Most of the small tunes in the Ming and Qing dynasties are folk minor singing words popular in cities and cities in north and south。It focuses on and reflects the cultural ecology of folk songs since the Ming and Qing Dynasties.、Opera、The Influence in Vulgar Literature Creation，and spread in vulgar music and it、Value of folk culture and dialects。

　　bet365 Play online games The occurrence of small songs in the Ming and Qing dynasties、Development and prosperity，Is the generating mechanism、Social Thoughts、Conceptual identity、Social development and other factors of many factors superimposed。From the perspective of the generation mechanism，Folk Song、Small songs are lyrical tools and means，It is also a way to entertain and express appeal，This is the inner motivation and generation mechanism of its generation。From the perspective of social thoughts，Li Yan, who has a self -self -self -self -"heresy" of Confucian Confucian Confucianism in the traditional Confucianism，The concept of "self -adaptation" is proposed; the active of the commodity economy and the bud of the capitalist economy，Causes changes in people's thoughts and social fashion，The birth of the "new voice" folk song in the field of ideology and culture has been born。From the perspective of social acceptance，Since the Ming and Qing Dynasties, the literati attitude of recognition and appreciation of the scholarship in folk songs，Li Kai has a judgment of "True Poetry Straight in the People"，He Jingming visited the time -adjusting small song represented by "Lock South Branch" as "Time Tune Middle Champion"，Feng Menglong proposed "Borrow the true feelings of men and women，Pseudo -drugs of Famous Teaching "。From the perspective of social development，The vulgar song of the Qing Dynasty is prosperous、Prosperity and development is also the product of society and the development of the times。

Small songs in folk songs as a kind of poetry and literature in the Chinese music culture system，Not only "I feel like a song，and the product under the "ancient song generation mechanism，It is also "Ancient Songs became Gulefu，Gulefu becomes today's tune，The product under the derivative mechanism。Based on the theory of Poetry and Literature Development Based on the Le Cultural System，The theory of North -South Differences in the Small Songs during folk songs，Examine the source flow of the small song when examining the people's songs of the Ming and Qing Dynasties、Inheritance and derivation。In the Ming Dynasty，The small song in the Qing Dynasty was developed on the basis of the Ming Dynasty fashion mini order。

　　The structure of the song body and vulgarity.Most traditional song works in our country circulate in literary forms in the literary form，The existence of the Ming and Qing dynasties is also the same。Investigate the structure of the song with the song as the center，Multi -Bunding characters in Wu Yushan songs in the Ming Dynasty、Line words，Ballads in the Wu language area today still retain the sentences of sentences、The feature of lining words。When singing，Singing multiple singing words with the same tone，The tunes are expanded with local freedom and repeated methods with the change of the word grid，The length of the expansion depends on the change of the lyrics。In the inspection and rap、When the "add" and "Du Ding" singing method in opera music，It is found that their singing techniques are the same。lyrics with the same structure of ancient and modern songs，Adverse push can know the music structure and music form of Ming Dai Shan Song。

Before the Qing Dynasty，The fork in the "Continuation of the Neon"、Parasitic Grass and the Malaysia Tune (Lian Bo) in "White Snow" is the representative of the body structure and music form during this period。The body and word of the fork can be summarized as "six eight sentences"。From the music structure of the music，Its development has experienced the evolution from the single fork of the single body to a jujube nucleus、waist interception、Brand song three types of song style，Single -stringed brand songs derived into rap binding in the late Qing Dynasty。From the form of singing，The forgage was originally sang by one person to fight the octagonal drum，After a single singing、Disassembling singing and group singing forms。[Parasitic grass]，As an important song name in Yuanming Qing customs，During the process of circulation，On the basis of following its basic structure，Repeat、Bring the handle、Bring stack、Extension、Add words、Decrease、Line characters and other methods，Rich and developed [parasitic grass] song structure。The horses (linked board) in "White Snow" is the only song with a ruler spectrum，Equipment is a work with the "one incense" structure，and [Parasitic Grass] with the end、Ling'er is adjusted into a "homogeneous name" vulgar song，or the different titles of the same "mother song"。

After the middle of the Qing Dynasty，"Borrowing the Cloud Museum", "Little Hui Collection", "Continuing Xiaohui Collection" small singing lyrics and ruler spectrums are truly recorded and preserved in the form of ecological music in the Ming and Qing dynasties。bet365 Play online games Look at the source of the song，All small tunes at the time at that time，Singing in two types of opera and time drama; from the source of music，All of them were very popular at that time; from the perspective of the form of notes，The above -mentioned spectrums are all scientific spectrum，Reflection of the ruler spectrum was a very mature formula at that time。

　　Quyi, opera and vulgar literary influence.Small songs in folk songs、The impact of opera and vulgar literature creation is direct and far -reaching。

From the perspective of Quyi，Small tunes in folk songs are the tunes of the Qing Dynasty song、Music source，Ruquyi octagonal drum、Single string、Children's Book，Especially Shandong Octagonal Drum Drum Quate。Some are the songs of rap art，Especially a large number of forks、South Ci and other songs，For example, the "South Ci" song itself is the opening word of Jiangnan rap art，that is "opening white" and the like。The types of various songs with local names，Most of its traditional repertoire is adapted from Kunqu drama，Also absorbing local Songs、On the basis of small -tune lyrics program，Singing some reflecting social incidents、Single solo "Fu" and small songs of the single -player life of citizens。Yong opera small song profoundly influenced and enriched the literary and music literacy of Quyi creators，Provided art reference for Quyi creation。

From local operas，In the Ming and Qing dynasties, small songs were originally propagated in the form of popular songs in the form of north and south，To the early Qing Dynasty，They have been combined with small songs in various places，Become many local characteristic songs and local operas。Quyi Music and a lot of Ling Qu、Singing，Local opera developed from Su Yiqing into a colorful performance。It has four influences: First, bet365 best casino games the traditional opera performance tradition of "brand song disassembly and singing" of the character singing brand song; the other is that the "Nan Ci Beach Spring" is played by the drama of the drama as a drama; the third is " "Singing Sumi" has evolved from folk singing news to drama; fourth is that it is the main source of tunes of various local dramas since the late Qing Dynasty。

From the creation of custom literature，Since the Ming and Qing Dynasties，Novel、Note、Create in opera and other works、Quote、Small song when income folk songs，Small tunes when quoting folk songs to strengthen the vividness and expression of the work，Specific performance as: First, novel、Opera quotes when the folk song is tuned when it is tuned，It will adapt, increase or decrease words according to the needs of the plot，Not only adds the vividness and expression of the work，It also greatly enriches the number of tunes when the folk song is tuned; the second is to create the same "mother question" when the same "mother question"，The content of the song sign is generally consistent，greatly enriched the number of small tunes when folk songs; the third is novels、Note、Records of small songs in folk songs in the opera，Not only this vulgar literary style is universal in worldly life，It is also the result of the style of vulgar literature that is generally recognized by all levels of the society; fourth, the small song when the folk song is used to use the novel、Note、Drama and other carriers to speed up their spread and expand their influence，It also reflects the author's creative mentality and the entertainment psychology of the reader's Qi Qi.。

　　Value in folklore and dialect.Zuo Si "Sandu Fu" has "Wind Ballads and Dance，Each attachment to its customs "。As a folk song that is close to the people's daily life, adjust the song，It is the epitome of a social scroll of the life of the times，Reflecting a broad and rich folklore life。In the Ming Dynasty's folk songs in the Ming Dynasty, the small song depicts social relations in the Wuyue region of the late Ming Dynasty、Marriage、Diet、Faith、clothing、Xiuyi、Entertainment, etc.。Qing Dynasty，The lyrics in the "Continuation of the Neon" depict the folklore life of Beijing -Tianjin two places before the Qing Dynasty;，There is a story that is based on the story of the opera，There are beautiful love songs spread on the streets of the street，There is also a work that describes the four -time scenery，depicts the folk social life in the central Qing Dynasty in the middle of the Qing Dynasty。

From the perspective of linguistics，The history of ballads is a history of recording language development，It is the most fresh on study dialect vocabulary、Most vivid、The most direct information。First, Feng Menglong's record principle of dialect dialect is a record of guidance and instructions today、Sorting and research，It still has practical guidance and application value; the second is that Wu Nong's soft language characteristics are Wuyu Ballad Line、Line words，Explained the characteristics of Wu Nong's "Wu Nong soft"; the third is that Wu Ge multi -use "Wu Yin slang，Homing and Double Customs "，The historical heritage of this unique regional characteristics。

The linguistics value of the small song in the Qing Dynasty was reflected in the following aspects: First, the folk song、Opera Stories、Words of Life and Smart atmosphere、Situation、Image、Methods, etc. are combined，This is a major feature created by Chinese literature; the second is to live with folklore、Folk belief and folk worship activities are the object of singing，Display and preserve the folk language of the Qing Dynasty uniquely; the bet365 best casino games third is that the small song uses a large number of dialect vocabulary with the characteristics of the times and regional characteristics，This has preserved a lot of original ecological dialect words，It provides rich language historical materials for the study of regional dialects。

　　(Author is the head of the National Social Science Fund project "The Inheritance and Affecting Research on the Small Songs of the Ming and Qing Dynasties"、Professor of Humanities College of Huzhou Teachers College)