In the Internet of Things era Marxism, the main body of the subject of aesthetic sharingism in the field of Marxism
July 11, 2017 09:50 Source: China Social Sciences Magazine Author: Liu Fangxi

  bet365 Play online games Contemporary Internet of Things production method that integrates spiritual production and material production,Announced the revival of the traditional Western aesthetic paradigm and the Marx aesthetic paradigm。Marx aesthetic sharingism with productive freedom personality as the basic characteristic of aesthetic subject,Building for the sharing of workers for this subject、generated material basis。Labor and products of small producers with production materials have productive freedom personality and "semi -artistic nature",And the labor and products of employees who were deprived of production materials lost their freedom and artistic。Communism allows spiritual production materials (free time) to leave from material production and let each worker share,For the "comprehensive development of individuals" with productive freedom and personality, the production of "free spiritual production", including art, provides a material basis -the Internet of Things production method makes the "maker" as workers re - Shared production information,The process of the gradual starting point for the subject of "co -construction and sharing" to inspect socialism with Chinese characteristics to the "comprehensive development individual",and Xi Jinping's "shared development" concept provides the theoretical foothold for this survey。Construction of Aesthetic Sharingism,On the one hand, the construction of the Marxist Chinese discourse system that helps aesthetics,On the other hand, it also helps to thoroughly understand Xi Jinping's "shared development" concept from the perspective of aesthetics。

  Keywords:Aesthetic sharingist productive free personality comprehensive development of individual maker spiritual means

Author Liu Fangxi,Researcher at the Institute of Literature of the Chinese Academy of Social Sciences (Beijing 100732)。

Editor in charge: Cui Cen
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