Methods and dimensions of singing research on the Book of Songs
October 11, 2022 09:36 Source: "China Social Sciences", October 11, 2022, Issue 2505, Issue 2505

The traditional "Book of Songs" singing studies or are limited to "Poetry" is fully entered "、Macro problems such as the music classification of Feng Ya Song,or stay in the ritual and music system、Legislature System and other studies。But obviously the study of the "Book of Songs" should also highlight the subject of "singing",In addition to exploring the ritual attributes of the singing of the Book of Songs、Singing method、Singing sang subject and other specific problems,Taking "Singing" as an entry point to examine、Ya、The poetic mechanism and historical changes reflected in the wind and poetry are particularly important,It is necessary to make a new determination for its methods and dimensions。

"Poetry" text based on the "Singing" Research Institute。Traditional "Book of Songs" research,Nothing to learn two types of classics and literature, "Poetry",Although they have their own theoretical presets and concern interests,But the Book of Songs is regarded as a high degree of high degree、Over、Stable text。Poetry has the painful loneliness of the poet、Exquisite rhetoric and profound meaning,This has also become the main task of the solution of the classics and literature。The formation of these two methods of solving "Poetry",Limited by the Book of Songs they faced is a single -year pass、Classic text This reality,Especially the three "Poetry" scattered,Researchers lack the horizontal and vertical reference of other "Poetry" text,It can only be based on the text of "Mao Shi".。But actually,The newly appeared Fuyang Hanjian "Poetry"、Shang Bojian "Confucius Poetry Theory"、Tsinghua Jane's "Poetry" Bet365 lotto review literature、An Dajian "Poetry"、Haixunhou Tomb "Poetry" and so on,All explain that there are significant differences in the early text of "Poetry"。That's why,Classics interpretation based on the classic nature of Mao Shi,or literary research that proves singing in the text,Obviously failed to get closer to the real appearance of "Poetry" in the "Poetry" era。Considering the differences and diversity of the early text of "Poetry",The study of the "Book of Songs" should be more prudent with the text of "Mao Shi" text。Especially in the context of music,Generation of the text of the song poetry、Singing and circulating are still in a state of change,"Singing" research is not so much classic、The "Book of Songs" after de -pleasing as a research base point,It is rather to pay attention to the creation and joy of the "Book of Songs" in the "Poetry Book" era,Based on this, it is more dynamic、Historically understand the collection of the Book of Songs、The process of spreading and classicization。So,What are the characteristics of the text of "Poetry" in the "Poetry" era? What is the enlightenment significance of our foothold and goal of determining the study of the "Book of Songs"?

"Singing" under the perspective,Song Poems are "writing" and "oral" interaction、Dialectical and unified text。Compared to "Yi", "Book", "Spring and Autumn" and other literature or later generations for reading for the purpose of reading,Poetry is created、Sing Performance、There are more "verbal" factors in the circulation,Even after the creation is completed,Every time I sing is not completely based on this announcement、Unchanged 10 %。music workers must be based on the scene of the song,Make a strain on the paradigm determined by the existing song and poetry text、Adjustment。Treatment of existing songs and poetry texts and singing actual performances,It is the basic literacy bet365 best casino games of an excellent musician。But some scholars are too much to believe in the "oral" attribute,I think "Poetry" mainly depends on verbal singing、Legend of memory and mouth,The writing and assembly of the text of "Poetry" will not even be completed until the Han Dynasty late。Actually,"Oral" and "Writing" are not quite opposite、Elected his relationship。Writing song poems,It can reflect the characteristics of verbal singing when enjoying it,At the same time,Oral song performance is also expanded in a certain text specification and expression.。One -sided emphasis on "oral" attribute,Negative "writing" in the participation and function of "writing" in the song and poetry activities,Or does not consider the degree of intervention of "verbal" factors in different poetry styles,Nothing is in line with the historical reality of the song poetry of the Zhou Dynasty。

Poetry has different inheritance among the group and the Zhou nobles,The two are the differences between "writing" and "verbal" of "Poetry",Basically reflected in the degree of "singing" of "Poetry"。"Poetry" of the aristocratic practice,Pay more attention to the connotation of literature and morality。"Le Ben" "Poetry" passed by Legantou,Then more serving specific fun practice,In addition to poetry,There are also some content that auxiliary singing,Such as a music term、Character Tips、music scores, etc.。The teaching and interpretation of the "Poetry" below in the Spring and Autumn Poems is mainly the development of the "Poetry" passed on the aristocratic,and the fun information in "Leben" "Poem" is more deleted。It can be said,The weakening of the "oral" attribute is accompanied by the loss of information,Instead of saying the contradiction between "verbal" and "writing",It is rather to say that it is the result of the "Leben" song and poetry after "de -music", that is, "text"。

So,Back to the context bet365 Play online games of "Singing",Examine the creation of Ge Poems from the root cause、Lee with "Poetry"、Passing and other questions,Study on the singing of "Poetry",Still classic research,All are meaningful。At the same time,The current controversy of "verbal" and "writing" of "Poetry",You can also find the possibility of interoperable dialogue on this key point at "singing"。

Research on the creation and entertainment mechanism of song poetry。The Zhou Dynasty has formed an effective poetry and music mechanism,And with the transformation of the political and ritual system of the Zhou Dynasty and the evolution of Shile itself,This mechanism can continue to push out new、Adjustment to the adaptation,Therefore, it has ensured that more than 500 years of poetry of Zhou Dynasty songs will never stop。It can be said,The Mechanism of the Zhou Dynasty is the hub of the "Book of Songs" singing research,It can play a role of outline。We can use "Behavior Main"、The relationship between the relationship between poetry and "ritual" is carried out related research。

Taking "Behavior" as a clue,Examine the development and evolution of poetry music in the Zhou Dynasty。What needs attention is,Whether it is the singer of Shile、Creator of Shile,Still "Poetic Education" and "Leisms" awarder,or even the admirer of Shile,All participated in the creation of "Poetry" in a certain way、Lesson、Compilation Collection、Explanation and circulating all aspects。Among them, there are professional music officials,There is also Zhou Wang、Doctor Gongqing、Guozi,or even the lower level。Of course,The participation of each "behavioral subject" is uneven、Changes。Such as early Ya Song mostly used for sacrifice、Chaodian and other major ceremonies,Treasures are positive,Sports Yan language,Its creation and singing all have the participation bet365 live casino games of the Prince of the Prince。And to Yan drink singing,The main body of the music officer becomes poetic creation and singing。This reflects the professional trend of the Zhou Dynasty ceremony and officials,It is also a natural change after the singing of the Zhou Dynasty ritual.。Since then,Music officials become the main promoter of the evolution of poetry and technological evolution,Rufu Rap、The rise of Bixing and the Return Chapter,Legislators have played an important turning role。

Differential according to function,"Behavior Main" can be divided into singers、Poet two identities。In short words,Singers and poets two identities,After experiencing evolution from co -to -division。At the beginning of the week, the important dynasty codes、Poetry of sacrifice,Most of the "ritual" and "ritual",It has important political and religious significance,It should be from the hand of the prince,Sing it by himself。In Yan drinking poems,Legision also has certain independent creation freedom,The introduction of Bixing and the re -chapter is one of the performances。above poetry,The identity of the poet and the singer is consistent,provides great convenience for the development of ritual singing。Elegant and wind poems,First from "Dedication of Poetry in the Line", "Wang Guan Poetry Poems",Then give it to Leguan to do text、"Entering music" in music,Finally sing on the corresponding etiquette。This is,Poetry creation and entertainment、Poets and singers have differentiated,A poem from created to the participation of multiple acts in singing,Especially the music officials are in and out of the text、The identity between the poet and the singer,Make the song poetry showing complex people calling the perspective and singing switch,The interpretation and understanding of the text brings a certain Bet365 lotto review challenge。Therefore,Details to examine the identity boundary between the poet and the singer、The conversion mechanism of text generation and singing,It seems very meaningful。

Taking the clutch relationship between poetry and "ritual" as a clue,Examine the ability of the poetry mechanism of the Zhou Dynasty。"Ritual" is not only a place for singing,The content of the song poetry、Form、Themes, etc. are also taken by them,This is particularly prominent in the sound of Ya Song's Zhengye。Of course,The relationship between song poems and "rituals" also changes,Especially "becoming elegant" is not for the purpose of being used for ritual singing,The "ritual" has gradually been alienated,But it still depends on the overall atmosphere and convenience provided by the "ritual",Realize the effect of "谲" in "Singing"。This description,The spiritual tradition of the ritual and music civilization established by Yasong Zhengsheng,Still play an inevitable role,Targeting these messages in the "ritual" singing。"Wind Poem" is the same,It is not related to the "ritual" at the beginning,But once it is "picked into poetry into music",Orchestral,It is no longer a folk song of the original ecology,Instead, it belongs to a part of Lile and music singing,Acts for "rituals" everywhere。These all indicate that the poetry mechanism of Zhou Dynasty has a huge adaptive ability between the self -plastic tradition and Tuoxin's change of change。It is precisely because it is able to follow the change of the political and ceremonial system,Keep a relaxation with "ritual"、If it is the relationship of 离,Have self -sufficient、Autonomous、Automatic adaptability,Only the prosperity of the song poetry of the Zhou Dynasty。

Through the definition of the above,The Singing Study of the Book of Songs will be more focused on the creation and singing of song poetry creation and singing。At the same Bet365 lotto review time,Cut in from the two clues of "behavioral subject" and "ritual",It can also be more able to dialyn the implementation of the poetry and music mechanism,Touching the fundamental movement of the evolution of poetry and the evolution of poetry mechanisms。These studies will be from horizontal and vertical、macro and specific、Text and System、The spirit of civilization and other directions,Show the vast picture of the weekly ritual music singing。

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Editor in charge: Zhang Jing
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