The lyrics and imaginations of the death of the world -On the language steering of Lu Xun's "Weekly"
June 15, 2020 09:34 Source: "Chinese Social Sciences" June 15, 2020 Author: Xu Ying

The 20th Century Philosopher Ludwig Wittgenstein was in the book "Logic Philosophy",The point of view of "Language is the boundary of thinking"。What he emphasizes is the material shell of language as a matter of thinking,Reverse power for human thinking。In this sense,,Internal internal in the language system,We can neither see the limitations of our own language,I can’t realize the limitations and obstacles of this limitation on the development of the entire society。

As one of the sponsors of the vernacular movement,Lu Xun's criticism of classical Chinese just reflects his prophets of language and thinking。Start with "Madman's Diary",Lu Xun because of his work "deep and special features of the performance",Open the door to modernization for Chinese literature。Compared to Lu Xun’s novels and essay creations,"Weekly" essay collection of prose poems has a special rhyme of "turning inward",We can discover and feel the texture and lines of Lu Xun's spiritual life during the continuous reading。According to carrier,September 1924,Lu Xun during the creation of "Autumn Night",Also translated the "Symbol of Story" in Kawagawa Baicun。The absorption and conversion of this kind of heterogeneous cultural knowledge,Let Lu Xun instinct to death、Sexual motivation has not realized the existence bet365 live casino games of the Chinese literature aesthetic paradigm.。"Weekly" not only presents Lu Xun's essence of life、The review and thinking of life journey,It is undoubtedly an important practical carrier of Lu Xun's try to put the theory of "language turning" for "language steering",Therefore, the metaphysics of vernacular literary and stylistic innovation means、Expand the desire space of vernacular literature creation,Make Chinese literature modern aesthetic paradigm.,Literary modernity has been further deepened。"Weed" as the only collection of prose poems in Lu Xun's literary creation,The chapters they include symbolic meaning and absurdity are particularly obvious,lyrics and imaginations full of the death of the dead,Flames with falling ice valley,Some people with no place,Motor Night Sky。From Lu Xun’s wonderful pen,The illusion of these contradictions is clear from the obscure chaos。From this,We also governed by Lu Xun to Nietzsche、The will of will philosophy represented by Schopenhauer and Freud's psychoanalyticism involved and used,Let the willpower of the philosophical philosophy occupies a more prominent position in modern Chinese literature。

The chapters in "Weed" have metaphorized the historic state of the figurative person。As a method of rhetoric,metaphor mainly refers to a word refers to the overall。The author believes that Lu Xun in the series of prose poems in the creation of "Weekly",Often show the "people" with abstract symbolic "people" to show bet365 best casino games the overall words of human groups and the hooks of flesh and body,So the contradiction between the existence and the essence of the person is highlighted。The "person" described in prose poems is not an experiencer and experiencer of a specific event,Instead, the superwriter of the story subject that may happen in the world,It is because the differences in the real world in the different senses,The characters in "Weed" are different from novels,They often lack specific character character or name,Instead, the first -person "I" restricted perspective is used in many prose,Through the narrative of subjective mapping, the overlooking and trial of the state of the existence of people。Whether it is the madman in "Madman's Diary",or Wei Lianxuan in "Lonely" has become "beggar" or "passenger"。This sense of loneliness is really related to the loss of the brothers between Lu Xun and Zhou Zuoren in 1923,However, the encounter in reality is shrouded in poetic discourse,The meaning of reflection and transcendence of the meaning of the existence of people。Through this distorted space and time of being placed,People seem to have entered a gap between history and reality。This gap does not belong to the past nor the future,The "person" that is deliberately symbolized becomes a spiritual sample of landscapeization,shows different aspects of extensibility。

In "Weed",The heterogeneous discourse factors from Lu Xun's "hard translation" are also worthy of attention to the reconstruction of traditional Chinese bet365 live casino games literature.。We saw "Things" in "This Warrior",I heard the monologue when I heard the shadow farewell in "Farewell to Shadow",What we feel in "Lost Good Hell" is "Beauty、Compassion,The devil looks like a big glory in the body。Whether it is from the image settings,Still from the construction of artistic conception,The vocabulary with such abstraction and the background of heterogeneous civilization is involved in modern vernacular words,A strong rebellion for the value specifications of Chinese classical aesthetics。These effective uses,Let people see the original emphasis on "sorrow without hurting,The classic aesthetic principles of anger but not grieving "are unavoidable and pale caused by the emotional control of etiquette and religion.,This breaks the legitimacy of the valuable basis that Chinese culture is accustomed to the long -term。"The ground attached to weeds",Is the existence of Lu Xun's hate,Lu Xun's eager to burn the ground with weeds at the same time。In the symbolic sense,This implication of cultural innovators' deep hopes for deconstruction and constructing the decline and backward Chinese social order at that time。On the other hand, the text in "Weed",Autumn Night Middle GhostEye -style gloomy sky,peeping at the green and exquisite jujube trees after one tree,Makes people feel the avoided collision between life's vigorous desire and depression of time and space; shadow refuses to follow,The will soon travel alone,These virtual traces are covered with weak hope,bet365 Play online games and the space -time experience full of subjective hallucinations is that the ancestors have never arrived。Lu Xun has been in the article "Written" Behind the Grave ",From the perspective of evolutionary theory, the concept of "intermediate object", a philosophical and speculative image,Frank the "intermediate" state of its own existence,He does not taboo the actual connection between personal cultural blood and ancient Chinese literature,Dare to show your own narrowing person,Use text for people to view,For the Enlightenment,and "I carry the burden of the cause,Stop the dark gate with a shoulder ",allowing the new generation of young people to get the channel to reach the other side of happiness,True "Happy Destiny,Reasonable people "。

The "false" and the "hope" of death in "Weed",All exist in a paradox。Lu Xun is to embrace the gesture of death and disillusionment,The pouring of the culture of etiquette and religion for the people for life,Expressing the biggest questioning and criticism。For death,Lu Xun has a big joy,and want to surpass the limited survival of individuals through this joy to achieve eternity。He believes that only when giving enough death to say space,People can face their own difficulties with a more conscious mood,From "I don't know,焉。but,Different Gothic aesthetics that is solemnly praised by Podlaire in "Flowers of Evil","Weekly" prose poems concentrated although repeated deaths、Vagination、Decadent and other propositions that were rarely involved in bet365 Play online games traditional Chinese aesthetics,The agency of its poetics is that the human subject consciousness faces the rejection and resistance of darkness and nihisn in the face of darkness and nothingness.,Yi scattered the decision of "born to death"。Just as the Pei Dofei verse translated by Lu Xun "Desperate is a falsehood,It is the same as the exiles contained in the same as hope,"Weekly" is just Lu Xun's personal wandering、The bright display of the state of the void。

Hemodergel, a predecessor philosopher, believes that "human poetic habitat" is on the ground,In fact,Such translations often make Chinese people have great misunderstandings about the facts of this judgment,Simplify its connotation into the dilemma of life in a suitable way that humans should be at a suitable way。Essentially speaking,The real "poetic habitat" is innovative through poetic connotation,is the way to intervene in human words,To further obtain the liberation of thinking mode,So as to return human survival with the true appearance,This is the real proposition of the "language turning" of the 20th century philosophical system。"Weekly" is during the period of Chinese history,It has become an important time for a vernacular cornized innovation significance。Lu Xun sinks with his own life to help the flame that has long been cooled and cooled,Remove the imagination code full of modern meaning from the inferiority of the soul deficiency,urging the Chinese people to think about history and the future,Candlelight bet365 best casino games with weak literature,Lighting to be seen clearly。

(This article is the "Lu Xun and China Political and Cultural Research" project (184080 H102116) phased results)

(Author Unit: School of Literature, Nanjing Normal University)

Editor in charge: Cui Cen
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