"Born in the Born of False and Reality" is a distinctive manifestation of the ideological characteristics of the pre -Qin Laozhuang。"Tao Te Ching" cloud: "Thirty Spirits，A total of a hub，When it is not，It is used by the car。"No" here is "virtual"。Lao Tzu believes that things must contain two elements: real and virtual elements in order to take effect。The same reason，"Cut the household 牗 牗，When it is not，Use room for room "。Vanity can be used，From the obtained "it is for the benefit，Nothing to use the general principle。"Zhuangzi" also has a "virtual reality" discussion，For example, "Taking the emptiness without destroying all things" "，Vanity is real，Real Lun "。Laozhuang's virtuality affects Chinese landscape painting very huge，So that Xu Fuguan believes that landscape painting is the only child of Laozhuang thought。In the traditional Chinese artistic mood structure，Generally, landscape paintings are divided into two parts: virtual and real，Pay attention to "virtual reality and life，A wonderful realm without painting "。So，"False and Real Establishment" has become an important artistic method for Chinese landscape painters to create a nihile poetic space。Specifically，The impact of the concept of virtual reality on landscape painting is multi -level，both involved the creative problem of "shape and God"，Also related to space concepts and form structure problems。

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In the history of Chinese painting，"Virtual Real" conscious。Where，"shape" represents "real"，"God" represents "Vanity"。The "Figure of Huashan" in the Ming Dynasty is cloudy: bet365 Play online games "Despite the shape of the painting，Lord of Lord; Insufficient，Non -shape that is called。Although，Interested shape，What do you ask for shape? So those who get their shape，It is overflowing; those who lose their shape，shaped! Painted the desire elephant，Didn't you know it? "Although the purpose of painting is proud (vivid)，But it means that it is expressed by shape。If even the true appearance of the performance object is not familiar with，What about the God of God? Therefore, ancient Chinese landscape paintings pay attention、Blood and Reality Combination "。

Guo Xi, the Northern Song Dynasty, once mentioned: "，But I don’t know how to draw it。"painting is not easy，It is more difficult to achieve both form and spirit。This requires the painter to have excellent pen and ink skills，There must be a deep artistic spirit and cultivation。"Zhuangzi said that the history of painting has decomposed clothes，This is really the method of the painter。People must raise their chests wide and fast，Mean Yue Ri，If the so -called Yizhizi Liang，The heart of the oily heart，Then people's cry and laughter，The tip of the thing of the thing，Nature is listed in the heart，I don’t see it in the pen。"The beauty of art originated from the observation of the artist's mind。That is to say，The presentation of all art，Observation of the artist's inner spirit ("virtual") should be，All the objective objects ("real") that are expressed ("real") "Late in the heart"，Then you can "not see it in the pen"，Then to reach the artistic conception of "God"。So，The formation of the spirit of Chinese landscape painting philosophy，It is based on the blending and penetration of the artist's subjective consciousness, objective and natural blending。Yuan Gongwang, a painter of the Yuan Dynasty for creation，Sit in the rotten stone bet365 Play online games bush all day，Suddenly，I don’t know why he is like this。Dested，"Suddenly Suddenly" is exactly he observed、Feeling nature，State when blending with nature。After all the scenes of the natural mountains and rivers are included in the chest，Huang Gongwang started to write carefully。So，His paintings are "depressed，Fighting with the creation of it "。The beauty of the art of landscape painting and the natural beauty of the mountains and rivers are fused under the view of the painter's mind。The painter's observation of the heart and nature of the painter，Give it a new form of life，At the same time, to explore and return to your heart by understanding naturally，Hope to resonate with emotional life with the life of the universe，Hosting landscape painting also become the place where the painter's spirit is placed。Their spirit is liberated in painting，The beauty of the nature of the mountains and raw。

　　The false and real relationship of space operation

space composition about landscape painting，Shen Kuo Zeng said: "Folding high and far away with your own reason"。Nanqi Xiehe proposed in "Ancient Painting Records" to have six methods for painting，"Business Location" is one of the six methods，That is。The composition features of ancient Chinese landscape paintings are different from the geometric perspective method of Western painting，Chinese landscape paintings pay attention to the method of observation from far and near，that is, grasp the full picture of nature from high and far away。This composition method follows the method of observation of ancient sages and reference to the universe，That is, "The view of the back is in the sky，Performing the method in the ground "" Take the body in the nearby body，Taking away from all things "。The painter "View with a big view"，Get rid of the limitations of focus perspective，"bet365 live casino games Stepping yourself"，On the canvas, you can arrange it according to your own interests，Compared to realistic more inherent ingenuity。

Guo Xi through observation and realization of natural mountains and rivers，Refers to the mountain "high far away", "far -reaching" and "Pingyuan"，"Three Far"。"Gao Yuan" is looking up at the top of the mountain from the bottom of the mountain，This can highlight the towering and dangerous of the mountain; "far" is the back of the mountain from the front of the mountain，The mood of the landscape stack of the landscape; "Pingyuan" is the mountain overlooking the mountain from nearby，Among them, the artistic conception is more distant。The composition of many landscape paintings in the Song Dynasty is based on the "Three Far Methods": extended from the close scene to the vision，step by step，Pen Ink and ink is suitable for each other，The subject of the picture is performed with thick ink，The scene in the distance is rendered with light ink，The picture also looks long ethereal。Huang Gongwang in the Yuan Dynasty based on his many years of observation and creative practice of nature，Breaking the composition mode of the Song people，Integrate "Pingyuan" and "Gao Yuan" into one，Drawing the structure of the "wide far"。"Kuoyuan" emphasizes the openness of vision from the interval of the close scene，The artistic conception of landscape painting is wider。This method can highlight the magnificent appearance of the mountains and rivers，It can also strengthen the philosophical meaning of landscape painting。Regardless of "high", "deep", "flat"，Or "wide"，They constitute the shape of landscape; "Yuan" constitutes the main mood of landscape painting，It caused the infinite extension of the landscape，The "real" of the object of the image is introduced to the "virtual" realm of the spirit，"Vanity" space bet365 live casino games conveys the true meaning of life between the painter's pen and ink。Just as Dong Qichang said: "There is a momentum in the distant mountains 伏 伏，Shulin either high or below is affection，The tactics of this painting also。"" The rhythm of the truth and the dark and dark，The spatial language of Chinese landscape painting conveys the dialectics of "virtual" and "real" in Chinese art philosophy。"True", "Good", "Beauty" has performed perfect fusion and display in the space painting space of virtual reality and unified landscapes。

　　The artistic conception of pen and ink virtual reality

Chinese painters look at the "blank" of the pen and ink in the redevelopment，This is the unique philosophical language symbol and artistic expression form in the landscape painting space layout，It carries the flow and transportation of all things，More entrusted with endless affection and infinite depth。Sky、Cloud、Snow、smoke、Lan、Fog、Water and Road, etc.。The Song and Yuan Dynasties，The painters have greatly improved the proportion of "virtual" of "leaving white" in the picture。The Southern Song painter represented by Ma Yuan has reached a minimalist form，"Virtual" even exceeds the "real" place，But their landscape paintings have not appeared pale and empty because of this，Instead, under the creation of the "virtual" without pen and ink, "There is also aura in the air"，Objective nature is even more agile in this "virtual white"。The old work of Ni Yunlin, a painter of the Yuan Dynasty, is a typical representative of "White"，It can be found from his "Duzhuang Autumn Map"，Although there is no pen and ink in the middle scene of the picture，But the mountains in the distance、Shi looks more vivid in this empty lake light。"Na Na Naoma"，It is the "virtual" of this "blank" that makes landscape paintings incorporate the natural life and human spirit at the same time，Give the viewer endless Bet365 app download imagination。The "virtual" of "White" and the "real" of the pen and ink merge into a piece，Smart with rhyme，As the Qing Dynasty painter 笪 Chongguang said, "，A wonderful realm without painting "。The philosophical mood of landscape painting is also developed in the space of "leaving white"。

In addition to the "virtual" and "real" relationship caused by the place where "leaving white"，Where the pen and ink go，There is also the artistic conception of "virtual" and "real"。The application of ink color and brushwork is an important way for Chinese landscape painting to create a false relationship。The ink color in the picture is stronger、The density of the strokes is often regarded as practical，and the ink color is relatively light、The place where the pen is sparse is often regarded as a virtual place。The dense changes of ink color and the density conversion of the pen，It is the place where Chinese painting performance and respected qi charm and circulation。The painters draw the "skeletal" veins of the mountains (ie, "shape") with the flowing and smooth lines，Inject it "Bone Qi"，Treatment of the sense of movement of the picture; showing the shades of Cangshan Xiumu、Living water moisturizing stone、The beauty of the "Great Elephant" of Yunyan is obscure，Natural mountains and rivers are completely integrated into painting in the thickness of the pen and ink and the dense screening of the pen and ink。The intercourse of the flowing pen and ink of flowing and "blank" makes the landscape painting complete the rhythm and rhythm of the flowing object of objective objects，Forms a smart charm and a simple ethereal artistic conception in the virtual and real and dark mood，Stimulate the viewer of the viewer into the beauty of the natural mountains and rivers。

The philosophical spirit of "virtual" and "real" is highly displayed in Chinese landscape paintings，It will be true and beautiful、The content and form are highly unified。Chinese Bet365 lotto review landscape paintings generate infinite and profound artistic conception under the dialectical unity of "virtual" and "real"，Makes people realize the true meaning of life in a super -detached realm and the endless mystery of the universe。In short，Chinese traditional art represented by landscape paintings get rid of the limitations of form and function in the transportation of "virtual" and "real"，Building the unique artistic philosophy of the Chinese nation。

　(Author Unit: Academy of Arts of Suzhou University)