Red art is an important part of Chinese art。For the past century，In the process of leading the Chinese people to lead the Chinese people for revolution and construction，Red art emerged，and play an important role in the history of Chinese art。General Secretary Xi Jinping at the top ten at the China Literature Federation、The opening ceremony of the Ninth National Congress of the China Association of China clearly states: "The reason why the classics can become a classic，Among them, it must contain the timeless beauty、Hog Qi、Hog Qi。Classic through the theme、Character shaping、Artistic Construction、Artistic Construction、Language rhetoric, etc.，The deep -flowing spiritual world and the lively life of the real life，contains history、Culture、Connotation of human nature，Thoughtful penetration、Aesthetic insight、Form creativity，Therefore, it can become a work that will not be outdated。"Red Art Classic as a historical and cultural type，It is an important carrier for continuing the historical memory of the Chinese nation，With distinctive features。

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Chinese red art is accompanied by the birth of the Communist Party of China，There is a century -old history today。During this period，Chinese red art has experienced the democratic revolution、Socialist revolution and construction different development stages。From a large amount of information，Chinese red art presents different characteristics in different historical periods，But its "background color" has never changed。What is the background of Chinese red art? It is its "people's nature"。

"People's" is an important criterion for evaluating literary works。1859，When talking about Lhasar's tragedy "Franz von Jijinen", Marx has deeply suggested: "These noble representatives in the revolution ... should not take all the attention as if in your script.，Representatives of farmers and urban revolutionaries (especially farmers representatives) should constitute very important positive backgrounds。"" Farmers representative "in essence，In fact, it is the tendency of Marx's literary works "Why"bet365 Play online games 。Marx pointed out，"The people have always been the only judgment of the writer 'qualifications' and 'not qualifications'"。Marxism about the "people's center theory" thought in literary creation constitutes the main content of Marxist literary concept。

As a Marxist party，The Communist Party of China has carried out extensive revolutionary practice and cultural movement under the leadership of Marxism，I have proposed "why people's questions，Is a fundamental question，Questions of Principles "，"Socialist Literature，In essence，is the people’s literature and art "。Therefore，"People's" becomes Chinese literary theory in China、Times、Popularization is continuously developing in practical development、Development logo。The relationship between literature and art and the people becomes the main problem for the creation itself，And the material life of the people、Social Emotion、Ideological culture and spiritual needs are objective in the form of art、Really manifested it is its basic content。That means: "People's" is the core vocabulary of "red art"。"Red Art Classic" uses "people's nature" as the main style and artistic creative value of the body's narrative language。The majority of art workers are based on the principle of "people"，Created many "red art classics" works with distinctive characteristics。

Judging from the writing process of Chinese art history，Classic Creation of Red Art runs through all stages of the development of modern Chinese art。Due to its specific characteristics and historical consciousness，The aesthetic basis for art creation is to focus on grasping the tension between historical rationality and humanistic care，Classicization of contemporary art creation in continuous interpretation and value accumulation。This feature is to absorb and interpret traditional historical and cultural，constantly showing social value、Classicization of art creation in the process of reflected "people's nature"，Its aesthetic thought is closely connected with the "aesthetic life" of modern art creation，It is a concentrated manifestation of the core values ​​of socialism in the field of art creation，It is an important cultural support to realize the Chinese dream of the great rejuvenation of the Chinese nation。Therefore，The "people's nature" and "Bet365 app download classic" of art creation become the main content and manifestation of contemporary Chinese literary modernity。As Professor Shang Hui said: "Give the people to the public with equal aesthetic rights，The basic meaning of this Chinese art modernity，It will also be manifested on the fundamental issue of art creation with the people as an art aesthetic object。”

　　The reflection of "people's nature" in the art classics of various periods

Sort out a century -old Chinese red art classic creation，We can clearly see，As an important symbol of cultural value construction and artistic innovation，"Art Classic" creation always has the aesthetic meaning of "current nature"，The organic unity of the realism spirit and romantic feelings reflects the feelings of realism and romanticism。The people -centered literary thought is the practical results of revolutionary literature and art under the leadership of the Communist Party of China，It is also the development trend of China's mainstream art creation in the new era。

"People's" thought has begun to see in the creation of the New Culture Movement。Lin Fengmian advocates "moving towards the cross street"，Qu Qiubai and other literary theorists also advocate attention to the culture of the people。During the Anti -Japanese War，People's tendencies are stimulated by the country's worry and people's pain。Social practical needs based on the Anti -Japanese War，Chinese art consciously chose realistic art，and gradually formed the creative direction of "Revolutionary Realism" and "Nationalization"，shows the creative purpose of "art for the people"，Formed the creative direction of "art for the Anti -Japanese War"。The painters do not forget to based on the actual life of the war when they restore the war scene，The main tide of the realism of Chinese art realism。"Pingxing Consecutive Painting" created by Jiang Feng during the Anti -Japanese War、Zhou Duo's "Women's Hand Midline，Fighter Body Dress，After the founding of the New China, Zhan Jianjun's "Five Strong Monsters of Langya Mountain"、Wang Shenglie's "Eight Women Investment River"、Fang Zengxian's "Promotion of Millions of Workers and Peasants"、Cheng Shifa's "Singing the Spring of the Motherland"，"People's and Prime Minister" created by Zhou Sicong since the reform and opening bet365 best casino games up、Guo Jianzheng and others "Xinyu Gong on the Taihang Mountain -Li Baoguo"、He Jialin's "Lao Zhai Xinyun" and other classic works，It contains the artist's care for the fate of the people，Acura for beautiful human nature，Expressing the ideal of life。Different periods of the Chinese revolution and construction，Classic Creation of Red Art has unique charm of Chinese culture with its unique visual image and artistic appeal。Classic creation of art in inheritance in revolution、Construction、Reform and opening up and the new era are both inherited and their own characteristics，It is an important way to cultivate and practice the core values ​​of socialism。

In short，Classic creation of red art belongs to revolution and construction historical narrative，Witness the continuous growth of the Communists、Revolutionary historical process of continuous maturity，shows the role of revolutionary history in a specific historical period in art creation。Socialist socialism with Chinese characteristics in the new era，The art creation that embodies the "red gene" is showing the spiritual value of a long time。

　　The integration of "people's nature" and "artistic"

Classic of Red Art has important value，It is because of the aesthetic ideals reflected by the aesthetic form they created in a specific historical environment，Especially the realist style of people's hearts becomes the aesthetic pursuit of artists，Realized the integration of "people's nature" and "artistic"。

From the perspective of art dimension，The text ideas created by the classic creation of red art have modern meaning of the "poem history" viewpoint，Pay attention to highlight the humanistic concept of the work，The artistic unity of realizing the depth of thought and historical content。From the perspective of art ontology，The artists understand their own understanding of history and reality as the person or non -grace，Strive the actualization of the subject matter in the creative style and the realization of language，And describe the history of the development of Chinese civilization through the intuitive visual image。For the past century，Chinese art creation in art language、style form、Vocabulary Map Forms and aesthetic interests strive to change innovation。Objective to look at，How to create a red boat、Huang Fuxiang's "Sailing -CPC bet365 Play online games Conference"、Liu Guoshu's "Flying Luding Bridge"、Hu Yichuan's "Kaishi"、Shen Yaoyi's "Zunyi Conference"、Shilu's "Turn to Northern Shaanxi"、Dong Xiwen's "Millions of Master Master to Go to Jiangnan" and other works，Still shaped from the perspective of social development.、Zhao Zhitian's "Daqing Workers No Winter"、Luo Genxing’s "Western Age" and other characters，All according to different historical facts、Different painting thoughts and expression methods，conveyed common social functions，Is a national consciousness、Visual reproduction of national identity and self -strengthening spirit。

Of course，Chinese red theme creation has also broke through the single mode of realist painting in terms of expression and technical concepts，Traditional and modern organic fusion，further pioneering the diversification and personalized exploration of theme content。If the golden award "Taihang Iron Wall" of the 6th National Art Exhibition，Artist Wang Yingchun、Yang Lizhou integrates the Anti -War General and Taihang Mountain's rock wall with a simple shape of the large ax of the Song people and the simple shape of the black and white woodcut.，The powerful visual experience and artistic connotation shaped the broad historical image with Zhang Qian，Reproduced the revolutionary image of flesh and blood。Golden Awards "Open Castle"，Sculptor Pan He uses symbolism，Drawing a whole body "Rive sufficient strength、Fighting Plowing Floor Bull Image。The author compare the image of the bull as a thorns、The hard -working pioneer，praise Shenzhen people to work hard、Not afraid of difficulties and dangers，Courage to break the old concept，The spirit of "pioneering" that is uprooted by the resistance of reform。This spirit becomes Shenzhen、"Century Symbol" of reform and opening up in Guangdong and even China。The Golden Awards of the Ninth National Art Exhibition "Pentagon" is one of the most shocking works of red genes with symbols in the new period。Leng Jun ingeniously selected the five -pointed star, a symbolic object to depict，He set off the shining pentagram with a black background，With super realistic painting techniques, the metal welding that is not repaired into the disabled is integrated into one，Inside the memory bet365 live casino games of the revolutionary martyrs and hope for the future of the nation。The expression forms of many works above，While borrowing and drawing contemporary art concepts and language，Breaking through the previous "documentary" depiction，presents the aesthetic pursuit of mainstream art in the new period。

With the prominentness of the "people's nature" thought，Chinese art breaks through the grand narrative。Artists Pay attention to the survival experience of the individual，Thinking of the words space of "people" itself，shows the spirit of the era of humanitarianism。Zhao Zhenhua's oil painting "Anti -Strike SARS"，Put three different scenarios in the form of triple paintings in the same space，Real reproduction of the process of the people across the country in 2003 to fight against SARS。In the middle, a static medical staff group portrait，Face is firm; Zuo Lian is a dynamic transshipment patient scene，Tastest expression; right couplet for my colleagues who have been overworked and paralyzed in the job，Moving。Three scenes conversion to undulating inheritance，shaped the medical staff when facing severe challenges and not afraid、Gan Yu Dedication、group image that is not afraid of sacrifice。Huang Huasan's Chinese painting "Gou Li Nation's Life and Death is to avoid the Blessing of Fun" is based on Zhong Nanshan，Recorded his brave posture of "going against the wind"，Damning at the time of crisis, the family feelings of the people's life and health of the people who are in crisis are highly responsible for the health of the people。The above works integrate the artist's individual aesthetic into the narrative of major historical events or heroes，"Seeing Big" to portray the theme of the people as the "creator of history"，created with a new artistic perspective and artistic language. "For the portrait of the times、For the Biography of Times、Cultural image of the socialist group of the Mingde of the Times。

Classic Creation of Red Art is both a positive response to the national literary and art policy and policies，It is the internal appeal of modern Chinese art at a certain historical stage。Therefore，On the 100th anniversary of the founding of the party，We can relive the magnificent revolutionary spirit through the classic works of art，To deeply analyze the historical and artistic value of Bet365 app download classic art creation in contemporary language context，Not only is it conducive to stimulating the sense of responsibility of contemporary Chinese artists，and can explain the Chinese spirit with national colors、Chinese value and Chinese power，So as to further build a contemporary art form of classic art creation。Classic art creation in the new period should be based on respect for historical facts，Integrate the spirit of the times in the process of rewriting history and reproduction of history，In the past and the current comparison, the essence of society and the inevitable law of historical development，In the reflection of real and art reflection, the classic value and charm of the art of fine arts。

　　(This article is the Shaanxi Provincial Social Science Foundation Project "Research on Red Art Creation of Red Art Creation in the People's Republic of China in the 1970s" (2019k042) phased achievement)

(Author Unit: School of History and Culture, Shaanxi Normal University)