See Qixiu Sky，Non -Sims Bet365 lotto review can simulate，So I go to the old Xi，With the intention of the craftsman, it will come out，Although failed to make a micro，The beauty of the sky is not beaten by the trails of the family。”

Wang Ling thinks，Daqian World is colorful，The painter needs to show its uniqueness according to local conditions，Can't present a differentiated colorful object with a type of programming rules。He pointed out，"Fu Mountain is not one mountain"，There are "frequent" and "frequent changes"，There is also "Change"。So，The painter needs to choose different presentation methods according to different sample objects。Wang Ling also uses "庶 庶" to metaphorize painting creation to pay attention to the personalized characteristics of the object，Can't put it on any horse's mouth like a horse's mouth。

To sum up，Wang Lu traveled through the field，I can feel that painting creation can not only stay in the consciousness of paper silk，Not to be satisfied with the stylized interpretation of pen and ink language，Instead, it is based on the basis of the direct aesthetic perception。Wang Lu's painting aesthetic thought profoundly developed the traditional Chinese "foreign teacher creation，View of the Heart Source，It is believed that the intermediate link of "eyes" and "heart source"。The painter has only in -depth objects，The aesthetic sense of aesthetics occurs in the volume pole of the main and guests，is the key to the integration of "creation" and "heart source"。Wang Lu's painting aesthetic thought not only has an original theoretical value due to the retro prosulation in the early Ming Dynasty，Even in the moment, it still has the meaning of enlightenment。

Bet365 lotto review (This article is the theoretical and Practice of the National Social Science Fund's major project "Chinese aesthetics and artistic spirit" (16ZD02) phase results)

(Author Unit: School of Art of the Three Gorges University)