Since 1755, Voltaire adapted "Zhao's Orphan" into a drama in Paris，Chinese Drama has been spread in France for more than 260 years of history。In the background of the current globalization，Exchange between different cultures is increasingly frequent，Drama as a comprehensive art has always played an important role in cross -cultural exchanges。Different from the situation of repeated "soil and soil" in France in France，After entering the 21st century，Cultural exchanges between China and France are increasingly strengthened，Chinese Drama has made a big breakthrough in France。

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In recent years，Chinese drama combined with ancient Chinese traditional culture and modern art of western modern art is widely praised in French society。As one of the most influential art festivals in the world today, the French Arvinon Weng Drama Festival will undoubtedly provide new opportunities for Chinese outstanding drama works。After the first appearance of Chinese Drama in the Avinion Drama Festival in 2011，Chinese drama quickly gets attention from French society，The drama adapted from classic literary works in China is even favored by French audiences。2016，Chinese drama "Mr. Zhuang" tells Western audiences about several allusions of Chinese allusions: split coffin to shock dreams、Zhuang Zhoumeng Butterfly、Drum Basin and Song，Director integrates Zhuangzi's philosophy into contemporary story，such a drama with oriental culture and practical significance makes the bet365 Play online games public aware of the development of Chinese drama。In addition，In 2013, it was adapted from the body drama "Sailing Lei Gong"、2017 "Liao Zhai Zhi Yi" "Aquatic"、The "Tea House" of Meng Jinghui in 2019 has all set off a boom at the Avigonion Drama Festival in France，French media believe that Chinese directors put Chinese classic literary works in a broader cultural context，Resonate it with contemporary social problems，Triminate philosophical speculation。In recent years，Chinese drama people have paid tribute to classic literary works，Dedicated to promote the Chinese drama "Going Get"，Their work shows the stage charm and Oriental style of traditional Chinese drama，I also combined the performance skills and deep thinking of modern drama。

Except for the drama，Chinese opera also appears more and more frequently on the major stages in France。Founded in 2003、The Paris Chinese Traditional Opera Festival held every two years has brought Peking Opera to French audiences、Drama、Kunqu、Huangmei opera and other more than 30 kinds of Chinese local operas，Among them, there are many classic tracks such as "Yang Guifei", "Sun Wukong Three -Ben White Bone Essence", and "Zhao's Orphan"。The Vietnamese drama "Liang Zhu" performed at the Lier Grand Theater in 2018、The newly compiled Kuching "Floating Sixth Ji" in the Avinon Weng Drama Festival in 2019 also surprised French audiences。Unique artistic form allows French audience to understand the real China，Showing China's wisdom and national spirit to the world。

Chinese drama from the story to the stage has fascinated French audiences，attracted more and more French drama enthusiasts and audiences of all ages。For example, the "opera entering campus" in 2018 is one of the series of Bet365 lotto review activities carried out by the Paris Chinese Cultural Center and the French Theater。Chinese operaists walk into many high schools in France、A keynote lecture was held in the university，and take the form of acting while letting French students experience traditional Chinese opera，This zero -distance interactive form has greatly improved students' interest in traditional Chinese culture。2017，Drama training class opened by the Paris Chinese Cultural Center，It has set off a new boom for French students to learn traditional Chinese drama。

　　Cross -cultural adaptation Promotion of deep cooperation between China and France

The revival and prosperity of contemporary Chinese drama further promoted deep communication and integration between China and France，In addition to the introduction of French classic repertoires to adapt by Chinese artists、Expressing this traditional mode，More and more French directors、The artist personally participate in the arrangement and creation of Chinese drama。

2016，"Dong Sheng and Li's" was adapted from three French directors into three different versions in Quanzhou，The wonderful interpretation of French actors subverts the tradition.，From language、Style、Culture and other aspects bring a new visual experience to the audience，It also proves that art is no boundary、Open open。2018，Adapted by French drama director Gilar Gelas、The drama "West Chamber" in cooperation with the French Black Oak Theater "West Chamber" is stunning France，Many mainstream media in France scramble to report this visual feast，Praise the art works of this China -French cooperation are impressive。Except for the drama listed above，and "Mirror Flower" (2008)、"Lantern Official Oil bet365 Play online games Liu Gui" (2010)、"A Q" (2016)、"Thunderstorm" and "Thunderstorm · Post" (2020)、"The Writers Without Borders" (2020), etc., are the artistic achievements of the collision and blending of Chinese and French cultural collisions and blending。

In -depth cooperation between Chinese and French artists effectively promoted Chinese drama "Going Global"，Chinese drama incorporated into French culture can even attract the interests of audiences between the two countries。French directors make bold innovation of Chinese classic literature or drama works，Another interpretation of traditional Chinese culture from their perspective，This cross -cultural rewriting is sometimes more conducive to helping Western audiences understand、Accepting traditional Chinese culture。

Of course，The overseas communication of Chinese drama still has great potential，Therefore, we should also think about how to attract more professional French drama enthusiasts to join in the creation of Chinese drama。First，Encourage more Chinese cultural enthusiasts from France to join the drama creation。In recent years，In the drama adaptation of Chinese and Western drama, not only well -known directors from France，There are also ordinary scholars who are well known to Chinese culture。For example，The director of the 2019 drama "Save the Dust" Lu Yifan is a Sinologist who is proficient in Chinese literature and culture。He thinks，This form of Chinese and Western cooperation can "promote international project development、Deepen the cooperation between artists of different countries "。2，Strengthen the foreign translation of classic literary works。The drama adaptation of French artists is not limited to a certain drama work in China，Sometimes Bet365 app download it can also be an ancient Chinese literature they are interested in。Sometimes it can also be an ancient Chinese literature they are interested in，It gathers audiences and readers together，Therefore，Filtering the masterpiece of the Western aesthetic interest in the cultural classics of the Hao Ruwu，It is an important factor to ensure the effect of Chinese drama Western pass。third，Pay attention to the propaganda work of Chinese history and culture。Sino -French cooperation not only has the addition of French directors，And dance、Designers of clothing, etc. also come from France，It is derived from the correct cognition of Chinese history and culture，The stage they present、Ancient clothing, etc. to make Western audiences understand Chinese culture more accurately。

　　Expand the new path of drama communication

The epidemic in the new crown pneumonia in 2020 led to the prejudice of the global troupe，But the pace of Chinese drama goes out has not stopped，Mobile new media provides a platform for French drama enthusiasts to learn more about Chinese traditional culture。2020，The "Chinese Quyi 'Cloud' Appreciation" series of "Chinese Quyi 'Appreciation" series launched by the Chinese Cultural Center in Paris，It attracted the eager attention and active participation of French netizens。This successful promotion also made the Chinese drama industry realize，The importance of cross -media communication and cloud platform construction in the new era。

2021 French Norou Business College and the Confucius Institute cooperate online to celebrate the Chinese New Year，French audience can let their virtual image walk freely in virtual space，Feel the traditional Chinese festival，Including watching Peking Opera performance、Music Play, etc.。Actually，The cross bet365 live casino games -media communication trend of drama art is driven by Internet technology，The epidemic of new crown pneumonia is just accelerating this process。Before the epidemic，Huawei has joined forces with the Paris Opera House to establish a digital college open to the world，To promote Sino -French drama、Opera and other art spread。

But，Traditional online platform lacks on -site emotional rendering，It is a big regret for the drama viewers。Virtual reality (VR), which has developed rapidly in recent years、Augmented reality (AR) and hybrid reality (MR) and other digital technical means in the field of games and film are relatively mature，They can build a digital virtual theater environment，Precision restore the visual and auditory effect of the immersive "audience"，It can even create a better immersion effect than a real stage。This is a new trend of the cross -media communication of drama art，It is also a preferred plan for future Chinese drama cross -media overseas communication。2018 British Directive to make some scenes of the drama "Frog Man" into VR images，Make the audience while enjoying the live performance，Immersed in a more shocking virtual scene。This is the first attempt of virtual reality technology in drama，It has a very positive demonstration effect on the future of Chinese drama in the future。

Now，my country's traditional literature and literature and art are getting more and more attention from French society。How to inherit and carry forward traditional culture and art，How to impress Western audiences with the unique art of Chinese，How to realize the classic Chinese classic to the world，How to innovate Chinese drama to make it fit with the current context? These have always been the direction bet365 Play online games of contemporary drama creators who are always pursuing and working。

(Author Unit: School of Foreign Languages ​​of Nantong University)