Sinicization of Panda Luo Buddhist art style
July 26, 2022 08:47 Source: "China Social Sciences", July 26, 2022, Issue 2456 Author: Wang Lu

As an artistic humanistic symbol,Buddhist statue art occupies a pivotal position in the spread of Buddhist beliefs。6th century BC,Buddhism was born in ancient India。1st century AD,Guishuanga greasy color ga rule,In India、Greece -Rome -Rome and Persian culture in the context of long -term mixed blending,Greek classical art and Indian Buddhist culture are fused in the Pandoro area northwest of India,Forming the art of the Panda Luo Buddha。The artist breaks the ban in the past and cannot directly show the Buddha's ban,Imitation of Greek sculpture created a large number of Buddha statues with Greek artistic characteristics,provides a intuitive for Buddhist culture、Beautiful portrait art expression form。

The birth of the art of the Pandao Buddha statues,Not only a major event in the Buddhist world,And occupy an important position in the history of world art。With the spread of Buddhism,The influence of the artistic influence of the statue of the Panda Luo Buddha has gradually extended from northwestern India to Afghanistan and Central Asia,mainly concentrated in Hada、Garbin Test、Baman、Fengdu Kistan and other areas。These areas are spreading to China in the process of Buddhism and Buddhist art,It plays an important bond function。Between the 2nd and 3rd century AD,Panda Luo Buddha statues via Central Asia,Beginning along the Silk Road,Crossing the Pamir Plateau to the east to Xinjiang, China。The fusion of the art of the Panda Luo Buddha with Chinese native culture,Evolution new visual forms,A far -reaching impact on the development of Chinese Buddhist art。

bet365 Play online games The Eastern Han Dynasty Wei, Jin, Northern and Southern Dynasties,Buddhism becomes the main religion in Xinjiang。When the Buddhist art of Dharao is famous for the world,With the spread of Buddhist righteousness,Guizi in the middle of the Silk Road (ancient country in the West,The art between the art between the Xinjiang Uygur Autonomous Region and the two counties of Shaya) is also booming。Guizi is a Buddhist North Road Communication Center,The art of Guizi Grottoes is obviously infiltrated by the art of the Pandao Buddha.。but but,Different from the art of Buddhist Buddhism in Panda Luo,Guizi Grottoes Art is mainly Buddhist murals,Supplemented by the statue,This form of change may be limited by local sculpture materials。The content of the murals is mainly the story of Buddhism,There are two forms: single composition and horizontal scroll long shaft。The former focuses on the representative story plot scene,Often make several representative plots in a picture。The latter continuously expands many stories in one direction,and use houses or trees as the prelude to each story plot。In terms of line color tone,Crystal paint color multi -use halo,To express the muscle and volume of the character,It has obvious Greek -Roman art style; at the same time,Chinese traditional painting techniques have experienced important changes here,The outline ink line is not significant。Organic combination of foreign culture and traditional Chinese,It has formed a valuable cultural heritage that has been excited for thousands of years,At the same time, promote the continuous maturity of Chinese painting art。Another,Kashgar Sanxian Cave mural techniques that appeared in the 3rd century AD mainly used flat -coating and dyeing,Bet365 app download Between or using thick thin lines,Most of them use monochrome,This is the product of Western art techniques and Xinjiang local national art techniques。Because the era is earlier than the turtle mural,It can be regarded as the source of the turtle mural,This further confirms the result of the two major civilized systems of the East and West Civilized systems in the intersection of the two major civilized systems of the East and West。

Kizil Grottoes are typical representatives of Guizi Grottoes,A head of the Buddha unearthed from the New Cave 1 Cave 1 inherited and developed the feminine art tendency of the late Pandra Buddhist statue。The head of the Buddha is painted clay sculpture,Wave curly hair is stone blue,Its face is full and light,Eyebrows like the first month,Stretch of the eyes,Eyeline low,The overall image is beautiful and handsome、Compassion and peace;,Following the characteristics of local ethnicities and local aesthetic tendencies。This Buddha's head has both realistic and emotional expression,A serene and quiet smile at the corner of the mouth,Can't help but remind people of Hada Buddhist art。Hada is located in eastern Afghanistan today,It is one of the largest Buddhist temples and Buddhist centers in the world in the 1st to 3rd century.,New style of the art of the Graphor Buddha Buddha statue with outstanding technology,Represents the statue of Buddha who is serene and quiet in expression,Most of the feminine Apollo -style beautiful men's style。The feminine process of the Panda Buddha statue can be traced back to the era of expensive frost,Guizi Art is the extension of its nationalization。This soft landscape、Female statue steering,It has a lot of impact on Buddhist art styles in Hexi and Bet365 lotto review Central Plains。Dunhuang Mogao Grottoes in the eastern section of the Silk Road,Buddhist figures with many graceful figures,For example, the exquisite bodhisattva statue of Cave 45: Small skin,Flexible face,Views Tenderness,Two -in batch。The statue of Fengxian Temple Bodhisattva in the Tang Gaozong period in Longmen Grottoes,It will also be plump、Beautiful、Gorgeous state is engraved to the fullest。

Late Pandor Buddha Buddha statues are increasingly stylish,Early Greek humanistic idealized beautiful style,Gradually converted into a concise summary、The straight shape of the positive performance。The Garbi Test style of the art statue of the Panda Buddha in Afghanistan,The art form of the transition from classical humanism from classical humanism to religious mystic,Has an important promotion role for the development of Buddhist art。The earliest Buddha -like style introduced to Xinjiang,"Back of the shoulders、Water under the feet "and backlight with the backlight of the Gabi Test Double God Change。such as Castle 118 and Cave 207 Crichs、Bayihar Thousand Buddha Caves 3 Cave Macau and the murals of the Qianfu Cave Cave Cave Caves,Chinese -based flame shoulder Buddha statues appear,Most of the single -line flat coating plus faint,Pay attention to the unity of the soul。After entering the Central Plains inland,The realistic style of the art of the statue of the Pandoro Buddha is integrated with the local culture and art traditions,Localized steering occurred,Although it still retains wide ears、Bending eyebrows、Cheeks such as the cheeks and other,But the bridge of the nose starts to become lower and flat,Eye eyes tend to be long。Northern Wei Dynasty,The focus of the Buddhist world gradually moves to China,Buddhist Bet365 lotto review art becomes an important carrier of Chinese culture。As "Yungang Great Buddha" in Datong, Shanxi,That is, the third Buddha central sites of the Fifth Cave in Yungang Grottoes, Construction before the south of the Northern Wei Dynasty,It is said that it is based on the image of Emperor Wu of the Northern Wei Dynasty。The Buddha statue is about 17 meters high,The body has the courage and spirit of nomadic people in the northern nomads,Make meditation print with both hands,Wear a right -shoulder robe,Express the clothing fold with folding pattern。Buddha statue big earlobe shoulder,Eye Observation Exmutation,dignified and reserved,These are all expressive techniques that conform to the traditional art tradition of Central Plains。But from its high nose、Width、Big Eye、Lip thin and other facial details,Still recognizable to recognize the influence of the art of the outer region 外。Yungang Great Buddha in the accumulation of traditional carving techniques in the Central Plains during the Sixteen Kingdoms,Drawing the art essence of the Pandao Buddha statue,Promoting the Chineseization of Buddhist art、Emotionalization。

Buddhism in the Northern and Southern Dynasties and the Sui and Tang Dynasties has developed rapidly,In particular, it has been widely recognized by the ruling class。Emperor Liang Wu、Emperor Sui Wen、Wu Zetian, etc.,All use Maitreya faith for political propaganda,It is required that the craftsmen to shape the big Buddhas for worship according to their image,Maitreya image began to have strong political colors。"The Big Cloud Scriptures" on the monk Faming,Drawing Wu Zetian as the turntable king of Maitreya in the current final era,Provided it with the legitimacy of the public opinion Bet365 lotto review of the Emperor's regime。Dunhuang Mogao Grottoes at the Peking University Buddha sitting statue,excavated in the early Tang Dynasty Wuzhou period,Sitting Buddha as a stone tire clay sculpture,high 35.6 meters,Brew in the face,The facial features are relatively flat。It is worth noting that,This Maitreya is well -proportioned,Wearing a Tang -made skirt women's clothing,The performance is the image of Wu Zetian。other,Dali Buddha statue of Cave 47、Dunhuang Beiliang No. 275 Caves of the Bodhisattva、Yungang Grottoes No. 17 Cave Master Buddha、Bingling Temple, Cave 171 Dali Buddha statue, etc.,The performance of the Papigram of Sinicization is all performed,Multi -face round circle、Width of the forehead,Calm expression,Slightly smiling,No hair pattern,Original shoulder -type right -shoulder coat gradually evolved into a "V" type or "U" type,Line body。

The art statue of the Pandoro Buddha provides the initial paradigm for the development of Chinese Buddhist art,But the Sinicization of the art statue of the Pandoro Buddha is not a simple transplantation and imitation,but a long journey of a long convergence of mutual fusion between different civilizations。Chinese culture under the premise of adhering to its own regional culture and artistic characteristics,Both open and inclusive attitude and foreign culture,allowing Chinese Buddhist art to continue to have vitality,and spread their own influence to farther Korean Peninsula and Japan,reflects the diverse phase of different civilizations。Chinese cultural factors、Aesthetic consciousness and art traditions accompanied by the movement of time and eventually occupy the leader in Buddhist art styles,This reflects the formation of national bet365 best casino games unified consciousness、Civilized autonomy and maturity of ideological views and aesthetic concepts。Under the cultural perspective of the integration of east and west culture today,It provides us with a good paradigm for multiple civilization exchanges and mutual learning worldwide。

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(Author Unit: Academy of Art of Suzhou University)

Editor in charge: Zhang Jing
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