Three steerings of public art in space production
December 01, 2021 09:06 Source: "China Social Sciences", December 1, 2021, Issue 2299 Author: Jiang Zeyun

Public art born in the 1960s has entered China since the early 1990s,Public art on the basis of the theory and practice of Western public art,Policy guidance of the social background of the rise of consumerist culture and the policy guidance of national urban development and rural revitalization,Development is in full swing。But because of the public nature of public art, I do not know deeply,Lack of institutionalized management and correct understanding of local culture,China's public art practice also faces many problems。Based on this,Li Lei's "Public Art and Space Production" book is in detail to sort out the development path and future trend of the development of Western public art,With many cases at home and abroad,For public art in Chinese cities、Production in public spaces such as communities and villages conduct in -depth investigations and analysis of symptoms,It aims to provide more possibilities for the future development of public art in China。In addition to the guiding significance of practice,The book presents three remarkable steering of public art production from the theoretical level,bet365 live casino games Especially worthy of attention。

  bet365 Play online games Li Lei put forward public art in the book after the appearance of the West and China,Clarifying its historical changes and concepts。Definition of the concept of public art,He believes that public art cannot be equivalent to "art in public space",The difference between the two is whether it is public,expression of art will、Art acceptance、Whether an aesthetic appreciation activity is equal、Open and shared。Public art is a production process of social space,In this process,Art has changed from traditional private production to public production,The self -discipline of art is restricted by sociality,The personal creative process of the artist is covered by the public's participation process,Public physical space is shaped by mental space。

Public art has a diverse structure,Another integrated art creation。So,If traditional art is the "solo" of the artist,Then public art is the "chorus" jointly participated in the public。The creative process and results of the former are closed、Independent and private,The latter liberated the artwork from the closed space,and natural environment、Convergence of the human environment and social environment。Ma Qinzhong mentioned in the "Basic theory of Public Art": bet365 live casino games "Every important period in human history is to implement the uniqueness and irresponsibleness of the existence of things in a space,The object of the space recognizes the time of time。"Although this remark is emphasizing the importance of space,But it also explains the importance of shaping the meaning of space and its spirit。Public art not only needs to show the inherent quality and spiritual style given to a region,It is also necessary to continuously strengthen and improve the public participation。

  Second, let art return to the public's daily life.The trend of daily life aesthetics and artistic life,Putting art into a larger social field,This means that art is getting closer and closer to the so -called power field from Budiehe,Its autonomy disappears and reduces it。Li Lei quoted Lefelh、Spatial theory of Foucault, Budle and others,to reveal the discourse that public art faces in space production such as administrative power、Capital power discourse and elite cultural discourse and other power games and tap,and the public's voice discourse is generally ignored。In history,European and American countries can realize the balance of various discourse power through the necessary parts of cultural art as the necessary part of personal social rights。From this,Art slowly realizes the movement of cultural democracy in the production process of public space。He Qing believes in "Conspiracy of Art: Perspective A" Contemporary Art International ",If you recognize such an art history,In fact, it is recognized by the "right to speak" and cultural power of its writers,At the same time, I also give up your own cultural judgment and cultural power。In the production of public art,Balanced parties include administration、Capital、ideal appeal of elite and popular discourse power,Pay attention to the life situation and aesthetic taste of the general public behind the right to speak,and give it some of the decision -making power and participation in the art。Just as Li Lei said in the book,The publicity of public art is not only manifested in "the integration of public art and public space",It is also reflected in "the diversity and cooperation of creative subjects" and "openness and sharing of creative results"。These have made art return to the public's daily life,It breaks the class segmentation,Let a certain aesthetic value and interest be exposed to the public and accept judgment,Volkswagen is participating、Cooperation、In the process of reviewing and evaluating,Directly or indirectly realized their power in culture and art。

  Third, from the internal improvement of art to social responsibility.Li Lei chose and analyzed the city、Public art practice in the three different public spaces of the community and the countryside,and the development of public art from cities to rural areas, and the development of public art from cities to the countryside is called "anti -cityization" of contemporary art,This reverse development in geographical space,In fact, it reflects the sense of social responsibility and morality of public art,It also reveals the significance of public art on changing social conditions and human life。For example, a huge change from slums in Philadelphia, USA to "Yile Village",Japan's "Hou Hou Wife has the Earth Art Festival" not only brings a generous economic feedback to the locals,It also reshaped people and nature、The relationship between people,While improving people's lives,Improving the local local culture self -confidence。

Artistic practice should be centered on the people。Compared with the traditional art interval of the social class and the emphasis on its own internal emphasis,Public art is actively integrated into people's life,and try to find a trail with the integration with the external space and the cultural environment。For practical problems such as the deterioration Bet365 lotto review of the current natural ecological environment,The social responsibility of public art has been prominent,Ru art intervention in "rural revitalization" and "beautiful countryside" construction and "precision poverty alleviation" and other social overall issues。This indicates that social life as the reality of art,The people of the people are producers and recipients of art,The social responsibility of public art is the meaning of its due。

Public art will be human space in the production of space、Psychological space and social space re -bundled,and build a meaningful place or spiritual place in time,People’s life and history,People and society、The relationship between man and nature is reflected and witnessed。Public art in modern technology、Consumption concepts will be more and more expression forms,But Chinese public art is in the future development direction,That is localization、institutionalization、Digital and ecological,There is still a long way to go。

  (Author Unit: School of Design of Sichuan Academy of Fine Arts)

Editor in charge: Chen Jing
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