Aesthetic education resources in early Chinese civilization
December 01, 2023 12:08 Source: "China Social Sciences" December 1, 2023, Issue 2785, Issue 2785

Starting from discovering Yangshao Culture,The origin of the origin of Chinese civilization has always attracted much attention。With the Neolithic era to the early bronze era ruins are increasingly discovered and discovered,Especially the smooth implementation of major projects such as "Chinese Civilization Source Project",Related research has made remarkable progress。As archeologist Yu Weichao said,"All the value of archeology,It should be regarded as the unity of scientific value and artistic value "(" New Turning New understanding theory "),China's early civilization exploration actually contains very rich aesthetic resources。Make full use of these resources,Not only conducive to the development of multidisciplinary integration,It is also conducive to promoting archeological public。

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In general concepts,Archeology and Aesthetic Education seems to be unsatisfactory。But if you look at the relationship between archeology and art history,The coefficients of the two are actually reasonable。

Archeology originated from the study of artworks in antiquities and monuments。Winkerman in Europe is known as the "father of archeology",The most important book that influences the development of archeological development is "History of Ancient Art"; Jinshi is the predecessor of my country's archeology,Taking bronze and stone inscriptions as the main research object,They also belong to the category of artworks in a broad sense。Today's archeologists continue to emphasize to the public that "archeology is not a treasure digging",This is mainly to clarify the old misunderstanding,to achieve the most basic popular science purpose,But it is not necessary to deny the close connection between archeology and bet365 Play online games "treasure" (artwork)。In fact,An important branch of archeology is art archeology。For various reasons,"Art Archeology" included in the "Art of Art" (first edition) in "Chinese Encyclopedia" (first edition) instead of "archeological volume",This unintentionally highlights the archeology and art "You have me,I have you in me "、A relationship accompanied by each other。

​​But must be admitted,Although archeology does provide a lot of precious materials with a lot of distinctive and unable to regenerate for Aesthetic education,However, the so -called early artwork and the painting of later generations、Calligraphy is quite different after all,For the public,It is often difficult for them to become a aesthetic object。Liu Chengji once bluntly said: "Today,People are used to visiting various historical cultural relics exhibitions at museums,Dan said frankly,Those rust mottled、Gray bronze or other utensils,To what extent can it evoke the public's aesthetic enthusiasm,It is still doubtful。"(" Given the value of the original state of history and cultural heritage ") He believes,When people are amazing how beautiful a early cultural relics are,It may not be directly aging my own visual experience,and more likely to follow a civilized values。

The key to the problem is obviously not to reflect on whether the early art has aesthetic value,Instead, you should think about how to make the public also have the ability to appreciate the beauty of early art。For this,We have at least two directions that can work hard。On the one hand,Different from ordinary aesthetic activities,Historical cognition is very important for the appearance of early art aesthetic value。Therefore,We need to absorb the relevant results of the source of civilization in time,As much as possible through the way to "let cultural relics live",Make the public a more comprehensive understanding of the relationship between early art and early society,Bet365 lotto review I have a deeper experience of the minds and their lives behind art creation.。On the other hand,Getting historical cognition is just the premise,instead of aesthetic activities itself。We are showing Chen、When explaining early artworks,Must consciously guide the public: you can focus on the aesthetic characteristics of early art itself,Makes the public feel the power of ancient beauty; you can also focus on the elements of early art in traditional art,or retro in history、Antique cultural phenomenon,How can the public see how early art affects Chinese art and its spirit,How to participate in creating Chinese civilization; you can also pay attention to early art and modern art、The differences and contacts of contemporary art,Inspired the public to re -examine the current aesthetic culture。

Site Park: Open the beauty venue 

National Archaeological Site Park refers to the main body with important archeological sites and its environment,Have scientific research、Education、recreation and other functions,Research and interpretation at the archeological site、A specific public cultural space with national demonstration in protection and cultural heritage。Large sites related to early Chinese civilization,Ruyang Shao Village in Henan、Erli、Yin Ruins,Liangzhu in Zhejiang,Shi Ji in Shaanxi,Sanxingdui in Sichuan, etc.,All have been built into the National Archeological Site Park。Where,Yinxu and Liangzhu Ancient City Site also entered the World Cultural Heritage List。

National Archaeological Site Park is often equipped with a special museum,Used to show the cultural relics unearthed from the local area,It can facilitate tourists to receive historical education and artistic cultivation,This is where it is similar to ordinary museums。Different is,Gathering natural landscapes at the same time、Historical narrative、A symbolic and unique and unavailable cultural space,The archaeological site itself is a very unique aesthetic object。Liu Bin, who discovered bet365 best casino games and hosted the excavation of the ancient city of Liangzhu, once said poetically,Ascend the Liangzhu site,"Let me really enter the same land where the Liangzhu Palace is located 5000 years ago,The same sky,Go to feel and think about 5000 years ago,What they see; stand in the same world,Appreciate spring, summer, autumn and winter,Fengyun Rain and Snow "(" Looking for Lost Civilization ")。What he is talking about is a long time of imagination inspired by a specific space。This is undoubtedly the category of aesthetic activities,Among them, it also includes an eternal and lofty experience。

Looking at the world,It is actually very common with the site as aesthetic object,Such as Egyptian pyramid、Ancient Roman Fighting Field,It is a site that people are already very familiar with。But what must be explained is,Since the ancient buildings in my country are mainly made of wood,plus the age is too far away,So except for very few exceptions like Shaanxi Shiji,Most archeological sites related to the origin of civilization are mainly presented by the tomb pits and topographic landforms。This also means,For the public,The threshold for appreciating the beauty of archeological sites is much higher than appreciating the beauty of cultural relics; and once it breaks away from the beauty of the site,Just regard the archeological site park as ordinary leisure、Recreation of the Recreation,Then there is a high probability that you will feel interest。

Lack of relevant knowledge background、Historical concern and desire to explore the past,Naturally unable to enter the imagination space brought by the archeological site。But for archeologists、Aesthetic Education Workers、Designers and managers of the archaeological site park,For relevant government personnel,There are still many that can be done。Design of the Archaeological Site Park、Construction and management,We should integrate the concepts of public archeology bet365 Play online games and mass aesthetics as much as possible,and fall into realization。When the research results of the origin of civilization and the origin of civilization,Not only should we pay attention to professionalism and fun at the same time,It should also strengthen practical communication with tourists,instead of being satisfied with the lack of effectiveness、"Interactive Mechanism" flowing on the surface,Help tourists enter the situation。As Wittgenstein said,"Early culture will become a pile of rubble,Finally turned into a pile of dust。But,Spirit will float on the dust "(" Culture and Value ")。Only when people have the ability to appreciate the beauty of the site,When the ancestors who have the ability to resonate with the ancestors at the beginning of the civilization,National Archaeological Site Park can truly become the spiritual landmark of Chinese civilization。

  Civilized narrative: Wake up the charm of the legend 

The legend of ancient times played a very important role in the history of the beauty of Chinese beauty。For example,After the renovation of the pre -Qin Confucianism,Yao Shun Legend becomes the foundation of Confucian poetry,Confucius talks about "Shao" "Beautiful,3810_3819。As for Emperor Yan、Huangdi、Chi You、Co -workers、颛顼、The story of the legendary figures such as Houyi,or "indecent tame,Mr. Gentlemen is hard to say ",It is difficult to enter the official discourse system,But the human nature and legend they show also make it quite high humanistic and artistic value。We can even find the origin of Chinese aesthetic education in the legend。"Shangshu · Shun Dian": "Emperor said: 夔! Life Ru Dianle,Teaching,straight and warm,Broadly and shudder,Jane but not proud,Jane but not proud。Poetry words,Ge Yongyan,Sound Yiyong,Law and Sound。Bayin Key,No phase to win,God and Man Yizhe。"This statement may not be in line with historical facts,But it is enough to explain the Bet365 lotto review meaning of the legend to the aesthetic education。

1920s,Suspected ancient thoughts led by Gu Jiegang and others caused a lot of repercussions in the academic world。No doubt,The true spirit of the ancient history and the status of its academic history should be fully affirmed and respected。but but,From the perspective of aesthetic education,Due to the authenticity of ancient legends, it is widely questioned,The historical heavy sense of history is severely weakened,So its appeal to values ​​becomes not as good as before。Gu Jiegang said: "After the era hesitant,The central character in the legend is getting bigger and bigger。"",It is mainly based on the personality charm of the central character。

Anthology of ancient historical discern,From the side of "broken",In fact, it is opposed to simply relying on legends to construct ancient history,From the side of "Li",It is emphasized that archeology should play a core role in the study of ancient history。In fact,The hard work of combining archeology and legends has not stagnated at a moment,The book "The Legend of the Ancient History of Chinese Ancient History" written by Xu Xusheng is a classic in this area。Now,With the orderly advancement of the origin of the origin of Chinese civilization,Can those big sites correspond to the legend,Become a hot topic in the academic world。For example,Some scholars proposed,The loss of Liangzhu civilization is likely to be with Chiyou、Legend of Dayu,There are also many scholars connecting the Tao Temple site with Yao,Some scholars think,The ancient city of Shizhen is the residence of the Huangdi tribe。Of course,Due to the lack of materials,We are not in a hurry to make an argument。

Related discussions have also stimulated the public’s interest in ancient legends。Different from the pursuit of the pursuit of the academic community,The public is more likely to use imagination,It is also more inclined to believe that there is a certain connection bet365 live casino games between archeological discovery and ancient legends,Therefore, the legend is re -given to a certain extent。This means,The legendary aesthetic function is being woken again。We have seen,In cultural programs such as the CCTV "China Archaeological Conference",Ancient legend can be presented in front of the audience。Future,We must strive to adapt more abundant、Deep literary works,In particular, you can try to combine ancient legends with traditional Chinese art forms,To draw the distance between archeology and the public,At the same time, it also helps the public to better feel the beauty of the legend and the beauty of Chinese culture。

  (Author is Assistant Researcher at Zhejiang Academy of Social Sciences Zhejiang Academy of Social Sciences)

Editor in charge: Cui Bohan
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