6th century BC to 5th century BC，The rise of Buddhism in India，and experienced two typical development stages of theravada Buddhism and Mahayana Buddhism。With the development of theravada Buddhism，Buddhist aesthetic image symbols begin to form，To the Mahayana Buddhism period, it is prosperous。The construction of Buddhist aesthetic image symbols complement each other with the development of Buddhism.，It is also closely related to the development of Buddhist art。Buddhist aesthetics presents the choice of different values ​​in different periods。At the same time，Due to the special nature of ancient Indian history and national composition，The development of Buddhist aesthetics was double influenced by ancient Indian local culture and foreign culture。So，Buddhist aesthetic image symbols show the overall unity、Various artistic features。

The Indian Peacock Dynasty (324 BC 185 BC) and the Dajia Dynasty (185 BC — 73 BC) were the main time period for the development of theravada Buddhism，It is also the early stage of the constructing of Buddhist aesthetic image symbols。Theravada Buddhism advocates "conscious self -interest"，Like practical expression of the attitude of life，Therefore, idol worship is not advocated。So the basic characteristics and principles of early Buddhist aesthetic image symbols are no Buddha image。This phenomenon is because Buddhist philosophy believes that all things are made from all kinds of "causes" and combined，They are in an illusion state that is constantly changing，No fixed、The original essential form of the original and stable original，Gathering，Destruction and scatter。As the "Vima Sutra · Disciple Third" Bet365 app download said: "Silent，Destroyer。Fats away from phase，No reason ...，Dharma separated from all observations。"Buddhism regards the nature of objective existence as" empty "(impermanence)，I believe that any objective single factors and conditions cannot reflect the nature or truth of things。Theravada Buddhism regards "empty" as the highest principle and concept of beauty，No impermanence is allowed to be eternal，The statue art is fixing the impermanence and eternalization，The philosophical concept of theravada of theravada Buddhism。But，The development of religion must use intuitive image symbols，To solve the contradiction between the concept and reality，Aesthetic image symbols of theravada Buddhism can only be used by things，Adopting symbolic expression methods to imply the existence of Dharma and Buddha。

In specific performance，People generally use Bodhi trees、Falun (wheel)、Lotus、Buddha footprint、Lion Pillar、symbolic image symbols such as 窣 blocking waves to reflect the spirit of the Buddha's spirit and the aesthetic meaning of Buddhism。People give these natural or daily spiritual content through imagination and association，Make them an expression form of Buddhist aesthetic concept。such as，Bodhi tree symbolizes the Buddha's understanding of the Tao; the first preaching of Falun images represents the Buddha; lotus image originated from the ancient Persian，Lotus is flawless、The physical characteristics of the sludge and not stained，Buddhism incorporates lotus into its own aesthetic category，Born by the lotus symbolizes the Buddha in the troubles of life and death，But not interfered with these worldly troubles，Then symbolizes the wonderful mood of the Buddha's purity and consciousness。In ancient India，The Buddha is considered to have reached the realm of getting rid of the bet365 Play online games reincarnation，The body is not displayed，Only footprints can appear，So the footprint image of the Buddha is regarded as a metaphor for the image of the Buddha。Lion Pillar (or Asho Wang Shizhu) symbolizes the axis of the universe，Its shapes and constituent elements are affected by ancient Persian and Western Asian culture。Elephants decorated on the church stigma、Horse、Bulls、Lion，Both the majesty of the Dharma，It also symbolizes the four positions of the world。Blocking waves are the pagoda for preserving Buddha relic，symbolize the Buddha's entering Nirvana。Nirvana Realm is the highest ideal of many religions in India。Nirvana during the Buddhist period of theravada refers to the entanglement of the physical and mental getting rid of external things，The state of the heart is like a mirror，That is to achieve unrestrained free realm。窣 The Blip -shaped Tower body symbolizes the golden eggs that bred the universe in Indian mythology，The umbrella on the tower symbolizes the axis of the universe，The three -layer umbrella cover symbolizes heavy heaven and Buddha、method、Monk Sanbao。A fences are generally built around the pagoda，It is covered with sculptures with local characteristics of Indian.。In these relief patterns，Anyone who should appear in the image of the Buddha is used in a pagoda、Bodhi Tree、Falun and Buddha footprints and other image symbols have been replaced。The significance of the Mahayana Buddhist aesthetic image symbol is，Although they do not show the image of the Buddha intuitively，But still effectively conveys Buddhist aesthetic meaning。These image symbols are not only a symbol of the Buddha，It is also a symbol of pure mood，Reflected the aesthetic concept of Buddhism。

1st century AD，Mahayana Buddhism has emerged in India。During the spread of secularization，To adapt bet365 live casino games to the cognition and understanding of the general public，It must be popularized by abstract and esoteric reason，Convert the abstract Buddhist aesthetic image symbol into an image symbol of the image。So，Mahayana Buddhism began to learn from Indian religious idol worship traditions such as Brahmanism，The image of the Buddha appeared therefore。The origin of the Buddha statue is more complicated，Its development has experienced a variety of styles of flow。In ancient India，Early Buddha -style styles are mainly influenced by ancient Greek and Guishuang culture，Typical representative is the Buddha statue of the Dharao -style Buddha。With the deepening of the influence of the local culture of India，The style of the Buddha statue has gradually changed to India，Then there is a horse earth -like、​​Luye Garden style and multi -style types of typical localized style Buddha styles。

Pantra is in northern Pakistan today、The combination of eastern Afghanistan and northwestern India，It used to be one of the sixteen nations of ancient India，It is also the province of the ancient Persian Empire。After the Persian Empire Destiny，Dharao was included in the rule of Alexander Empire。After the death of Alexander，Many Greek Kingdoms have been established throughout the East，Dharao is one of them。During the rule of the Guishuang Dynasty (about 15-425)，Buddhist art has been developed for a long time。The Greek statue making tradition and engraving technology with the East of Alexander and the Buddhist culture in the Panda Luo area，formed the famous Panda -style Buddha statue。The Buddha statue of the Dhara -style Buddha borrowed the shape of the image of the gods in ancient Greek art，It has the facial features of the Greeks; affected by Guishuang culture，The face of some Buddha statues also has short beache。，The Buddha statue of the Dharao -style Buddha presents Indian Bet365 lotto review -style meditation，Sub -noodle head light，Dressing the shawl robe，and the stylized sitting position and gesture symbolize Buddhist justice。Compared with the Buddha statue of the Panda -style Buddha，The construction of the Matthery -style Buddha statue presents another situation。Ancient India's Marthara region Ronghui Brandonism、A variety of religions such as Buddhism and Jain religion，It is the place where the traditional Indian aesthetic thought collision，There are many sculpture artists with traditional consciousness。They are good at making Yasha and other idols that have been respected by the religious religion of ancient Indias，provides a model for the construction of the idols of various denominations。Before the appearance of the Buddha statue，Brahmanism has been circulating for a long time in the local area。In order to develop better，The shape of the Buddha statues in the Malaysia area actively borrows the image of the gods of the Brahmanism，Aesthetic image symbols with Indian native ideas。

In the 1930s，As the Guishuang Dynasty began to decline，Ancient India's Mo Jie Tuo area (about 320-540 years) gradually emerged，and introduce the development of Indian history into the "Golden Age"。The development of Buddhist art during the Duoduo dynasty developed to extremely prosperous，The shape of the Buddha statue is developed towards a more complicated and gorgeous style。Luye Garden Region (now Salnat) with feminine Buddha statues opened the prelude to the appearance of a multi -style Buddha statue。Dujin -style Buddha statues on the basis of inheriting the aesthetic tradition of Buddha statues such as Pandra and Marthara in the era of Guishuang，Get rid of the restraint of Greek statues aesthetics，Starting to construct a Buddha image with the aesthetic standards of Indian nation。The Buddha statue at this time has bet365 best casino games a typical Indian face shape，Eye semi -closed，as a province for contemplation; the shape is more beautiful，Pass -shoulder robe like a wet body，shows the purity and flawless shape of the Buddha and the pure soul; the head of the Buddha statue has gorgeous and complicated plant pattern decoration，Symbol of the Buddha's Shen Si Ming thought that it has entered the colorful cosmic space。These new ways make the body of the Buddha statue reach a highly harmonious unity with the Buddhist spirit，Push the development of Buddhist aesthetics into the heyday。After the appearance of the Buddha statue of the Difangle，The expression of the aesthetic image symbol during the Mahayana Buddhist period did not abandon the symbolic image symbol of theravada Buddhist period，Instead, the Buddha、Bodhisattva、Ganda、The symbolic image symbol of the Pharmaceutical fork girl and the Mahayana Buddhism period is integrated，Forms a rich and diverse Buddhist aesthetic style，and presented in the form of sculpture and grotto murals。

To sum up，The construction of Buddhist aesthetic image symbols accompanied by the rise and development of Buddhism。Image symbols of early Buddhist aesthetics Constructions were influenced by the Indian river civilization and Indian folk culture，On the other hand, it is also affected by the ancient Persian culture and Western Asian culture。The construction of Buddhist aesthetic images in the later period mainly revolves around the Buddha statue，The construction of the style of the Buddha statue is doubled by the Indian local culture and foreign culture，and extensively absorb the aesthetic image symbols of other sects in India in the same era，From the original Greek Buddha statue style to gradually transition to the Buddha -like style with local characteristics。These Buddhist aesthetic image symbols are completed after the construction of India，With the spread bet365 best casino games of Buddhism on the Silk Road, enter Asian countries。People of all countries in their own culture、Factors such as art and living customs，Actively absorbing Buddhism's righteousness and artistic style，Integration and developing Buddhist aesthetic image symbols with local characteristics，The form and cultural connotation of Buddhist aesthetic image symbols are enriched at the macro level。

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