Painting genre is a common cultural phenomenon in the history of Chinese and foreign art development，It is an important path to study the characteristics of painting art style and cultural era。The biggest difference between the research and artist's case research is，The former can pass through a painter group，better observe a era、philosophical thought in a region、literary and artistic trend and regional cultural characteristics，So it provides a rich and three -dimensional space for the writing of art history。

"Chinese Painting School" (Zhou Jiyin，Zhejiang University Press, September 2020) Concentration presents the author's in -depth thinking for the Chinese painting system for more than 50 years，To build a discipline system for contemporary Chinese painting school、Academic system and discourse system contribute wisdom。

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Research on the Chinese Painting School，Especially in the concept definition of the Chinese painting school、Connotation standard、style inheritance and other aspects，The author contributes the greatest，A set of rigorous、Complete academic architecture and theoretical system。In the general theory of "My Chinese Painting School View" part，The author uses the method of research，To explore speculative tone，Elapsed my opinions on the issues of Chinese painting。After summary refining，I think the following three issues are the most important、The most influence。

First，Painting School is a serious academic concept。Chinese painting genres were produced in the Tang Dynasty，After the generations have formed a variety of styles of paintings，Especially the Ming and Qing Dynasties can be described as the painting faction。The word painting first appeared in the concentration of Dong Qichang at the end bet365 Play online games of the Ming Dynasty，But the collection of essays is generated by its source change but unknown。The author thinks，The names of the painting school in Chinese history are mostly summarized by later scholars，This is a serious academic problem，Some have formed a conclusion，Some are still in the debate stage，Ruzhou eight monsters and the name of Yangzhou painting school，The eight houses of Jinling cannot be called Jinling Painting School。Research on the various schools of the book，Whether it is positive explanation，Still negative criticism，Always follow the connotation of the school，Getting objective and fair、History Theory has the basis for。

2，The formation of the school must have three basic conditions。Most of the paintings in Chinese history are not conscious，but spontaneously formed，often one or more influential painters directly or indirectly affect the painter around him，Then gradually form aesthetic pursuit、Painting style and creative techniques with similar painters。The author proposes it clearly in the book，The formation of the school must have three basic conditions: First, there must be a person in the open school，Second, there must，Third, it is similar to the painting style。This view has been universally recognized by the art history theory，Become the starting point and foothold of many scholars engaged in the research of painting school。

third，Painted school is still good。At the end of the 20th century，In order to polish the regional cultural brand、Improve cultural influence，One after another began to create painting school，Some places are born like mushrooms after the rain.。Although there are many spontaneous formation，But most of them are consciously established for business hype。For this phenomenon，The author puts forward the view that "painting is still not created" in the book。He thinks，Painting school with commercial hype created，Not only bet365 best casino games is it not conducive to the inheritance and innovation of the excellent traditional culture of China，It is not conducive to the prosperity and development of contemporary art。Actually，Artificial creation of painting factions not only cannot form a true painting genre，It will also limit the artistic creation vision of the artist，Equal artist's art creation ability。

The author is intended to use a macro view in the general theory part，Discuss the definition standard of traditional Chinese schools、Connotation and contact。In part of the discussion part，Using Xue Yongnian's history of Chinese paintings in 1993 includes two meanings of "durable painters" and "synchronized local painting"，To elaborate on your own painting case research。

　　Literary painting is closely related to folk art

There is a special painting genre，They are not limited to one time，Instead of running through the history of Chinese painting，It has been continuous for more than a thousand years，even the mainstream of Chinese painting。If the Tang Dynasty Wang Wei was the "literati school"、"Jiangnan Mountains and Shui Painting School" from the five generations of painters Dong Yuan Kaishan。Strictly speaking，It cannot be summarized and studied with ordinary painting genres。If you look at the theory of Western Literature and Art，This is first of all the inheritance and continuation of a creative method; it is placed in the traditional Chinese social and cultural context to inspect，It is the inheritance and continuation of the ideal spirit of traditional Chinese painting aesthetic and aesthetic ideals，It is the image -oriented expression of the beauty of the beauty of China and the national spiritual temperament。

Literary paintings from Wang Wei's "Poems in Poems，Poems in the Poems "The aesthetic taste starts，Transplant the romantic creative method of poetry into painting，Founded a realistic chasing realm with the hospital、Confrontation of Fully Aesthetics，With bet365 best casino games Su Shi、Mi、Wen Zhengming、Add by cultural masters such as Dong Qichang，The literati painter obviously occupies the upper hand in the right to speak。The Yuan Dynasty was the highest peak of the development of literati painting，Huang Gongwang、Wuzhen、Ni Yan and others raised the "altitude" of literati paintings again and again，Make literati paintings monopolized in the painting world，The remaining continued。It can be said，Literary painting is an artistic expression that is highly summarized by traditional Chinese Confucianism, Buddhism, Taoism, and humanistic spirit，Especially literati landscape painting represents the highest achievement of painting art in ancient Chinese society。

The author of the book agrees that Xue Yongnian summarizes literati paintings as "durable painter's faction"，And the social foundation of literati painting under this theoretical concept、The nature of the school、Artistic characteristics, etc., did in -depth research。The author thinks，Compared with the hospital painting，The relationship between literati painting and folk art is more closely，Many literati painters have learned the advantages of folk art，To enrich your work，In turn, it has also promoted the improvement of folk art。At the same time，Literary paintings and courtyard paintings are on the view of aesthetics、Differences in artistic insights and creative methods，To some extent is realism、Romanticism and formalism、Results of naturalist struggle。These two important views are the author's presented by the author in the early 1960s，It has an important impact on the study of the history of contemporary literati painting，This is an objective、Kenye academic attitude。

In recent years，Many results of the research on literati painting research focus on their philosophical forms and cultural forms，and less discussion on its origin at the technical level，or does not regard this as a key content for studying literati Bet365 lotto review paintings。Literary painting as a modeling art，Desert in in -depth research at the technical level，Can't help but say that it is a directional deviation or even misunderstanding。The author of the book takes into account the philosophical form and cultural form of literati painting，Repeated emphasis on the technical level and artistic style to identify and judge the aesthetic concept of the inheritance of the durable painter。So that is so，Can better confirm each other from two aspects: philosophy and technical details，Therefore, the systemicity of the book's research content is further improved、Plateral and objective。

　　Painting faction forms when the times with the times

The formation and development of traditional Chinese school is not presented by a fixed mode.，Instead of showing a variety of cultural forms because of the time，As I mentioned earlier, the literati painting school、College Sports School、Jiangnan Shanshui Painting School, etc.，can be called a big painting school。So，Some are in a dynasty、A period of time or a certain area，There are some like -minded painters who are consciously established because of the pursuit of art and the same or the same as the ideal ideal.，They have the leader of the painting school、There is a main force to，Even there are clear artistic claims，Ru Dong Painting School、Changzhou Painting School, etc.。Some are because the activity area or the same origin，But the artistic style is pursuing different，Research and promotion by later researchers as a group，So as to get the name of the school，Such as Wumen、Eight Family of Jinling、Yangzhou eight monsters, etc.。Painted factions can be called small schools。Also because of the small painting school for a while、Scope limit，The inheritance context is relatively clear、The history of the world is richer，Therefore, it is valued by later generations of scholars，The research results are relatively rich，But often there is a lot of controversy bet365 Play online games in the name of the school。

The author selects 17 paintings that have important positions in the history of Chinese painting for research。where，For Zhejiang Painting School、Auntie Painting School、The study of the Lanzhushi Painting School is the most deeper。In this part，The author used a unified title method，That is, the research of each school has highlighted their open characters in the title，Ru Lan Ying and Wulin School、Hongren and Xin'an Painting School。I think，such arrangements，It is designed to emphasize the artistic proposition of the painting of the paintings、Painting inheritance and other problems，It just coincides with the author's understanding of the three basic conditions formed by the form of painting.。Compared to the Polison School、Lou Dong Painting School、Changzhou Painting School, etc.，The Nan Ping Painting School, which is popular in the Huzhou area, is not well known。Actually，Good at the auspicious theme of flowers and birds、Shen Yan of the Five Dynasties Huang Quan's sketch is a painter with great influence in the early Qing Dynasty，Especially in the history of Chinese and Japanese painting exchanges, contributions，Shen Yan was hailed by the Japanese art community as "imported painter first"，and being regarded as the Kai Pioneer of the "South Ping Painting School" in Japan。The author thinks in the book，Shen Yan is the representative of the Chinese auspicious meaning theme painting，He uses the method of symbolic art to create art，Reflecting the early Confucian aesthetic characteristics of nature，Ancient、The Qing Dynasty of the ancient Qing Dynasty can be described as "crane" painting altar，Can be called "Fenglin"。

"Zheng Banqiao and Lanzhushi Painting School" is the author's heavier part，One of the important views attracted my attention，That is, Zheng Banqiao called himself painting bamboo as "no teacher"，The author believes that bet365 Play online games Zheng Banqiao is "a teacher"，It's just the "non -mud ancient method"。The painting of the paintings of the Qing Dynasty is common，Many painters are deep in ink，But because of the unable to jump out of the ancient pen and ink barriers, the achievement is flat。On the contrary，Such as Shi Tao、Eight Dashan people、Gong Xian、Hongren's generations can break through the cultural dilemma of the times，Standing at the height of "Pen Ink Dang Sui Shi"，Conscious cultural change awareness，Therefore, it occupies a chapter of the history of Chinese painting。

　(Author Unit: Institute of Cultural Research Institute of Ningxia Academy of Social Sciences)