Xu Yan in the drama industry，Especially Sichuan opera industry，Having the reputation of "Gold Side Screenplay"。Since 1959, the beginning of a modern drama "Alien than Everything" for Chengdu Sichuan Theater，Xu Yan's screenwriter career has exceeded one Jiazi。The hard work of year after year，Achieved Xu Yan's superb screenwriter art。

Xu Yan created a lot of popular classic repertoires，Check out its masterpiece，Sichuan opera has "Dream of Red Mansions", "Dead Water Weiri", "Sister Tian and Zhuang Zhou", "The Falling the Sea", "The Dust of the Dust", "The Mother of the Mind", "The Porching Water in the Ma" Mei Ji "" Yan Yan ", etc.，The drama has "Xinhai Chao"，Peking Opera has "An Eternal Man"，Kunqu has "Ambush on Ten Faces"，Dian Opera has "Noble Woman Return to Hometown"，Jin opera "Under the Mountains of Rotten Ko"，, etc.。These works help many dramas who have outstanding performances to win the "Plum Blossom Award", "Mandarin Award" and "White Magnolia Award" awards，It is still an actor、Audience、Critics unanimously applauded "Housekeeping Show"。

Since 1990，The drama industry has held five "Xu Yan Drama Seminar"，Discussion of Xu Yan's screenwriter art all aspects，Everyone agrees that she "deliberately pursue the truth of the work (feel the truth)、New (New Concept Seeking New)、Deep (conceived deep)、Essence (Express Seeking Refinement)，Shao ax chisel marks，No Craftsman Qi "。Drama writer Wei Minglun once had a gift from He Lianxiang: "Test the pen, Youth Youth Rare Women，Black to white -haired chrysanthemum altar "，I expressed deep respect for Xu Yan's talents and achievements。

Xu Yan has many buildings and personal creatives in terms of screenwriters，It mainly comes from her bet365 best casino games unwavering full -in investment and perseverance of exploration.。First，Deep literary accomplishment and theoretical cultivation，is the "magic weapon" for helping her surprisingly win。Her script has a solid literature and aesthetic foundation，provided a high starting point for the stage performance、The generous exhibition space and the strong power improvement motivation。Next，Relying on sufficient theoretical consciousness and innovative consciousness，Her creation has realized "unique insight，Unique idea，Disposal approach，Unique "pursuit of the" four independence "pursuit，Become the "Gold Screenwriter" to become the leader of the leaders。Xu Yan's screenwriter "ideas" and "skills" are not only the guarantee of the quality of their play，It is also the key to analyzing and interpreting the classic mystery of its work，The overall development of screenwriter art has a demonstration and leading role。

Talk about Xu Yan's screenwriter art，It must be clear that a premise，What she created is the "one drama" for stage performances，instead of literary script for readers only appreciates，These two texts often show the differences between the form and style of the sky -high separation due to different purposes。Xu Yan often sets up in one direction，or the "art director" of the entire play，Her script consciously included in the overall idea presented on the stage from the beginning of creation，On the basis of refining script literature，Maximize the operability of the stage practice。From "lying on paper" to "Standing on the stage"，Facing a lot of tricky complexity and uncertainty，Drama writers have to compromise，Abandon the wonderful thoughts that cannot be "landed"，or racking the brain juice to take a different approach，Performance effects that are rich and sublimated as possible。

In short，Creation of the script that can perfectly fit the stage performance，bet365 Play online games It is necessary to experience the difficult and twists and turns，Just as the way to find a breakout of Liu Dianhua in the form of the pattern，Need extraordinary screenwriter ability，Including meticulous thinking，Text Kung Fu of Driving Characters，Especially in the premise of maintaining the aesthetics of Chinese opera aesthetics。

The importance of this "formal innovation" is no less than the polishing of the theme and characters，Once created、Capture the right form，Just like painting dragons，You can give stage performance unlimited life，As a result, all lives are alive，Man Tai Shenghui。Starting from the Sichuan opera "Dead Water"，Xu Yan's first "Modern Empty Art Art" is a model "formal innovation"，It replaces the traditional way of changing the "dark turn"，Use light scheduling to conceal the scene，to the maximum、The fastest speed provides actors with space for actors to perform performance talents。"No Said Modern Sky Art" gradually becomes a "universal" opera form similar to "one table and two chairs"。It requires the writer's text conception to take into account the stage presentation，"Perceive your perception of the stage device、Perception of the use of light、The perception of the drama movements of the character on the stage，All incorporate the script structure through 'Image' during text creation，Provide a place for use for the second time creation "。This "implantation performance" script creation of the script creation of the old inertia、stereotypes proposed a revolutionary challenge，Promoting the drama writer exploration，Public outlet。

Xu Yan once talked about her motto in art creation，Three sentences from the Sichuan opera performance artist Yang Youhe -Ruthlessness、Unreasonable people、Skillsless and not amazing。She thinks this simple and simple three sentence，The mystery of the art of opera。Her script creation has been Bet365 app download pursuing emotional people、Serving people、With the amazing drama effect and the artistic realm of the three people and the same thing。

Let's talk about the most intuitive "skills"。Sichuan opera is famous for its rich and magnificent stunts，Xu Yan in "Red Plum" adapted from the opera of the same name of Zhou Chaojun in the Ming Dynasty，A lot of unique stunt "survivors" with a lot of Sichuan opera，Including hanging walls、Tie Eyeline、Tibetan knife、Candid fire、Shadow、Refels、Face change、Twitter, etc.，The visual effect of this "ghost drama" is becoming more hot and fantasy，Watching this drama is like a small exhibition in a Sichuan opera stunts。Xu Yan introduced the stunts in the play mainly to save、Inherit these ancient and magical skills，Its meaning is not simply performing "Hyun Tech"，Instead, it is to highlight specific situations and character emotional services。Specialty is a special way to show the artistic and technical art of performance technology and skills，Often brings an amazing amazing amazing effect。The "God's skills" of Sichuan opera really need to be excavated、Set up、Chuan for a long time，and the most effective way to preserve the specialty is to "live" in the play。

As for "reason" and "love"，It is an indispensable core element for drama，The basic requirements for the two are reasonable、Essence of affection、Lixu Yuqing、Love is in reason、Li Fun Zharan、Interesting，, etc.。From the perspective of formal innovation, you can observe the way and effect of "reason" and "love"。Xu Yan thinks，The "aesthetic settings" of solidifying is the main cause of the audience's "aesthetic fatigue"，Only the aesthetic form of constantly innovating "reasoning" and "romance"，can really receive the effect of "serving people with reason" and "moving with love"。For this，She established three "combined" screenwriters，That is Bet365 lotto review "the clever combination of pursuing the inheritance and the development of tradition"，"Pursue the organic combination of modern beauty and classical beauty"，"Pursuing the perfect combination of ideological content and art form"。

Because people always have the psychology of "happy new and hate the old"，So，From the date of birth of Chinese opera，It is in a flow change、Transformation、Fine -adjustment and other different range of constant motion status，In the general trend of movement,，Always maintained the "freehand nature" that cannot be separated from its ancestors。Xu Yan segmented this constant nature into virtuality、programming、Comprehensive、rhythmability、"Five Sex" and other "five sex"，This becomes her "three -combined" screening goal adheres to the form aesthetic principles。

Xu Yan also has some new dramas that are different in the world's famous books、Nobel Prize or Mao Award's adaptation，The content of the content (so -called "rational" and "love") and the form of formal collaborative innovation，That is, "You must have a new thing! You must say in a new way!" For example,，According to the drama "The Desire Under the Elm", "Desire for the Sea"。Xu Yan will anthropomorphize the abstract "desire" idea，This is a new image created by the essence of the original theme，"The" Desire '‘Desire’，Collection abstraction and symbolic integration。It exerts the freehand nature of the opera、Virtuality、programming、symbolic，and comprehensive song、Dance、Acrobatic characteristics of various arts such as acrobatics，Also borrowed from symbolism in modern Western art、expressionism and certain absurd techniques "。The personality of "desire" appears，Make the audience intuitively see "material desire", "emotional desire", "power desire", etc.、Corrosion and Destruction of Love，The critical consciousness of the play and the gradual bet365 Play online games strengthening of the play is also more targeted。People buried in the "blood fire" at the end of the play，and the entangled "desire" deity that appeared again，Make the audience continuing the question of philosophy in the ember of emotional vent。This form of innovation directly opened the adventure of the audience directly to the "desire" deep tunnel。

"Madam Bai" adapted from Shakespeare's "Mike Bai"，The protagonist changed from "Macbeth" to "Madam Bai"，and become the latter's "unicorn"，The replacement of this central character，Corresponding displacement of the narrative center of gravity。Mrs. Mark Bai's "monologue"，Temptation of power for power，Murder King，Help husbands 权，But can't escape the condemnation of conscience，Step by step towards the crazy journey shows vividly，No more than a global。"Madam Bai" not only makes the character shape and theme expression more concentrated，More essence，and found localization、The appropriate form of Sichuan drama，It is undoubtedly an adaptation example of the content and form of the merger of the merger of the merger of the merger。

Xu Yan's play，Whether tragedy or comedy，All are full of "reasoning" and "interest"，Forming "tearful smile" and "tears with laughter" and other meaningful emotional expression，This is mainly based on her excavation and pioneering of the art function of the Ugly Horn of Sichuan Opera。Sichuan opera with "three small dramas" (little student、Xiaodan、Clown) Famous，Xu Yan met the ugly corner as "salt in dishes"，She not only uses her insertion department to play，Adjust the atmosphere，Make the audience wake up the spleen，By using its point questions to break the question，Deepen theme，Improve the color and fragrance of a table of dishes。This method of "fun watch" that plays the drama in the ugly corner，Often half -effective，Receive the "laughing bet365 live casino games fruit" and effect of "four or two pounds"，The audience is intoxicated，Naturally, it is very easy to reach a sense of identity and emotional resonance with the people in the play。

Looking at Xu Yan's opera script creation，It is not difficult to find，The root of its classicity lies in the concept of the concept of screenwriter。Adhere to and exploring the principles of Chinese opera aesthetics，Personalization、The creation and expansion of the expression of modernization，Make her work as a demonstration significance of theme and methodology，Deserves the reputation of "Gold Screenwriter"。