■ "Thief Family" Chinese poster information picture

Summer 2018，Japanese director is Zhiyuhe won the 71st Cannes International Film Festival Golden Palm Award for his "Thief Family"; after 4 years，Still summer，His first Korean film "Guest" was shortlisted for the 75th Cannes Film Festival Main Competition Unit，Starring Song Kanghao won the Best Actor Award。

The film "Fantasy Light" has been directed for the first time in 1995，It is Zhiyuhe that has always maintained a strong creative enthusiasm and high -quality output，The representative of the new wave of Japanese movies enjoys an international reputation。He builds sentient beings with villains，Map the social survival context from the bottom perspective，Not only gives the work a unique small visual corner narrative style，even presented the warm and implicit East Asian aesthetics in the audience，Provided the image of the healing of the human heart。

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Always，What has a high sense of social responsibility and sensitive creation is Zhiyu and the profoundness and reflection of each work，Also attaches importance to the interaction between film and society。In the creative environment of the rise of Japanese humanist movies，It is Zhiyu like many directors，Clear care and respect for the disadvantaged groups of the bottom layer。

Wish to know，Due to various factors such as history and culture，There are some special cruel phenomena in Japanese society，"Lonely Death" with frequent aging groups、The "missed" of the youth group and "abandoned child culture" and "standby children"。The work of Zhiyuhe is looking at，Many are from the real social phenomenon of Japan，and to varying degrees of metaphor or implies the impact of the social environment on tragedy families。Where，"Unknown" (2004) is adapted from the real event of "West Chao Duck abandoned baby" in Tokyo in 1988，The creative inspiration of "Ru Father, Like Son" (2013) is inspired by the report literature of many infants in Japan in the 1970s，The creative cause of the "Thief Family" originated from the phenomenon of pension fraud in Japanese society。and the newly released "Customer"，At the beginning, it was inspired by Zhiyuhe，It bet365 best casino games is his understanding of the "baby temporary box" in a hospital in Kumamoto City, Japan; when you learn that South Korea also has such a baby box，The number of abandoned babies is even more than Japan，It is Zhiyuhe the idea of ​​cooperating with Korean actors in 2015。

Since the 1980s，Japan's economic growth has stagnated for a long time，Add an aging society and population attenuation problem，The sense of loneliness and anxiety of the Japanese people becomes stronger with the changes in society，Fairy families with insufficient resistance are not uncommon。Reorganized family、Umpienal parents、Single poverty children ... The content in these films completely corresponds to reality。2018, which was released in "Thief Family"，Japanese child abuse incidents are as high as 1380，Children who were urgently protected due to abuse have reached 4571 people。According to the data of "Yomiuri News" in Japan，In 2018, there were at least 163 cases of "loneliness" that occurred in the capital area of ​​Tokyo.，Among them, 1/3 of the deceased was discovered 8-30 days after his death，1/8 of the deceased was discovered from 31 days to 1 year after his death。The number of people in the "loneliness" increases year by year，Japan and even appointed the corresponding "Lonely Excutation Countermeasures" in 2021，Established "Lonely and Excible Countermeasures"。From this，Social phenomenon reflected by "Thief Family"，Little girl who adopts the bruises in the native family，Settings of the pension disposal of the old mother，To a large extent, the real Japanese society。This image reconstruction gives Japanese audiences a great Lenovo space、Complex space and emotional exit。

　　Tender family drama and reality brutal fit

For various social problems，Zhiyuhe believes that "crime is generated by society"，"The movie is not used to judge，The director is not God or a judge "。So，His social theme videos are mainly based on family and children's perspectives，Facing the character of loss，He does not criticize、No clear value guidance，Always maintain a distance from not far away。

"The Thief Family" tells a family without a blood relationship，The family rely on the old mother's pension golden day，Father often takes the child to steal daily necessities。With the death of the elderly，Family of the pieces of pieces of pieces finally disintegrated Bet365 app download in the crime of the family。In this family，Everyone supports it for their own interests，The elderly for the elderly for the elderly for the elderly，The life of the elderly and the couple is to avoid loneliness to death ... Such an unusual criminal family is presented in the film，But there is no incomprehensible dramaticization and sense of Tangisms。Although the film shows the contradictions and suffering of life everywhere，It does not involve accusations of any role or organization。But，When some international media report to the Golden Palm Award when reporting the "Thief Family"，All call the film "Modern Version" Misty Du or Orphan "，Its criticism of reality is self -evident。

Bond of non -blood composition，Still is the proposition in "Customer"，But this temporary "home" was moved to a broken car。The beginning of the film，Biominyin who abandoned baby returns to the custodian to find a child，On the way to get to get to get to the middle -aged Shangxian、Youth Dongxuan and Orphan Emperor's Sea Return，And these people with different identities to help abandon babies to "find" suitable adoptive parents，I embarked on a unique salvation journey。Under the tone of the road film，It is Zhi Yuhe's identity of the constructing five -person "family members" to express his warmth of the cold reality。Just as after the first quarrel between Dong Ye and Su Ying，The two reached a reconciliation in front of the window，Therefore, the lens that shot from the back highlights the meaning of "a family of three"。It is in the ambiguous of multiple identities，It is the three paragraphs that Zhiyuhe arranged for succession，The core of the discussion of his new film: the embarrassment and joy of the car washing room -the establishment of a family of five people; the affectionate confession of the Ferris wheel -the mother and child cross the time and space All children's birth。The same "criminal narrative" of "Thief Family"，"Customer" pays attention to the dark side of social reality，But Zhiyuhe's imagination of fairy tales through the pronounced talked about seeking these marginal groups seeking a utopian on the other side，Just as the female police officer at the end of the film collects the children of Su Ying，The story has gone to the warm ending of "Evil Beat and End"。

Someone said，It is the clever place of Zhiyuhe，It is that he can seamlessly fit the warm family drama bet365 best casino games and the cruelty of reality。This way of observing society and creative expression，More or less related to the experience of making TV documentary for many years。When the impactful story content uses a large number of scenes with a large number of views greater than people to express，Passing to the eyes of the viewer seems to be weakened into a beings in ordinary life。In a large society，Such unusual patching family seems to be in the real space behind the streets in the front of the street。With the increasing the phenomenon of no chance of Japanese society，The calm and polite appearance in real life may hide complex relatives，Family structure and family functions are also constantly reconstructing，Even weakened。but the lens of Zhiyuhe always tolerate the power of the edge of the society，It also expresses the deep friction between family and society with great metaphors。

■ "Guest" poster information picture

　　East Asian aesthetics lying

The unique things in Japanese culture are aesthetically created by Zhiyu and the most vivid creative tone: calm、tolerance、True、restraint。"No one knows" tells the story of a single mother and four children。Since the four children are black households that she and disagree，They are not going to school，Alive without anyone's attention。In order not to attract attention，Only the eldest son "Ming" can go out to shop，Responsible for the diet of the family，The remaining three children have been at home。After knowing the new boyfriend，The mother chose to abandon them，In the next few months of no one,，The little daughter crashed unexpectedly from the ladder at home。Different from the film is，The young daughter in reality died in the eldest son "Ming" and the partner's abuse。Instead, Zhiyuhe did not eventually put such cruel reality on the lens，This is also his very temperature adaptation。

The whole film is extremely restrained，It is difficult to find the subjective attitude from the creator，Let the viewer understand the life of the four children like a third eye。He uses a long lens to scattered the audience's attention to the "abandoned incident" itself，Leave a large number of empty lenses to various living objects，Make the audience always maintain a sense of alienation when watching the movie。And this is the sense of alienation that is not shocked by this kind of Japanese thing，Created bet365 live casino games a dark current surging that made the viewer unpreplace。

"Ru Father Like Son" described a comfortable middle -class family who suddenly learned that their 6 -year -old child was taken wrong when he was born，Following the story of ethical difficulties。In a camping，Two decisions of holding the wrong child to completely change the child back to the original family life。Faced with such sharp or even some ethical topics of dog blood，It is the lens of Zhiyu and the frank communication between father and son on the quiet river bank，Dialogue between father and son appears to be subtle and normal in the flowing water。"Sea Street Diary" (2015)，Three sisters with a big grandmother after the death of my father，A common life of my sister who has accepted the same mother。It is the focus of Zhiyuhe in the daily life of the four sisters，Describe the very different character of the sisters，The narrative atmosphere is simple and relaxed。A large number of daily narratives that seem to have not promoted the storyline，But full of understanding of Zhiyu and the understanding of bitterness and joy。Dilute the morality of ethics，Pay attention to the feelings of things itself，The aesthetic consciousness expression of Japanese material sorrow。For the viewer，The true meaning of the aesthetics of things is that even if everything is unpleasant, it will return to the calmness of the normal life track。

It is worth noting that，It is Zhiyuhe always favored the more localized story content，It was also considered by the film industry to be not easily understood by viewers outside the Asian market。But obviously the international honor of Zhiyuhe reflects the international generality of these movie themes。Starting from the small perspective of family theme，is Zhiyuhe's structure of Japanese society、Welfare system and other issues are placed under the eaves of the "family"。Even if the viewer is not in the cultural background and value system of Asia，It is also easy to resonate。It is Zhiyuhe once stated on the film "Top" (2008): "My publisher believes that this movie can only be understood by Japanese people，In fact, foreigners can also。I thought no one would be like the mother in the film，In fact, many people tell me，This role makes him/they think of his mother。”

Family State Relationships in the East Asia Cultural Circle、Knowing relationship、bet365 best casino games Family structure and seniority levels are based on deep -rooted Confucian culture，Even if global development is developed,，The gap of Eastern and Western culture is also huge。But Zhiyuhe's paranoid pursuit of real sense，Mixed empathy of East Asia's special culture with the fundamentals of human nature to a large extent。For international audiences，It is Zhiyu and the casual things that can make him walk freely in public topics and private spaces，Its linear prose narrative method，Xianjing、Underly implicit lens language，Provides the audience with the imagination carrier with more East Asian cultural charm。

　　Artistic cure of the post -epidemic era

Even Zhiyuhe's films are selected from cruel and realistic social phenomena，But this does not conflict with his film soothe people's social functions。He insists on creating with a small perspective of the edge characters，Abandoning hero character，Againment of abandonment of people at the bottom people requires the rescue of others。For the same subject matter，Perhaps other directors will deal with drama conflicts，or even hysteria，but Zhiyuhe can calm down、restraint、Frequent narrative treatment to weaken failure and pain。For society，Its works can undoubtedly cause people to reflect to a large extent; for the audience，They can also pass on to enjoy the current daily life、Active hint of love for ordinary life，Soothing people、Relieve uneasy。

It is reported，At the end of 2021，The annual search keyword released by Google is "How to Heal"; in the health field，"Vaccine", "Psychological Health" and "Helping others" search volume is the largest annual growth，"Why am I sad" search volume is the highest in history。anxiety、Stress、Search for topics such as sadness and treatment，All reached the peak in 2021。2022 The first half of the year，The global new crown pneumonia's epidemic is not eased，plus the Russian and Ukraine War、The occurrence of "Black Swan" incidents such as the surge in the American shooting，Many countries and regions are in an unstable anxious atmosphere。In this era background，Maybe a small perspective video of real life，Can provide the audience with a warm and quiet artistic healing。

It is the sense of power transmitted by Zhiyuhe，It is calm and calm when facing the suffering of life; the tenderness passed by，It is a small luck that is impermanent，It is even more loyal to Bet365 app download life itself.。His delicate daily depiction，Always remind the audience's beautiful moments that are easily ignored in their lives。"No one knows"，A smile that overflows the face when eating instant noodles; in "Sea Street Diary"，The little girl is free to enjoy when she is through the cherry blossom forest; in "Thief Family"，The family is worrying about the carefreeness by the seaside ... under all kinds of imperfect life，It is Zhiyuhe that can always make the viewer feel the vitality。Perhaps this is exactly the advantage of small perspective films that are easier to realize empathy。Life is ups and downs，Is my usual life the happiness of others? Just like "Deeper than the Sea" (2015), grandma said a lot to frustration: "Why don't people live in the moment，Always chase some things that have been lost or out of reach。Not open -minded，Never get happiness。"" Enlightenment or healing，It is Zhiyuhe all left to the audience enough distance and space to feel。Simple and ordinary angle of small perspective，Perhaps it is the cure harbor in the future of the epidemic era。