This year is the 120th anniversary of the birthday of Xiajin Anjiro (1903-1963)。Early year，The Japanese film industry arranged Xiajin movie screening、Research and other series of activities，This commemorates the director who is respected by the Japanese as the "God of Film"。From "The Tide of Hearts" (1933) to "Taste of Autumn Salva" (1962)，Xiaojin and Tokyo are inseparable。In the creative process of the past 30 years，Many movies with Tokyo as the background，From the streets of the city、Extraordinary people set off，By walking relatives and friends、Wedding, funeral, marriage and other daily incidents built the most Japanese -style humanistic context in modern cities。Xiaojin uses his own wisdom、Poetry and peaceful movie expression presented clear Japanese culture and aesthetics，Let the audience see in the family story in the class、Society、Tokyo face in the system changes，The traditional perspective of the east method completed the carving and record of the transformation process of modern urban。

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A creator is usually affected by his growth and living environment，Tokyo in Tokyo is a place like this。December 12, 1903，Xiajin Aojiro was born in a middle -class family in Shenchuan, Tokyo，At the age of 11, Xiaojin moved to his father's hometown of Mie County with his mother at the age of 11，and my father stays alone in Tokyo to do business，Until adulthood, his father brought Ozu to Tokyo again。This kind of experience that is out of Tokyo，Let Xiaojin have a special feeling for Tokyo from an early age，and in his future creation, follow the film with。

Xiaojin grows in the big miscellaneous courtyard in Fukawa, Tokyo，There are many handicrafts in the surrounding environment，This makes him familiar with the individual survival status and humanity of the underlying society bet365 best casino games in Tokyo。1933，Xiaojin shot the masterpiece "The Tide of Hearts"，In this 100 -minute black and white silent film，Xiaojin first used Tokyo as the background of the story，Tells the story of grassroots Xiya, who lives in Tokyo slums, and his son depending on his son。Life at the bottom is always similar，Xiaojin in his familiar life field，No deliberately creating suffering and sadness，On the contrary, he accurately captured the comedy life paragraph in the underlying society，Let the actors use a comedy action，Let the audience realize the bitterness and helplessness of the people's life in the laughter。This is so moving and full of energy，Make the audience unforgettable，From then on, Xiaojin began to emerge in the Japanese film industry。

Xiaojin fell in love with a movie after adulthood，Mother Trust recommended him into Songzhu Movie Company，Start from the crew，Finally became a household director of Japanese household names。Xiaojin is undoubtedly lucky，And he is more lucky to be born in a businessman family，The ups and downs of his father in the business field made Xiaojin soberly recognize the cruelty of big cities like Tokyo。The "Fonent" shot in 1936 is the first audio movie of Xiaojin，The story tells that the widow's mother changes the seller to send her son to Tokyo to go to school，I hope my son will be able to make ahead，In the end, the fact that his son was just a night school tutor in Tokyo。Society like mothers in "The only child"，"Tokyo Story" (1953), the old father from the tail road also deeply experienced。They all thought that the children would have some example when they came to Tokyo，But in the end, I found that their children are just the leader of the workshop or a street doctor。In Kobaya's movie，People living outside Tokyo are always full of longing and admiration for this city，Those elders who silently bear the heavy life always believe that Tokyo is a place of hope、Ideal City，As long as you think that your child can live in Tokyo，There will be a lot of expectations Bet365 app download about the beautiful future。However, under the "siphon effect"，The influx of a large population，It makes Tokyo full of pressure on employment and survival。"Tokyo Chorus" (1931) Ryoko Island can only send leaflets to the curry restaurant of your teacher after being fired，To make a living by this; "The Daughter of Tokyo" (1933) Qianjiazi to do two jobs and still live in difficulties，In order to make money, let my brother read，Forced to choose to sell the body。Many ambitious young people come to Tokyo，I found out that reality is far from ideal and plump，They can only live in a narrow and aggressive house，Do a job without future，The protagonist in Xiaojin Tokyo Imaging is often the epitome of their real life。

As a creator，Xiaojin always maintains the gaze of the social landscape of Tokyo and urban life，Although he is never committed to solving any problems，I never expressed opinions on the scenes I saw，But we can feel the special feelings maintained by Xiaojin for the city of Tokyo，Among them, Xiaojin has infinite affection for his hometown，It also has the loss and helplessness of Tokyo, which is in the rapid change。

　Xiaojin -style Tokyo Tessor Story 

Looking back on Xiaojin's creation，Tokyo cities under his aesthetic system often have industrialization representation of rushing forward，But the internal cultural temperament is the calmness of the east method。The movie "The September of Tokyo" (1935) is in the middle of Xixibai with his son to find a job，There are only a few factories along the way，The messy stacked oil barrel，The chimneys with thick smoke; the dense urban houses in "Tokyo Story"，Crossing the vertical wire，The towering chimneys in the distance are still smoking; there are similar scenes in "The Taste of Bashae"，All these industrialized elements are imprinted in Tokyo Story in Okin，It shows the rapid development of Tokyo as a big city，At the same time, this development will inevitably form a impact on traditional Japanese society。"Tokyo Story" parents come to Tokyo，Busy children have no time to accompany them; in "The Taste of Saganus"Bet365 lotto review , my father was afraid that he would become a lonely lone as Shan Piao and was anxious to marry a girl。Similar to these bridge sections point to the alternation of new and old order in the process of industrialization，Tradition and modern change，In the overall city change of Tokyo，The traditional Japanese family system finally inevitably moves to collapse，until the reconstruction of the new family，Reinforcement calm。

Show the image of Tokyo City in Xiajin Movies，More important part is deeply rooted in social politics、Life of Japanese in the context of cultural and industrial language。He used his own technical means to complete the interweaving of many life -cut noodles，Give people a sense of peace，This is inseparable from the low -angle photography adopted by Xiaojin。This method called "tatami photography"，Completed by the height of placing the machine in the tatami bed in Japan。This machine choice is like the eyes of the onlookers sitting in the room，Always staring calmly at the protagonist’s life，At the same time, it also conveys a sense of stability of the east method。The daughter's wedding drama in "The Taste of Autumn Salva" does not express a line of words，The camera in the corner of the room just recorded the father and the bride who was on the tatami on the tatami on the tatami，Always staring calmly at the protagonist’s life，The camera completes the visual presentation that is different from the western social blood relationship。

Xiaojin rarely moves the lens，The movement of the lens will destroy the composition of the picture，It will also destroy the real life environment。Static attributes in his camera，Show a very peaceful tolerance，Also put forward higher requirements for the structure of Xiaojin's photography screen，The advantage of Ozu is the setting of geometric space，For example, the unique wooden square structure of Tokyo people's residence buildings often uses the Tokyo living building，Create a natural field of vision for the film。"Tokyo Twilight" (1957)，After the sister Mingzi committed suicide，Sister Bet365 app download and father discuss future life in the room，My sister decided to take her child back to her husband，Farewell to my father。Character dialogue in the building space, although it is filled with sadness，But it is like being locked in the exquisite frame，Accept everything calmly。

The calmness of the Middle East Tokyo，It is inseparable from his narrative choice，He does not have any paranoia that a movie if there are too many dramatic or plot，That's not a good movie。Tokyo Story in Xiajin Movies is always extremely simple，He gave up the Hollywood -style dramatic and narrative coherentness，Instead, let the space and time structure create your own value，Record in a quiet and meditating way，His goal is usually to grasp the audience’s attention，instead of promoting narrative。Xiaojin is used to the details of daily life，Actually "free" is often expected to be used to important narrative space。Stanley Kauffmann，1943—2012) said: "Just as a composer uses a resting symbol or stops a chord，Xiaojin inserts a section of rails after busy scene，A slow -passing boat or an empty corridor for a house，These lenses give us a deeper chewing thing that we just happened，and calm down。"" In the rapid urban development of Tokyo，The time and space of Xiaojin in Tokyo is slow and restrained，Hidden in it is the aging of life、The collapse of the fading and the collapse of the family system，Although not warm，But calm。

　Polying Tokyo Landscape 

In the documentary "Looking for Xiaojin" (1985)，Famous German director Weds said very strongly: Tokyo in Okin no longer exists，There is no pure place in Tokyo now，No pure landscape，Find these，Go to space。The disappearance of Winders discussed the medium landscape，It means that under the profound influence of capitalist globalization and the comprehensive and long -lasting control of the United States after World War II，The old social order and cultural traditions in Tokyo in Xiajin movies have long been lost，It has been completely modern、Capitalization。Japanese bet365 Play online games experts who studied Okizu Sato Sato also said: "When I was alive，Tokyo is already a very noisy city。Just after his shooting，Showing a calm side，Xiaojin shows his ideal。"From the perspective of modern urban development，Tokyo in Xiaojin movie may never appear，He is just in the world of the movie，Building a unique Tokyo scenery with your own means -a kind of artistic truth with a strong sense of authenticity。

Tokyo Scenery built by Komin，On the one hand, it is a confrontation against the United States in Japanese colonial rule and cultural invasion。In the "Taste of Autumn Salvan" in his life,，He uses the mouth of the character，Sighs that young people today become beautiful，Listen to American Records、Dance American dance is fashionable。His creative skills different from American movies present the image construction of Tokyo City，The determination to show my adherence to the expression of traditional Japanese culture。On the other hand，Xiaojin always has affection for the upcoming things，Even if he realizes that his movie will no longer exist，People will no longer be like the characters in his movie，Rehabilitation to express emotions implicitly，He is also willing to make time solidify，To examine the sad moments that are not avoided in cities and individual lives that are changing violently。This is regarded as "things sorrow" in Japanese culture，It is explained as: a sense of sentimental things to the fleeting things and the emotion of constant nature。Xiaojin believes this moment、This story is moving，This is also the key to his long -term impressive work。Xiaojin repeatedly said: My theme is "things" such a very Japanese -based thing，No matter how the world becomes hustle and bustle，"Sorrow" or the warmth of people will never change。

Weds said, "No one can make the movie as close to it like Ozu，It provides a applicable to people in this century、Real、Reasonable image，People can not only identify themselves from this image，More importantly，He can know himself more deeply from this image。Bet365 lotto review "Watch Xiaojin's Tokyo image，Walking in the Tokyo scene described by Xiaojin，We can't help but imagine the social tradition related to this、Personal memory、Family History，Start thinking about life、Death、The deeper meaning of the family，and via self -emotional recognition，In the end, they are willing to believe that the real existence of Xiaojin's Tokyo scenery。His almost paranoid art expression，Carved the long -lost Tokyo scenery into the video，This kind of elaboration and sincerity，It will span time and region，Let the people who really love movies，will eventually arrive in Tokyo scenery in Okin，moved by it。

　　(Author Unit: School of Media and International Culture of Zhejiang University)