Witness the imprint of the times of history and skills
-Wang Jinchao's cultural relics restoration work of Nanjing Museum Research List
June 22, 2022 10:31 Source: "China Social Sciences" June 22, 2022 Total 2432 Author: Wang Meishi Pan Lian

  Wang Jinchao Author/Figure Figure 

1972, the Chinese Revolutionary History Museum.

62 -year -old Xia Yan under the armpit with a yellow file package that never leaves,,Neither sitting down nor talking,quietly watching a 20 -year -old "child" fixing cultural relics alone。

This cultural relic that is being repaired,It was unearthed in 1970 in Xuzhou Tushan No. 1 Han Tomb,Is the top national treasure,After repair,Exhibition in Japan。

At that time,Xia Yan is a member of the preparatory team of the abroad exhibition。He looked at the repair,Silver Jade Clothing unearthed in the Han Tomb of the No. 1 of Tushan, Xuzhou。Undertake the heavy responsibility alone,Wang Jinchao from Nanjing Museum。

Fixed the intact silver jade clothing later exhibited in Japan,Causes a sensation。Wang Jinchao returned to Nanjing Museum,After receiving the relay stick of the cultural relic restoration of the museum,Repair in Bronze Cultural Relics、Research、Appraisal work so far。

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The 2070s,my country's international relations are developing increasingly,Diplomacy presents a new situation。Diplomacy needs,Beijing Palace Museum is restored to open,A large unearthed cultural relic exhibition was held in Cining Palace in 1971,The exhibits brought together Hebei、Hunan、Shaanxi、Hubei、Henan、Anhui、Xinjiang、Shandong、Shanxi、Beijing and other precious cultural relics in ten provinces and regions,A total of 1982 pieces。Exhibition is not only popular in the country,and quickly play a role in diplomatic,The staff of the embassies and consulates of various countries went to the Beijing Palace Museum to visit,Many delegations visiting China also choose to watch the exhibition。At that time as the US President's National Security Affairs Assistant Kissingh, Kissinger, I visited the Forbidden City during the secret visit to China,I also watched this exhibition。

"Cultural Relics Diplomacy" follows "Ping Pong Diplomacy",While promoting the development of China -US diplomacy,You need to let more foreigners feel the charm of ancient Chinese civilization,Understand the huge achievements of the cultural relics industry in New China。July 24, 1971,Premier Zhou Enlai approved Guo Moruo's "Report on Holding the" Chinese Extraordinary Cultural Relics Exhibition "abroad"; August 17,The State Council issued the "Notice on Selecting the unearthed cultural relics to the exhibition abroad"。For more than a year since then,The preparatory team of the abroad exhibition selection from all over the country has selected the unearthed cultural relics since the founding of New China,Ready to participate abroad。

In this exhibition of abroad,One of the two golden jade clothing unearthed from the tomb of the Liu Sheng of Zhongshan, Zhongshan, Western Han, Manchu, Hebei City,That is, Liu Sheng's wife Dou Yan's golden jade clothing will go to France、UK、American and other exhibitions。The needs of Yuyi to exhibit in the Japanese side,The preparatory team of the abroad exhibition selected the silver -width jade clothing unearthed in the Han tomb of Tushan No. 1 in Xuzhou。

Silver Jade Clothing is not well preserved when it is unearthed,It must be repaired to display。At that time,Wang Jinchao mainly do bronze fixes,No Jade Clothing Repair Experience,and I haven't reached the excavation scene,I have just seen Yuyi excavated photos,But under the encouragement of the master Jin Mansheng,He bravely accepted the task,Settled to the Palace Museum in Beijing,Participate in the restoration of cultural relics with the restorations of the Forbidden City。

Due to human disturbances,Silver Wait Jade Clothing has become more than 2400 pieces,Still lack of more than 200 pieces。Face such a difficult repair work,Wang Jinchao repeatedly pondered in more than 2,000 jade pieces of Yinjai Jade Cloth,and carefully observe the preserved complete golden jade clothing,Study other jade clothing unearthed from all over the country,Gradually realized the doorway,I found that the jade tablets are on the body's torso、Legs、Arms、head、Foot、Hands, etc. from large to small distribution rules,and shoulder、Xia、Nose、The special shape of jade tablets in the eyes and other parts。Based on this,bet365 live casino games Supplemented by the pores of the jade film、Color、lines、Analysis of texture,He classified、Statistics,Divide the jade tablets of more than a dozen parts of the body,After more than 4 months of continuous attempt,Finally successfully achieved compilation,Fix the completely scattered silver jade clothing when the unearthed unearthed。This is the first time in China。

  1965,Wang Jinchao (second from left) just entered the Nanjing Museum to study bronze repair。Author/Figure 

Wang Jinchao is 23 years old,It has been 7 years in the restoration of bronze cultural relics from Jin Mansheng to Nanjing Museum。He is the same age as New China,Now 73 years old,Recall that I was really like a "child",Driven an important task that affects far -reaching。

Fix the intact silver jade clothing,Reapped the infinite wisdom and superb technology of the ancient Chinese working people,Get the height of the national archeological and cultural relic experts。Mr. Guo Moruo had a poem before the exhibition: "Yue Wang Gou Jian Wu Jian,Depending on migrant workers wrong gold,Silver Jade Yuxi is now,Qianqiu Immortal Craftsman's Heart。"June 8, 1973,Including Yue Wang Goujian Sword、236 Chinese -unearthed cultural relics, including silver -colored jade clothes, exhibited in Japan,It attracted 430,000 people to watch in 4 months,It is really a sensation for a while。

"Looking back,Repairing the time of the silver jade clothing,It is really a good time in my life! Even if you can't go home,Repair cultural relics in the house all day long。"This experience of repairing cultural relics in Beijing 50 years ago,Wang Jinchao said deeply,At that time, he lived in the hall of nearly a hundred square meters of Wuying Hall,full of the best cultural relics,Stone railings from Da to Zhaozhou Bridge,Gold and copper buckle of Shizhai Mountain, Jinning。Those old gentlemen who like cultural relics,Run to the Forbidden City as soon as I have time。There are also Su Bai,There are also Su Bai、Yu Weichao、Wang Zhenduo、Tang Lan、Hu Houxuan、Shi Shuqing、Li Xueqin ... Su Bai lived with him in Wuying Hall at that time,I like to take him for a walk in the Forbidden City after dinner,Talking about the stories of Yuan Dadu and studying the new discovery of Yuan Blue and White; Yu Weichao likes to tell him the anecdotes in the discovery of the Han tomb of the city; Wang Zhenduo、Tang Lan、Hu Houxuan and Li Xueqin often gather together,Discussion on the name of a bronze ware unearthed from the Tomb of Jiangling No. 1, Hubei,Shi Shuqing made a record silently ...

Dating with Mr. Zhu,Let Wang Jinchao's professional level further improve,I saw a wider world of Chinese bronze and the wider Chinese civilization。

other,With the experience of repairing silver jade clothing,Wang Jinchao later also completed the overall reinforcement work of the silver jade clothing of Jiulishan Han Tomb, Xuzhou, Jiangsu,Fixed the golden jade clothing of the Han tomb of Da Yunshan, Jiangsu。2009,The Institute of Archeology of the Nanjing Museum rescue the rescue excavation of the Han Tomb of Da Yunshan, Jiangsu,Discovered the tomb group of Jiangdu Wang Liu Fei and his wife and concubine。While archeological work is carried out,Nanjing Museum received a set of scattered golden jade clothing,This set of golden jade clothing is exactly the tomb of Han Mountain Han Tomb,When it is sent to the cultural relics restoration room of the Nanjing Museum, it is also a basket of scattered jade tablets。To Wang Jinchao's hands,I really found the right person。The scattered jade clothes are roughly classified according to different parts,Basically determine the overall outline and specific size of the eight groups of components,Spiny a single jade piece with the "Jade Film";,Make new jade tablets according to its shape,Old treatment of the new jade tablets;,Make golden silk according to the scientific test ratio,Complete the jade piece wearing work with special gold silk; finally according to the prototype of the jade clothing,The proportion of equal reduction of about 3%production bracket,Fix the restored jade clothes on the stent,A perfect restoration。

  Bronze fifty spring and autumn 

Bronze wares are important signs of ancient Chinese civilization,It is the phoenix diror of the world bronze ware。During the heyday of about 1500 years and its long -lasting time,Bronze wares play an extremely important role in the political life and social development of ancient China。Quantity huge、There are many types Bet365 lotto review of bronze wares,Carrying the ancient bronze culture of ancient my country。Due to the age of the age、The environment is complicated,Whether it is a handed down bronze or unearthed bronze,Most of them have different degrees of damage,Even the face is all unless。In the museum、Art Museum、In the exhibition hall,Today people can enjoy the glittering of ancient bronze wares,Traveling through time and space to explore the genes and passwords of ancient civilization,It is inseparable from generation to generations of bronze repair personnel.。

Except Yuyi,Wang Jinchao has also repaired cultural relics such as Ruyi Golden Chan,But his main business,There is no doubt that it is a bronze fixation。In more than 50 years,With his hand and the ancient Chinese bronze wares filed by him,There are hundreds of thousands of pieces。At the Nanjing Museum,Wang Jinchao poured a lifetime heart blood,The craftsmanship of the craftsman who "only do the bronze ware repairs this",More than 50 years of heart、Diligence,Repair the bronze ware to the extreme。In his hands,Broken copper sheet is decayed into magic,Restore to sculpts the exquisite artwork carved with years; behind him,The younger generation has gradually become a bronze ware that has gradually become a "later person",Continue to write Xinhua Zhang of the Chinese Bronze Inspection Career。

"When I entered the industry, I learned about the restoration of cultural relics with Mr. Jin Mansheng,Repair work is not so detailed as it is now,Not just bronze,As long as the unearthed cultural relics must learn to repair。"1949,Wang Jinchao was born in Hangzhou, Zhejiang,Since childhood, I have liked to go to the coppermith shop to see people flip -up and copper cast key,Perhaps at that time, the seeds loved to love bronze in my heart。1965,Due to physical reasons, he graduated from Jiangsu Opera School in advance,It was assigned to Nanjing Museum,The same batch of apprentices have chosen ceramic repair,There is a selection of calligraphy and calligraphy mount,There is also taking pictures of the artifacts,Only Wang Jinchao chose everyone to feel dirty and tired,But it looks a bit mysterious bronze ware fix。From this,can be described as "bronze at first sight",More than 50 years,His wholeheartedly on the bronze ware,The eyes are full of bronze,No look away。

Wang Jinchao's master at the Nanjing Museum Jin Mansheng,Born in the bronze ware repair family,It is the master and representative of the bronze ware repairs of the Su Pai (southern faction),Once invented the ancient brick rust removal method、Sample cream plastic mold flower、Low melting point turning sand casting、Publly copper water coating welding and other set of bronze ware repairs。

  Wang Jinchao's lecture scene author/Figure 

Wang Jinchao adopts the ancient brick rust removal method when repairing the wrong silver copper cow lamp。

The wrong silver copper cow lantern was unearthed in 1980,Not only exquisite design,And with two different metal materials of copper and silver when making,Perfect matching of color formation,It is a double -metal bronze。

The technical problem of fixing this type of bronze is in rust removal。Generally, the method of removing bronze wares is to lightly rust with pure bronze hammers soft than bronze,But Wang Jinchao thinks,The degree of corrosion of bronze is more than silver,Tap may loosen the inlaid silver silk,So the ancient brick rust removal method was adopted -cut the soft six dynasty bricks into different shapes,Corresponding to different parts of copper bull lamp,Write gently to remove rust,The purpose of reaching both rust removal and ensuring silver is not damaged。other,Bronze wares that are already very fragile or dual metal are encountered,Jin Mansheng survived Su Zuo mahogany furniture and jade polishing technology,Boil wooden grass soft,Used for rust removal,Good protection and repair effect。

Do a good job of repairing bronze wares,must be diligent and enlightened。Wang Jinchao follows Jin Mansheng to study bronze wares for repair,Both learned rust removal、Reinforcement、Plastic、Fighting right、Supplementary、Welding、Be old、Establishment and other basic techniques,I also learned the spirit of the craftsman of the "life"。"My Master can plasticize the utensil model,Can be carved directly without drawing pictures,I can't do it; my master participates in repairing the bronze ware of Cai Hou's tomb,That is the largest bronze group found after the founding of New China,Many instruments have never seen before,bet365 live casino games Repair requires strong imagination。His talent is so high,Still do it all day long,Do it for a lifetime。"So,My own "Qualification Pingping,All rely on practice ",In the past 50 years, all energy will be fully energy to repair bronze wares,Learn the necessary history、Archaeological、Art、Chemistry、Physics and other knowledge。

In addition to studying Suist skills with Jin Mansheng,Wang Jinchao has also learned the Beijing School (North School) skills。I studied at the Nanjing Museum for about a year,Wang Jinchao won the opportunity to further learn the bronze repair technology in the Beijing Palace Museum in 1966。Bronze repair technology of the Palace Museum belongs to the northern school,Inheriting the "Bronze Zhang" inherited from the famous bronze restoration of Beijing -Zhang Taien。Under the teachings of Meng Haiquan, the fourth -generation heir of the Bronze Repairing Craft of the Beijing School,Wang Jinchao's famous teacher is on the side,North and South combination,Keep studying、Fasting,The craftsmanship is getting more refined。

Ending study at the Forbidden City Back to Nanjing Museum,Wang Jinchao quickly participated in the "big project" of the first bronze in life -the repair of the bronze swarm group in Lianshui Sanlidun, Huai'an City, Jiangsu Province,Among them, the first -level collection "wrong gold and silver bird pot", "wrong gold and silver sacrifice", "embedded loose deer", "embedded pine and silver hollow bronze mirror" and copper car and horse。Sanlidun bronze swarm number is large,Repair difficulty,Wang Jinchao has followed Jin Mansheng for many years to complete。

Today,Most of these repaired cultural relics are placed in the showcase,When people visit the basic display of the Nanjing Museum "Ancient Jiangsu Ancient Civilization",You can see these exquisite cultural relics。

Occasionally regrets,Occasionally regrets。In the repairs of the Bronze Group of Sanlidun,There is such a piece,It is also the deepest memory of Wang Jinchao。"Embeds and Lie Deer" was sent to the restoration room of the Nanjing Museum for,Loss of Luzui,Make up the deer mouth,The deer body is also flattened,There is also a broken bronze mirror,It looks terrible,It is difficult to believe that this is a beautiful cultural relic。Make up the deer mouth、Antlers,After recovering the shape of the deer body through the resume,Wang Jinchao and Master encountered difficulties: What posture should the antlers be installed? Is the bronze mirror and lying deer together?,I can only think about it with craftsmanship and imagination。Final,The two of them are studying the bronze artifacts similar to similar museums,Repair the antlers as branches,Empty full of life,and can support it with the copper mirror,It seems perfect,But they still have doubts。Master and apprentice discussion,Put a white 绫 in the deer body,Briefly record the time of this repair、Character、Process。Later, I saw the corner of the male deer in the zoo,See the form of the painted deer of Zenghou Yi,Wang Jinchao suddenly understands that the lying deer that he and Master are not perfect,Originally, it is likely to be an antlers horizontal diagonal,Like a huge crown on top of the deer head,At the same time, it is also a bracket that placed the bronze mirror。This incident has become an eternal regret in Wang Jinchao's heart,Also made him more understanding the heavy responsibility on his shoulders,Be careful in the restoration work。

  Scientific repair Hunye and Jianyi 

Nanjing Chinese Academy of Sciences Zijin Mountain Observatory placed in the open -air and Jianyi,It is the world's largest outdoor bronze astronomical instrument,Not only does it have a very important position in the history of world astronomical development, Its production technology also represents the astronomical in my country more than 500 years ago、Metallurgical casting and engineering mechanics and other scientific and technological fields are superb levels。But,Destruction of modern war and continuous damage caused by changes in the external environment,The iron structure of Hunye and Jianyi is severely damaged,Surface copper green continues to fall off due to corrosion,In the end of the 1980s, there was a danger of collapse,Its restoration work is also mentioned in 1988。

Fix two more than a dozen tons of astronomical instruments,Regardless of whether it is considered from the volume or from the perspective of the process design,Difficulties are not the same。Wang Jinchao Bet365 app download is in danger and suffers,The leadership group team undertakes the arduous work of repairing Hunye and Jianyi。

1973,After completing the work of repairing silver jade clothing in the Palace Museum in Beijing, returned to the Nanjing Museum,Wang Jinchao has become a bronze ware repairer who can stand alone,and from the retired Jin Mansheng, took the relay stick of the technical department of Nanjing Museum。

Hun Yi and Jianyi Fix,There is no precedent to follow,All the problems encountered are new problems,Thinking of innovative thinking,Putting a solution。Repair the research team first carried out physical surveying and mapping for Hun Yi and Jianyi,Based on literature and data, analyze its process,and form a paper "Hun Yi、Research on the Production Technology of Jianyi ",Published in "Southeast Culture", No. 6, 1994。

Knowing the production technology,Various problems existing on the haunted and simple instruments,Consider the atmospheric environment around,Wang Jinchao thinks,In addition to repairing cracks and other problems and strengthen the instrument,It is also necessary to deal with the rust on the surface of the instrument,A scientific method delay its corrosive speed。

Keep the key to grasp the problem,laid the theoretical foundation for the repair of Hunyi and Jian Yi。But the actual solution of the problem still faces many difficulties。Cracking problem of bronze needs to be solved through welding,But because the instrument is too heavy,Conventional tin welding intensity is not enough,Can't repair the cracks。Wang Jinchao passed several experiments,Finding the silver and copper welding method can solve the problem of insufficient strength,This welding method is applied for the first time on the repair of bronze wares。In addition to crack welding,The long -term open -air placed Hunye and Jian Yi also have to resist acid rain erosion,Commonly used copper slow erosion agents such as benzene and triazol (BTA) are not effective。To solve this problem,Wang Jinchao cooperation with Xie Su from the Nanjing Chemical Research Institute,Synthetic two new types of resin and reproduce,The process of using corrosion and protection after dehydration of Hunye and Jianyi,Make the processed instruments not only maintain the original features,can effectively prevent corrosion。other,The research team also uses the test of corrosion and artificial aging、Electrochemical polarization curve、XPS analysis and other methods,From corrosion science、Energy spectrum、Pricing Chemistry and Polymer Chemical Discipline,Discussion of the performance and technology of protective materials and craftsmanship、The relationship between the protection between the rust of Jianyi。

While repairing the haunted and simple instruments,Wang Jinchao, they also have a task,That's a copy of the Jane,To save this outstanding ancient technique。It is difficult to meet the strength and rigid requirements of the replica in traditional crafts、Make sure that the accuracy of the phase,Wang Jinchao and the team members re -design,and make full use of new materials and new technologies。After multiple schemes demonstrations,Finally, the compression bag plastic method in the processing process of the FRP: After the glass reinforcement is done,Immediately put in a pressurized bag and co -mold pressure,Press the two semi -mode at the same time、curing、Overall molding。This method greatly improves the phase accuracy and overall rigidity of the copy of the copy,Passed the copy work。

With the continuous accumulation of the experience of bronze wares,Wang Jinchao's repair level is increasingly refined,Gradual perfect,Large repair projects undertaken are also increasing。2002 to 2007,He has presided over the new bronze swarm of Xinzheng, Zhengzhou, Henan、Jiangsu Xuzhou Siyang Han Tomb Bronze Group、Jiangyin Museum Collection Bronze Ware、Jiangsu Yangzhou Jiangdu Southern Dynasty Bronze Group、The repair of bronze wares in the Yangzhou Museum and the Bronze Club of the Bronze Club of the Warring States Period of Huaiyin Gaizhuang, Jiangsu。

  In 2000, Wang Jinchao was supported by the Pacific Cultural Foundation,Participate in cross -strait cultural relics preservation and repair exchange,Directed the staff of Taipei Shiyu Institute。Author/Figure 

  Innovation Promoting Ancient Bronze Craft Research 

From apprentice to master,From artisans to scholars,Wang Jinchao is engaged in the practice of bronze wares,Also through composition analysis、Laboratory archeology and other methods,Research bet365 best casino games on ancient bronze craftsmanship,I wrote many theoretical articles,Beyond "Craftsman",Rendering the realm of "scholars"。

In the process of fixing the bronze group of the warring States Bronze of the Huaiyin Gaizhuang,Wang Jinchao keenly found a few pieces of bronze welding marks,Lead tin solder。He thinks,Analysis and study of the composition of these bronze wares,It will be likely to provide theoretical materials for studying the economic and social development of the Wuyue area during the Spring and Autumn and Warring States Periods。Wang Jinchao selected 28 sample samples from 15 bronze wares,Send to the Institute of Metallurgical and Materials History of Beijing University of Science and Technology,Gold phase detection、Copper composition analysis、Plexifer composition analysis and solder X -ray diffraction analysis。Analysis results show,Huaiyin Gaozhuang Warring States Bronze Club has new features in the aspects of bronze container forging technology and welding technology。This is undoubtedly an important symbol for further development of Chinese bronze production technology in the Spring and Autumn Period and the Warring States Period,It also reflects the further improvement of bronze production level in the lower reaches of Jianghuai during this period,It has important value for studying the history of Chinese metallurgical technology and the history of economic development in Jianghuai's downstream region。

Based on this typical case study,Wang Jinchao and experts from Beijing University of Science and Technology,The lower reaches of the Yangtze River、34 Wu Guo bronze container samples in Ningzhen area of ​​Jiangsu for gold phase observation and composition analysis,Discover two major characteristics: First, the lead content is generally high,Second, there are arsenic containing bronze。Wang Jinchao summarized the research results,Published on the second issue of "Hanjiang Archeology" in 2014 "The Research on the Metal Composition and Gold Phase of the Wu Guo Bronze container"。The latest point of view of its proposal is for people to understand the bronze casting industry of Wu Di at that time,and bronze technical exchanges in other regions such as Wu Di and Central Plains have important value。

In fact,Repairing Hunye and Jianyi、Analysis of Wu Guo's bronze container composition before,Wang Jinchao has a unique theoretical thinking and exploring theoretical thinking and exploring of ancient Chinese bronze craftsmanship and casting technology very early。1978,A large number of exquisite bronze wares unearthed from the tomb of Zeng Houyi,Among them, Zun Dan is the most complicated at present、The most exquisite bronze ware。At a subsequent seminar,Some experts speculate that the section of the main body of the Panpan uses Fan cast method cast,and the part of the mouth is used to cast with a loss of waxing method。

Wang Jinchao feels very puzzled。Any technology has its own end、The process of evolution to mature,How did the loss of waxing the decline of Zeng Hou Yizun appeared out of thin air? Why did the ancients abandon the Fan cast method that has been familiar with and universal for thousands of years?。So,He used the hollow bronze cover of the Nanjing Museum to do the mud -based casting process experiment,Results Prove,Fan cast method can cast hollow patterns。He thought of it here,The casting process of Zeng Houyi Zun Pan is likely to be a Fan cast method,instead of using a loss of wax。This view has not received enough attention for a long time。until 2006,"Jianghan Archeology" published Zhou Weirong、Dong Yawei、Wanquan Text、Wang Changzheng's article "There is no Lost Foundation Process in the Chinese Bronze Age",From Zeng Hou Yi Zun Pan and Xichuan Shima Temple Copper Ban Ban Fan Gets、Welding traces and other process characteristics,Chinese bronze era technology evolution,The technical foundation and social needs of the loss of waxing method are set off,It proposed that "China's loss of waxing technology is accompanied by Chinese and Western transportation from the West,It is a view that the Fan casting craftsmanship of the Chinese Bronze Age developed for the "view of the Fan casting craftsmanship (such as the Buddha statue)"。This article comes out,The academic community started fierce discussion on the "whether there is a loss of waxing in the Chinese bronze era"。Scholars holding a certain point of view not only refute "Zeng Hou Yi Zun Pan is made of mudfan casting method"Bet365 lotto review ,and proposed,Earlier than Zeng Hou Yi Zun Pan, Xu Gongning, Xunning Polying Empty Pattern Jewelry, is another typical case of Chinese bronze era using loss of wax casting technology。

Wang Jinchao was the earliest through experimental archeology that "Zeng Hou Yi Zun Pan adopts mud method casting",So he always follows this academic discussion,and successfully copied through the mud -based casting experiment, successfully copied the bronze ornament of Xu Gongning through the empty tattoo。He published the papers in the 4th issue of "Southern Cultural Relics" in 2008.,Detailed analysis of the copy process。This research results also provide important academic support for "Zeng Houyi Zun Pan adopt mud method"。

"Although than Gao Feiyan,Judu Qingyun。"Wang Jinchao did not satisfy these achievements,In order to make the mud foundation casting method can understand for more people,He has used 3D animation technology in 2008,Successfully realized the production of mudan foundation Zeng Houyi hollowing tattoo mouth along 3D animation,Let the ancient bronze craftsmanship and modern technology "mutually complete"。Since then,He has successively completed Xu Gongning's empty 虺 decoration and Chen Yan pot's mudfan recovery and three -dimensional animation production work。The papers based on these experimental archeological results "Experimental Archeology -Reality of the Chinese Bronze Age Passion Bronze Mud Fan",Published on the 26th issue of "Ancient and Modern Aquarium" in the Institute of History of the "Chinese Academy of Sciences" in Taiwan。Over the years,Wang Jinchao has always fought on the first line of repairing the bronze cultural relics,Persist in theoretical contact actual situation,Continuously promoting the research of ancient bronze craftsmanship to the new stage。

Wang Jinchao, who has retired today,I still can't let go of the bronze career he loved for a while,Never restoration of bronze artifacts from intermittent bronze wares、Research、Appraisal work。As the fifth batch of Jiangsu Province's intangible cultural heritage "Bronze Repair and antique skills" representative inheritors,Entering the ancient years, he now focuses on the skills inheritance,Focus on the training of young talents。He took his apprentices to observe the bronze wares with his apprentices、Cleaning、Rust removal、Reinforcement、Plastic、Completion、Correspondence、Sealing、Research,Cultivate them into bronze wares to repair the good player,Just as his master Jin Mansheng took him with him,Exploring the doorway of bronze fixed step by step。

Cultural relics are the same as people,All of life,Excellent culture and spiritual character need to be continuously inherited,Can't block it because of different years and age。Repair cultural relics,It is a chronicle to know,It seems the most time -consuming time and energy,It is actually the only harvest shortcut。Dust of the years,Vicley of touching cultural relics,Experience the pulse of time,Real of history,Discover the vigorous vitality of civilization growth in "Slow",Fusion in the torrent of the big era,It is full of joy! Wang Jinchao is insisted on the restoration of cultural relics for 50 years,Witness the change of the era of history and skills,Reproduced the meaning of pursuing civilization inheritance in the history。

  (Author Unit: Nanjing Museum) 

  

Editor in charge: Chen Jing
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