After Nanqu Xing Sheng，Specific reference of the south Sanqu Xiangxiang is elegant，Only at the Wanli type of Huajian and the Qingya type of the Northern Song Dynasty，The category of the Ming word "flowers and plants" is not available，It can be said that its elegance is also quite restrained，belongs to a moderate integration，The two found a common fusion point here。

The essence of music literature based on lyrics、Symbiosis phenomenon of lyrics in later generations，词 naturally becomes an important perspective of studying lyrics or history。Words starting since the Southern Song Dynasty，From the development of music in the nature of music to the incompetent style of the same nature as poetry，Take a narrow and elegant road。To the Ming Dynasty，Words on the one hand continue this creation road number，and on the other hand，When mostly losing pop music literary functions, when the case is gradually turned out，That kind of "song" gene，Make it stubbornly find suitable nutrients even in a suppressed state，Therefore, a large number of words of words appear，lyrics interaction occurred from this。

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The consciousness of the lyrics and songs began to establish it from the pursuit of the Southern Song Dynasty "The Poetry of Cottage" in the Southern Song Dynasty。The classification of "Cottage Poetry" is the meaning of music singing with lyrics and songs from the date of its birth，It is the role of singing bet365 live casino games with words，or a close association with the "curvitization of words"，It happens to be spreading prosperous in the Ming Dynasty。A considerable number of Ming people insisted on the popular music literature attributes of the popular music and literature of the word for a long time，At the same time, you have to face the embarrassment of the function of losing popular music and literature。The acceptance of "The Risu" of "Cottage Poems" is "different of a song"，It is the tilt from the deep concept to "song"，is the source of the word -late Tang、The process of absorbing the "curvy" factor in the Northern Song Dynasty。Because the Ming Dynasty had the recognition of the nature of the popular songs，Make "Caotang Poetry" get a popular popularity，Also because of the model guidance of "Cottage Poetry"，Sui Yuka，In particular, the poets in Jiajing and the subsequent poets unconsciously affected by the "Cottage Poetry"，Also because of the hotness of "The Study of the Cottage"，Then the word "song" is developed along the road of popular songs in the middle and late Ming Dynasty，and then get a blind date with "Shi Qu"。

One is the creation and activity of the influence of "Cottage Poetry"。The establishment of the evaluation standard of the Ming Dynasty poetry from "Caotang Poetry"、The influence of the creative style of poets and the scale of the scale of "Cottage Poetry" represented by Chen Duo，The specific performance characteristics of this "other song" in the Ming Dynasty are: "Heng Ping Vulgar", "so as to sing"，To vent the function、entertainment function、Entertainment function is Shang，Standard with the word "lying wine" bet365 Play online games and "in the boudoir" as the standard。Through inspecting Chen Duo's "The Restaurant of the Cottage", the rhyme words of Zhou Bangyan，It can be seen that Chen Duo's "Cottage Yu Yi" also step by step for "Cottage Poetry"，The formation of the concept of "grass" of the Ming Dynasty scholars began。Chen Duo created an extreme model for the "Cottage" style of the Ming Dynasty literati in the creative practice，It should belong to one of the concentrations of the tune consciousness of the first Ming Dynasty，Therefore, the Ming Dynasty poets more or less imitate the "Cottage Poetry"，Effect Song Ren、The work of Song Renyun is endless，Most of the selected poems are from "Cottage Poetry"。The creation of this type of curvature continues until the late Ming and early Qing dynasties。

The second is the word of words in the background of "Calls Symbol"、Dynasties and folk songs small songs such as songs and activities。The explicit words are affected by the time song and present the partially curved expression form: on the one hand, some explicit words can still sing from the music function，It's just "entering the song in accordance with the song";。By exploring the "Wei's Book" and the preface to the word、Ming Dynasty poetry words、Words、Quhua and other literature materials，Find part of the clear words and songs.，The external form that recognizes the nature of popular songs is still left in the explicit words，Then check through literature，Answer to the question of expressing words for the polylasm of the words，"Sing in the song"。By Xu Shijun、Zhuo Renyue's "Ancient and Modern Ci" reviews are the specific manifestations of the Bet365 lotto review awareness of lyrics and songs in the example，Aware of the so -called "Qu Daixing" and "Qu Xing Ci Die".，Ming people do not agree。The true meaning of "Words Death" is "So the Word of the Word of Words"，Ran's words still play its music function with the spectrum of the joy of this world。No matter how much the Ming people have in the creation of words，But the Ming Dynasty was indeed the era of the clearest and closest word of words in the long development stage of the Qing Dynasty until the long development stage of the Qing Dynasty.。

　　The timing of the words can be divided into two stages

The first stage is the early Ming Dynasty: Qu You has more words，Different from Liu Ji、Political elite poets such as Gao Qi。He is considered to be "the first voice of the phrase"，However, the constituent elements and origin of the scholarship in the academic world are not clear。But through carefully combing Qu You’s creative process，Especially the verses of the collection of "Tianji Yu Jin" and "Yuefu Remaining" from the version、Early inspection in the cause and performance of word science，It can be concluded that Quyou endorsed the time -oriented in the early days of Ming Dynasty.，Most of them are the number of ways to merge along the Yuan Dynasty。He opened the road of further integration in the creation of the song and song creation and added a stronger secular taste。

The second stage is the middle and late Ming Dynasty: the "small song" called "I am a must"，After the people's preparation in the early and middle of the Ming Dynasty, it was brewed to the Jiajing period to form a trend and swept the country。This "real poem" has a comprehensive influence on Ming Sanqu, which affects Bet365 lotto review words。So far，inertia extension of the song and song of the Yuan Dynasty in the early Ming Dynasty，and come to an end。Therefore, the time songization of words in the middle and late stages of the Ming Dynasty pointed to the spiritual characteristics and expression of the Ming Dynasty Xiaoqu。Zhu Yunming through the representative of Wu Zhong、Tang Yin，You can explore the actual situation of the interaction between Jiangnan literati and song interaction in the middle and late Ming Dynasty。At the same time, you can also use vertical sorting of the poetry and words under the influence of the late Ming Dynasty.、Select the angle of the word tone used in Mingzhimen Novels，Further understanding the influence of the time song function of partial tone in the creation of literati。

　　Ming Dynasty word and song creation showing a cross -blending potential

Accompanied by the words from elegance to vulgar，Sanqu changed from vulgar，Ming Dynasty word and song creation showing a cross -blending potential。The same era，Different style of style shows two completely different development trends。We can't help but sigh the richness and complexity of literary ecology and style ecology。But by sorting out the elegance tendency of the Ming Sanqu after sorting the Nanqu Xingsheng and the phrase consciousness reflected in the song theory at the time，I realize that since Nanqu Xingsheng，Specific reference of the south Sanqu Xiangxiang is elegant，Only at the Wanli type of Huajian and the Qingya type of the Northern Song Dynasty，The category of the Ming word "flowers and plants" is not available，It can be said that its elegance is also quite restrained，belongs to a moderate integration，The two found a common fusion point here。Of course，The word of the scattered song of the Ming Dynasty，It is mainly manifested in the text，It has been separated from the premise of music literature。​​This elegant re -searching for the old road，Reflecting the inherent rules of the development of literature，That is the change of bet365 live casino games elegance、The alternation of Park and Huahua has become a trajectory of continuous recycling of literary development。The word -based phenomenon of the late Ming scattered song is regarded as a kind of effort to get rid of the practice。

Open lyrics and good at home，Discussion on the case of the songwriters of the Ming Dynasty，You can sort out them in the style conversion of the style from the song to the word，The differences and commonality of conscious or unconsciously，Many phenomena and problems from the author to the acceptance level during the excavation of the word interaction of the word song interaction。Ru Yang Shen、Gao Yan、Shi Shaozhen、Wangwu and other Ming Dynasty lyrics interactive lyricist is a particularly meaningful perspective point。At the same time, I am surprised to perceive the lively life spark of the Ming Dynasty literati (especially late Ming)，Aware that the research of style and physical studies is not just from style to style，It is built by people with flesh and blood and life with life。The openness of "lyrics interaction"、Fusion，It is exactly the characteristics of the characteristics of the Ming Dynasty and the spirit of the literati spirit，It shows a state，A humanistic state from the conceptual to the existence of the style of the line。

　　(The author is the person in charge of the "Interactive Research of the Ming Dynasty Calling Interactive Research"、Professor of Heilongjiang University)